The impact of industrial revolution on modern art Essay

America had a huge industrial revolution in the late 1800”s. Many changes happened to our great nation, which factored into this. The evidence clearly shows that advancements in new technology, a large wave of immigrants into our country and new views of our government, helped to promote America’s huge industrial growth from the period of 1860-1900.

During the beginning of the 20th century the world was developing at an unprecedented, intense speed, artists were looking for a new Avant garde way to create works. Hence, cubism came to life- “a truly revolutionary style of modern art developed by Pablo Picasso and Georges Braques” (Lance 2010 :2). Many critics challenged this new style due to its unconventional use of semiotics and lack of social sense. However, this is exactly what Cubists wanted to be, unconventional- challenging the traditions of Western art which they believed had become tired and run its course.

The Interrelation between the camera, the development of realism and pigment production in Europe during the industrial revolution. Pigment production directly caused by the industrial revolution effected arts in numerous long-lasting ways, afterwards the camera would have another distinct effect on the arts forever. For the first time the average citizen would have access to high quality and numerous art materials, this bringing of material to the average person would have a dramatic effect on how people saw their environment and would start to allow them to see their world around them. Once the camera arrived it allowed the average person even more access to artwork, visions from the outside world and allowed them access to portraiture.

Pablo Picasso’s Les Demoiselles D’Avignon is considered by many to be a revolutionary breakthrough in the history of modern art. Demoiselles is a “great manifesto of modernist painting” as Picasso had abandoned all known form of traditional art, a radical break from the Western tradition that very much led to the Cubism movement (Bishop, 2002). What made Demoiselles revolutionary was that "in it Picasso broke away from the two central characteristics of European painting since the Renaissance: the classical norm for the human figure, and the spatial illusionism of one-point perspective" (Fry, 1966). Cubism had “destroyed […] the realist conventions for three-dimensional perspective which had been dominant in art since the Renaissance” (Butler, 2010). While generally credited as the first Cubist painting, art historians such as John Golding have argued that it was only a “starting point for the history of Cubism” (1958). Indeed, the picture predicates key characteristics of Cubism like the distortion and break down of objects and figures into distinct shapes, rather than being itself a Cubist painting. This analysis will concentrate on the elements of Cubism in Demoiselles and how it led to the movement.

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing

Cubism was one of the most influential visual art styles of the early twentieth century. It was created by Pablo Picasso and George Braque. It was easier for them to invent something new that no one has not seen before and both had a common interest. It was one of the first movements led by Pablo Picasso during 1907. The movement began in 1907. Cubism was very popular during the early twentieth centuries. There were two most important people to Cubism art movement Pablo Picasso and George Braque.

The Industrial Revolution lead to many changes across the nation. It created an upper-middle class that lead new taste in art and for the first time the lower classes were able to buy art that reflected their activates and environment. The art became more realistic and showed emotions during this time that causes drastic changes on how art was viewed and artists in the United States quickly responded to these rapidly changing conditions in a number of ways. Many artists began to implement technologies and techniques that were previously non-existent. With the changes that were done to the way products were being manufactured artist were able to mass reproduce that helped allows the lower classes to be able to afford their pieces. Their supply

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation

This innovation of a truer space is most evidently portrayed by the analytic phase of Cubism. Through the incorporation of the new artistic conventions the fragmentation of form was developed. The intention was to encompass the entire visual experience of an object into one image and through this idea an effective technique of breaking up form into planes and facets which each expressed a sample of visual information. The Cubist works now possessed a shallow pictorial space due to the abandonment of perspective on which these

Cubism is an endeavor to express, in visual requisites, the notion of the four dimensions. Thanks to the contribution of Paul Cézanne, cubism began as an idea but later become a style. There are three main features of cubism; multiple views, geometry, and course. Pioneered by Braque George cubism started in the early 20th century. Cubism artwork entails the breakdown of objects and reassembling them in an abstract manner (Cotter 2005). The objects are depicted from more than one point of view thus creating greater context. The Spanish artist Juan Gris made a remarkable contribution to art in this period through his work such as the “The Teacups” of 1914 (Cotter 2005). Cubism originated in France and later spread to other European nations

After Realism, a new style of art called Impressionism was developed around the end of the 19th century called. Impressionism was initially organized by a group of artists called the Anonymous Society of Painters. This group was composed of many artists including Claude Monet, Auguste Renoir, and Camille Pissaro, as well as many others (Heilbrunn Timeline of Art History). These artists were all quite independent and their styles varied considerably, but they were unified by their difference and exclusion from the annual Salon held at the Louvre. Impressionism was developed partially due to new scientific research in color theory, and partially to artists taking a step back from painting politically and returning to painting for their own enjoyment. Impressionist artists would use dabs of complementary colors right next to each other instead of the secondary color that they wished to create, because they realized that humans would perceive the color as mixed if they looked at the painting from the proper distance. Impressionists also kept the imagery very flat to remove depth in order to maintain the strength of colors. Lastly, Impressionist artist, especially Monet, used bold variegated brushwork that changes from each object to give the painting a shimmering quality. Claude Monet was a key figure in the impressionist movement. He was born in 1840 and raised in Normandy. Monet, influenced by Barbizon painters and Japanese woodblock prints, painted huge asymmetrical

Art overall is created and adored by numerous amount of people for many reasons, such as amplifying shared common visual language. The word art often branches into many different movements and components. Modern art or Contemporary art is one those components; this specific genre began mainly in the 1860’s to the 1970’s. During, this time period artists began throwing aside their own beliefs in a spirit of experimentation and the bringing of new ideas. The purpose of Modern art is to beautify one’s surroundings with intrigue, its often very diverse and cannot be easily defined through a list of visual characteristics, artistic themes or cultural concern. Moreover, Modern art is often hard to understand by people because, unlike Egyptian tomb paintings or Greek sculptures, it speaks to the dramatic social, political and technological changes of the last 50-60 years, and questions many of society’s values and assumptions. Also, Modern artists known for incorporating a great deal of abstraction into their works and representational forms to convey their ideas more elaborately; Rene Magritte is one of those artists.

Art historians typically identify the early 20th century as an important historical moment in the history of abstract art as artists worked to create what they defined as "pure art" - creative works that were not grounded in visual perceptions, but in the imagination of the artist. Influential works from this time period include Picture with a Circle (1911) by the Russian artist Wassily Kandinsky (1866-1944) and Francis Picabia's Caoutchouc (1909).

Movements such as Futurism, Cubism and Impressionism saw Artists such as Umberto Boccioni, Claude Monet, and Pablo Picasso use the speed, and compression to reference the leisure filled Modern City, while trying to keep pace with the advances(Technological and Theoretical), which were breaking the Traditional way of life. Examples of this include; Umberto Boccioni’s, The City Rises (1910); Claude Monet’s, Boulevard des Capucines (1873); and Pablo Picasso’s, Absinthe Drinker (1901).

“Modern painting, breaking through old conversation, has released countless suggestions which are still waiting to be used by the practical world.”(Gropius) The birth of modernism and modern art goes back to the Industrial Revolution, a period that lasted from the 18th to the 19th century, in which rapid changes in manufacturing, transportation, and technology profoundly affected the social, economic, and cultural conditions of life in Western Europe, North America, and eventually the world. Before the 19th century, artists created art pieces for wealthy people and institution places like the church where they can create art works about storytelling of religious or mythological scenes . These arts were there to instruct the viewers.However, this changed when during the 19th century many artists began to create works that were about people, places, or ideas that interested them, and of which they had direct experience. With the popularization of the idea of a subconscious mind, many artists began exploring dreams, symbolism, and personal iconography as avenues for the depiction of their subjective experiences.Challenging the notion that art must realistically depict the world, some artists experimented with the expressive use of color, non-traditional materials, and new techniques and mediums.