The Yellow Wallpaper Sociology

Today women in developed countries enjoy many freedoms from social stigmas and oppressions in the work force, although, they are still not completely equal to their male counterpart. There are still women being paid less than men doing the same job and there is the idea that prices for female products are raised slightly higher than it is for men for the same products; however, this does not compare to the kind of oppression women went through in the 1890s. Charlotte Perkins Gilman embodied the oppression of females in the 1890s in her short story, “The Yellow Wallpaper,” which depicts a mother and wife going through postpartum depression while struggling with her male physicians and husband over her treatment plan. Critic Frances Baskerville sums Gilman’s intention for her story stating, “Her [Gilman’s] fiction was intended as a vehicle for her feminist and socialist themes, a means of persuading a general audience” (Baskerville line 2). Although one of the issues of “The Yellow Wallpaper” is dealing with postpartum depression, one of the main themes of the short story is female oppression and what everyday life was like for women in her time.

Charlotte Perkins Gilman is known as the first American writer who has feminist approach. Gilman criticises inequality between male and female during her life, hence it is mostly possible to see the traces of feminist approach in her works. She deals with the struggles and obstacles which women face in patriarchal society. Moreover, Gilman argues that marriages cause the subordination of women, because male is active, whereas female plays a domestic role in the marriage. Gilman also argues that the situation should change; therefore women are only able to accomplish full development of their identities. At this point, The Yellow Wallpaper is a crucial example that shows repressed woman’s awakening. It is a story of a woman who

Charlotte Perkins Gilman primarily advocated for women to be financially self-supporting through many of her works specifically Women and Economics. Gilman believed that to achieve the ideal “new woman,” females needed to be educated in economics and have no need to rely on men. Gilman further analyzed this idea in her book Women and Economics where

During the 19th century men considered themselves to be the superior sex. Without a valid reason or explanation, men were the providers, the politicians, and the physicians. Men had the power. The power to make the rules and set the guidelines of how things were supposed to be done and women were expected to follow without question. The 19th century was also the start of the women’s activist movement, more and more women were starting to realize that they had a voice and they wanted to be heard. Women were gaining the courage to speak up against the wishes of men and set their own guidelines. To stand up and tell men that contrary to what they believe, they are not always right. Among these opinionated women was Charlotte Perkins Gilman, the niece of Harriet Beecher Stowe and the author of many short stories and books on gender inequality. Gilman is most known for her Short story “The Yellow Wallpaper” published in 1892, where she writes about a wife and now a new mother suffering from depression. Through her work she reveals the strength and influence men had over women, the lack of knowledge pertaining to mental health and gender roles present during the 1800s.

Charlotte Perkins Gilman, an influential feminist and social critic, encouraged women to be involved in the public sphere, and not be house servants who work for their husbands. In her 1898 work Women and Economics, she discusses the importance of financial equality and writes that “When women stand free as economic agents, they will… [... better fulfil their duties as wives and mothers and contribute] to the vast improvement in health and happiness of the human race.” Her writing projected that women were economically independent raise their children and fulfil their roles as wives better than those who were economically dependent on their husbands. At a time when there were “high rents and high costs of living,” additional income would help mothers ensure that their family had proper housing and the necessities they needed to live. Charlotte Perkins Gilman conveys that women who are economically independent will further humans by contributing more to their families.

When The Yellow Wallpaper was published in 1892 the first wave of feminism was occurring, which probably had an influence on Gilman’s attitude and writing. Women’s desire to have more opportunities and being able to vote are the main characteristics of first-wave feminism. The rebellion against domesticity also played an important role in the movement as it created an uproar when women started to act “unladylike” (Rampton, 2015). Further, Gilman indirectly criticizes the men’s reaction to the feminism wave in The Yellow Wallpaper. The husband in the story clearly wants to ensure that his wife doesn’t begin to act out by belittling her, keeping her domestic, and making sure she stays under his control. He denies her requests to change the room or to let her visit family, teaching her that she doesn’t actually have a choice. Hence, it is a prime example of the suppression of women in the 19th

In the article “Catharine Beecher and Charlotte Perkins Gilman: Architects of Female Power” by author Valerie Gill, Ms. Gill attempts to bridge the gap between what appears to be two powerful women of their time with two totally different opinions of the American woman and the type of life they should lead. The author points out the obvious differences of opinions in the writings of the two women, who are related by the way, and the different era in which they write. Catharine Beecher was the great aunt of Charlotte Perkins Gilman and lived and wrote during a time when a woman working in any other place besides the home was not something that happened often. A woman’s job during this time was to raise children and make

“The Yellow Wallpaper” is known as a feminist story with obvious slanders of a desperate need for change in society. Gilman getting “The Yellow Wallpaper” published was a big step forward in the feminist movement as well as for the health and well-being of women everywhere. Even today, Gilman’s

Women, such as the main character were not viewed as equal to men during the late nineteenth century and had little say in what they could or could not do at times. Gilman was critiquing society for this attitude towards women, as this made it tough for women to contribute back to society with their own unique thoughts and intelligence. These accusations lead readers to the conclusion that women have much to offer society if they are treated as individuals as well.

During the next few years, she visited national women’s rights conventions, traveled throughout the United States as well as England, and met fellow reformers. By 1900, she had became a famous activist and writer. The same year, she married her cousin, Houghton, and started caring for her daughter again. Despite her happiness in her second marriage, Gilman still pictured a life without gender roles in the society. She used this vision and her feelings to write powerful pieces about women and their oppression. She published her own magazine, The Forerunner, from 1909-1916. Her most famous story from the magazine was “Herland” which “envisioned a completely female society in which the institution of the family does not exist only individuals and the community” (Wlladaver-Morgan 4). While she did not write “The Yellow Wallpaper” during this time, it is still representative of the feminist movement and the suppression of women.

In Charlotte Perkins Gilman’s short piece, The Yellow Wallpaper, the narrator faces many adversities as a woman such as: mental health, and living in a time period when they are not treated equal to men. Gilman’s personal life is reflected through this story because she dealt with similar challenges the narrator herself has to overcome. “Her lectures, novels, short stories, magazine articles (including her best known work, “The Yellow Wallpaper”), and nonfiction books challenged the dominant ideas about women’s role in society and helped shape the movement for women’s suffrage and women’s rights. (Dreier, 2016)” The theme and symbols not only illustrate how the roles of men and women are portrayed unequal to one another, but also the transition to insanity that comes from enforced suppression. The state of ignorance placed on women is shown throughout the story by the obstacles, reactions, and mental state.

In the Declaration of Independence, the founding father Thomas Jefferson stated that “We hold these truths to be self-evident; that all men are created equal….” Therefore, men and women are the same, and they have the equal right to pursue their happiness. However, the equality theory is not practical, and women have been fighting for their equal rights for a long history. Back to the late nineteenth century, women’s economic and social standards are much worse than man. In the fiction “The Yellow Wallpaper”, the author Charlotte Perkind Gilman, as the first person, deeply express her inner feelings, thoughts and perceptions, which truly reflects how the man dominated society destroy women’s life. The story tells us, the upper class family spend money living in a colonial mansion for three month. The women is suffering from postpartum depression, and her husband, as a physician, believes exercising, and eating can help her recovery. But the woman wants to write and goes to work, and she doesn’t like her room that covered with the queer yellow wallpaper. She is very depressed because nobody understand her, and her writing is banned by her husband, so she has nowhere to express herself. Towards the end, she sinks into false imagination of the wallpaper, and becomes a psychosis. In this story, setting, characters, and tones well illustrate that in the patriarchy society, women were undergoing sexism and they are suffering from repression and

Charlotte Perkins Gilman’s Purpose as a Feminist Writer in “The Yellow Wallpaper” In 1892, Charlotte Perkins Gilman first published her best known short story “The Yellow Wallpaper” in New England Magazine. This story is dealing with a severe case of postpartum syndrome. Gilman wrote this story “to save people (women) from being driven crazy” (“Why I wrote” 7). Despite Gilman’s own explanation, questions still remain.

Oladapo Ebenezer ENG 4U1 Ms. Cali April 21th 2015 Yellow Wallpaper Critical Analysis The feminist theory is an ougrowth of the general movement to empower women world wide. Likewise to the feminist theory the short story “Yellow Wallpaper” by Charlotte Perems Gillmarn exposes the mental state of women in the late 1800s, and perharps even of the author's own struggle with society run by men. Additionally, the three main areas of study and points of criticism in the feminist theory, likewise to the short story exist through, the diffrences between men and women, power dynamics between men and women and the female experience.

Feminism is the advocacy of women’s rights on grounds of political, social, and economic equality to men. Charlotte Perkins Gilman was an advocate for women’s rights. She was involved in Progressive Era reform culture. Gilman, author of “The Yellow Wallpaper”, illustrates in the short story that women can overcome the weight patriarchy puts on them mentally. The narrator’s husband, John, displayed paternal behavior towards her which was belittling. Gilman uses metaphors, specifically personification, to illustrate the narrator’s depression. The narrator feels she is being stripped of her identity yet triumphs in the end.