The importance of violence in 'A Good Man is Hard to Find' by Flannery O'Connor.

Good v. Evil, it’s way more than just a concept, it’s more of a lifelong struggle inside of you. What more could you do when evil is shown all around you? Many of us may see the struggle between good and evil in the people we come across everyday. Flawed individuals may be perceived as good but are bad in the eyes of someone else; it all comes down to how you see it. The exposure to things and memories you make help impact the good in you. In order to further evaluate the argument of how good can come out of evil and good can show up even when it’s not right in front of you, can be shown in both William Golding’s novel Lord of the flies and the Anonymous Anglo-Saxon poem of Beowulf. This essay asserts that,

“makes [her] feel bad.” Furthermore, she is not allowed to change her room. “John does

Mahatma Gandhi, a renowned political and spiritual leader, once said that, “I object to violence because when it appears to do good, the good is only temporary, the evil it does is permanent.” Presume you see two men in a heated argument and one of them is about to attack the other, you take a rock and throw it at him and knock him out. On one hand it is a good thing that you prevented the attack but on the other hand you used violence yourself, and there is no doubt that you would not hesitate to use it again. The good that came from the violence that you used lasted for a short time, but the punishment that you get for doing this lasts for a long time. Imperialism of rivalries and nationalism were two of the main reasons that most

The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.

You are sitting in your living room at home watching the nightly news. The lead story for the night is about a family of four that were murdered. After seeing and hearing about something like that we often ask ourselves, What could possess a person enough to kill another human being? What is it that drives a person to kill? Will we ever know? Many authors use this unique mentality in short stories. They write about what the killer thinks and how he/she acts on his/her thoughts. One of these stories is “A Good Man Is Hard To Find”, by Flannery O’Connor. In this story O’Connor’s victim, The Misfit, is an escaped convict. He was in the Federal Penitentiary for killing his father. Throughout the story O’Connor builds up this killers mentality

Exploring the idea that all men are born sinners, O’Connor demonstrates immoral indulgences entertained by various characters. Readers are introduced to grandmother, an elderly woman whose consistent unscrupulous behavior exhibits her inner motives. Grandmother uses subtle, indirect confrontation to get her way until she is faced with The Misfit, a runaway criminal who believes that crime is a justifiable. In “A Good Man Is Hard To Find,” Flannery O’Connor uses characterization to display a loss of morals, imagery to portray evil in society, and symbolism to emphasize the struggle of obtaining grace to prove how life is nihilistic without religion.

Flannery O Connor wrote that “in my stories I have found that violence is strangely capable of returning my characters to reality and preparing them to accept their moment of grace.” Discuss A Good Man Is Hard to Find and Everything That Rises Must Converge in light of these statements about violence. What moments of grace do you see? Can you assess what O Connor considers the essence of humanity (what we are) (Norton p. 469)

In addition to “A Good Man Is Hard to Find,” O’Connor’s purpose in her use of violence can

Violence in the short story is very interesting because its so apparent and yet so deep. Towards the end of the story, the Misfit says to Grandmother “She would of been a good woman . . . if it had been somebody there to shoot her every minute of her life.” Flannery O’Connor doesn’t say that being exposed to violence makes them better people, but the message is clear: violence changes us as a people (both in the story and in the real world). Up until the very end, each member of the family, mostly Grandmother, acted egotistically and only focused in herself. None of the characters take a minute to evaluate whats right and wrong for themselves or anyone else. They all react based on their instincts without thinking things through so much. But when Grandmother is put in a life or death situation where she’s forced to carefully pick her words and actions, she is suddenly capable of a being more selfless and spiritually sound. The Grandmother’s everyday considerations probably have nothing to do with her son or the kids, really anyone in her family, but when she is faced with her own mortality she has this moment of “grace”—she calls the Misfit her own son, and reach makes an effort, emotionally and physically, hoping to save herself or comfort him. In the end, however, the Grandmother’s moment of “grace” ends up getting her killed. O’Connor

Flannery O'Connor uses many of the same elements in almost all of her short stories. I will analyze her use of violence leading to the main character experiencing moral redemption. The use of redemption comes from the religious background of Flannery O'Connor. Violence in her stories is used as a means of revelation to the main character's inner self. The literature of Flannery O'Connor appears to be unbelievably harsh and violent. Her short stories characteristically conclude with horrific fatalities or an individual's emotional ruin. In all three of the stories, "Good Country People", "A Good Man Is Hard to Find", and "Revelation" the main characters experience some

All violence can be included to what is called “unity of human aggression”. According to Violence: The Enduring Problem by Alex Alvarez and Ronet Bachman all violence is connected by a web of actions and behaviors, ideas, perceptions and justifications. They say that while the individual dynamics of specific violent behavior may vary somewhat, violent acts share a number of essential characteristics that bind them together into what is sometimes called the unity of human aggression. Often people try to justify their violent actions regardless of how intense it may be. Frequently people perceive that their violence is in defense of their own value and beliefs or principles and use that as a justification of their action.

Another example of humanity’s struggle with violence theme happened when Kino killed a man in self-defense. Kino was caring and friendly; he would never intently mean to harm or kill anyone unless someone was bringing harm to him and the things that he loved. One night a “dark one” on the path attacked Kino as he was walking toward his brush hut. The “dark one” wanted Kino’s pearl and would do anything to get it. In return, Kino also wanted the pearl and would protect it at all cost. The following quote demonstrated the violent actions that resulted due to this attack, “He heard the rush, got his knife out and lunged at one dark figure and felt his knife go home” (59). Kino’s violent actions towards the dark figure revealed the theme of violence. This dark figure, who attacked, Kino wanted his most valuable possession and Kino was not going to give his pearl up for any reason. Kino protected what was his, his pearl. Kino felt he attacked the “dark one” in self-defense, but the way the town’s people thought it was different. Violence, once

Violence can be described as a behavior involving physical force intended to hurt, damage, or kill someone or something. Violence has been around from the beginning and can be seen through history in writing and events that occurred. In Mark Twain’s The Adventures of Huckleberry Finn, violence’s jarring effects on societal members are evidenced through various relationships and partnerships, portraying society’s corrupt ideologies and ethics.

When driving to town she says to him, “You know I don’t like to go more than forty. You were up to fifty-five.” After getting out of the car she says to him, “Why don’t you wear your gloves? Have you lost your gloves?” This shows that she always wants him to act the way she likes and not the way he wants.

(STEWE-2) “ Najmah hands fly to her head as if she tries to protect it from