The Yellow Wallpaper Response Essay

At no point in time did the couple attempt to privatize their lifestyle by putting up curtains to cover the window. Seeing as Diane also choose the same position to live with no curtains covering the window as she was younger and now as mother of a three year old child, she can relate to how that lifestyle brought her happiness. The couple’s style of living reminded her of how she used to live to point that they became a symbol of her younger years. After some time, Diane became engrossed with their lives. Their lives grew into a part of her life as her fascination drew her closer; she even picked up on the smaller things in their lives, such as the buying a new pot for plants. In subsequent time, the couple was forgotten over the seven to eight month period of time in which the couple had become absent to their room and only the girl would be seen from time-to-time. Following this, Diane saw a chubby in the room with a skeletal bald man. She came to the conclusion that he was terribly sick and she started to watch the window all the time. Over some time, the man would just be seen lying in bed curled up with his head to the window. He dwindled in size as the days passed and one day, with a notice from her husband, she gained knowledge of activity going on in the couple’s bedroom. She saw that people had gathered around the man in this room to give their goodbyes.

She is the one who urges her husband to turn on the room, however, little does she know, that soon both of them will be murdered by the artificially rendered lions of the high-tech room, a long-time fantasy of their children, as practically foreshadowed by the bloody handkerchief and chewed wallet..A similar example to that would be when Peter says “I wish you were dead!”, to which George replies, “We were, for a long while. Now we’re really going to start living.” (Bradbury 9).A metaphor dropped in was when Lydia complained, setting a slightly alarmed mood, about that “The house is wife and mother now, and nursemaid.” She is comparing the Happylife Home to a wife, mother and nursemaid, since it does everything that the people filling up those jobs would be doing, and therefore bringing a sense of uselessness about. “Can I compete with an African veldt?” (Bradbury 3).This could possibly create a rather bitter mood, one that will most likely also have its effect on her relationship with her children (as well as their general family dynamics), which could further prompt their urges to finish off their

Perkins Gilman’s ‘The Yellow Wallpaper’ and Edgar Allen Poe’s ‘The Fall of The House of Usher’ both serve a highly horrific purpose which is both good examples for the gothic. The strongest example of gothic is ‘The Fall of The House of Usher’ as it established the extreme horror intense and shows the gothic scene of the house.

It is also notable that the protagonist’s room is located at the top of the mansion and was formerly a nursery. At the top of the mansion, she is far away from everyone and everything and can only look out from her barred window. This is similar to the tale of Rapunzel, a girl trapped in a tower with no one to communicate with. The narrator’s room being a former nursery and playroom may also give insight to John’s attitude towards her, in that he sees her as a child that needs to be pacified and doted on rather than a grown woman that can make her own choices about her illness and its treatment. The yellow wallpaper that decorates the room is what catches the narrator’s eye, as she finds it unbearably

In the beginning of the story, “The Yellow Wallpaper”, John and his wife relocate to an ancestral home located some 3 miles away from the nearest village. John is a medical practitioner and is very well known around the area. It is very common that her husband will be called to come to very serious cases that many times result in his staying away for days at a time. Originally John believed that his wife suffered from severe depression. This idea was also backed by her brother who is also a doctor.

The narrator obviously is healthy and sane the beginning of the story but as she writes her journal begin to be questionable. She presents a slow decline in her health as she fantasizes about the yellow wallpaper. The longer the narrator stays in the room the worse she gets. She sees a women behind the wallpaper trying to escape. Some readers may feel like the women behind the wallpaper is a symbol of herself in her own confinement and her desire to be free.

The isolating and confining nature of the setting in “The Yellow Wallpaper” reflects the narrator’s feelings of oppression. The narrator’s husband, John, uses his position as a high standing physician to persuade their friends and family that the narrator is not sick, leaving her with no one to turn to about her postpartum depression. He constantly invalidates her beliefs and opinions in regard to the treatment of her own illness, and instead forces her to follow the famous “rest cure” treatment regimen. The narrator is whisked away by John to a seemingly abandoned estate, described as “quite alone, standing well back from the road, quite three miles from the village” (Gilman 77). The isolated location effectively limits the narrator’s ability

“The Yellow Wallpaper” This story is more than disturbing if you know what isolation in this manner feels like. Having no interactions with others will make you go insane and this story embodies the slow drive to the depths of despair. The Dr.’s back then thought that rest without human contact would cure a woman from postpartum depression, yet it’s more likely to put these woman into a deeper and darker depression. The wallpaper within this story becomes a part of this woman throughout the story and this helps bring the climax to the darkest hour.

With the inability to move around the furniture within the room due to the bed being nailed to the floor, the narrator is stuck in solitary confinement with no ability to make any change. This contributes to the idea of her stay in the summer house being prison like. The consistency of her confinement, and the lack of social interaction that came along with it, led to the consequent loss of her sanity. Her loss of sanity essentially builds a character out of the setting, especially the yellow wallpaper. Due to this development of character in the setting, as the narrator’s conditions progresses she initially identifies with the

While the narrator recognizes the great care with which her husband is treating her she seems to constantly feel that she is being ungrateful. She calls herself out in her journal for being a “comparative burden” (Gilman) The room in which the narrator resides has a sturdy bed that is nailed to the floor. The narrator notes that there are bars on the windows and rings hooked into the wall. She wrongly assumes that this room was used as a nursery or gymnasium by the previous owners. As the reader, we are able to instill our own thoughts that this room was in fact built to house someone with a mental disorder. This begs the question of what the house really is, to contain such a room away from decent society.

In “The Yellow Wallpaper,” the narrator, already suffering with Post-Partum Depression, is further constrained when her husband John prescribes her resting treatment for her illness. John clarifies that she must lie in bed in the same, enclosed room, refrain from using her imagination and especially abstain from writing. This, in turn, forces the narrator deeper into her

The yellow wallpaper is a story about John and his wife who he keeps locked up due to her "nervous condition" of anxiety. John diagnoses her as sick and has his own remedy to cure her. His remedy s to keep her inside and deterring her from almost all activities. She is not allowed to write, make decisions on her own, or interact with the outside world. John claims that her condition is improving but she knows that it is not. She eats almost nothing all day and when it is suppertime she eats a normal meal. John sees this and proclaims her appetite is improving. Later in the story, the woman creates something of an imaginary friend trapped behind the horrible looking yellow wallpaper in

When she enters the building where she is, either it’s actually a vacation home like she says or an insane asylum, she points out the fact that her room “was a nursery first and then a playroom and gymnasium... the windows are barred up for little children, and there are rings and things in the wall” (Gilman). This is one of the first examples of her starting to lose her mind, or lose her purity as nineteenth century women are supposed to have, believing that a room with bars and possibly restraints were for children. She also mentions how the bed is “immovable... [and] nailed down” (Gilman), yet later in the story, she says how, “this bed will not move.

Throughout history and cultures today, women have been beaten, verbally abused, and taught to believe they have no purpose in life other than pleasing a man. Charlotte Perkins Gillam uses her short story, "The Yellow Wallpaper" as a weapon to help break down the walls surrounding women, society has put up. This story depicts the life of a young woman struggling with postpartum depression, whose serious illness is overlooked, by her physician husband, because of her gender. Gillman 's writing expresses the feelings of isolation, disregarded, and unworthiness the main character Jane feels regularly. This analysis will dive into the daily struggles women face through oppression, neglect, and physical distinction; by investigating each section

In the second page of the story the narrator talks about her room in there vacation house. She says this.