The narrator is told by his wife that she is having her blind friend come spend a night at their

In the short story, “Cathedral” by Raymond Carver, it all began when the narrator’s wife invites her blind friend Robert over to visit her and her husband. Her husband has normal vision, but in the beginning of the story, he is the one that is blind. For example, he is close minded and stereotypical about this blind man arriving at their home. The husband’s words and actions when dealing with Robert is that the husband is uncomfortable, awkward, and mean. As the story progresses, we can see a change in the husband, and he seems to connect with Robert.

In Raymond Carver’s “Cathedral”, the short story is told by a character within the story. The first-person point of view gives us a transparent visual of an important time in the narrators’ life. The narrator, who is “un-named” in the beginning of the story, uses blunt, flawless and a particular choice of words. This gives us as the reader a deeper connection with the narrator. The narrator begins this story by taking us through the changes he go through with the uneasy feeling of having a blind-man coming to his house to visit.

Although the two men have very different situations, their blindness helps them to see what child of theirs was really there for them and who wasn’t in the end. What the whole theme of blindness really comes down to is the fact that both men needed to be blind in order to really know anything about the loyalty and dedication of their family members. The similarities between the plot and subplot deepen the story of the play, and overall give readers and viewers multiple parallels to figure out and connect together, making it more interesting to read and/or watch the

He makes this clear in the opening paragraph of the story where he says “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1). The narrator dismisses Robert in the same manner a white racist may dismiss an African-American. His prejudice, or any prejudice, is preconceived based on superficial qualities rather than actual experience or reason. It is evident the narrator can’t see beyond Robert’s disability and is judging Robert because of a characteristic that makes him uncomfortable. This unconscious placement of Robert into an atypical category prevents him from seeing Robert as an individual. The narrator does not see Robert as a whole person, but solely as a blind man. Part of what makes the narrator emotionally blind is this

The narrator is pre-judgemental towards all people who are blind, whether or not he has met them. He believes all blind people are the same as those he has watched in movies. The narrator perception of the blind is that they “moved slowly and never laughed” and when they went out “they were led by seeing eye-dogs” (Carver 104). The movie industry creates a false image of the blind, which leads to the narrator’s assumptions. However, the blind are not all the same, just like how everyone else in the world are not the same. People are designed to be different in their personalities, thoughts, looks and much more. The narrator’s ideas of Robert are based off of false conceptions and this changes his attitude towards Robert. The narrator already has strong feelings towards Robert before meeting him

By the end of Raymond Carver's "Cathedral," the narrator is a round character because he undergoes development. The story opens with the narrator's unconcern for meeting the blind man, Robert, which is because he was uninvolved in the friendship between the blind man and the narrator's wife. Feeling intimidated, he discloses, "I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me" (Carver 1). This emphasizes the narrator's unwillingness to bond with the blind man, which is made visible as the story progresses; moreover, he does not acknowledge their relationship. This is highlighted when he mentions what the name of the blind man's wife was. "Her name was Beulah. Beulah! That's a name for a colored woman. 'Was his wife a Negro?' I asked" (3). He seems disgusted with people. The insensitive narrator's prejudice is evident by him saying, "I've never met, or personally known, anyone who was blind" (5). This statement causes the audience to expect growth in him. The narrator's detachment from the blind man is indicated by his disinterest in cathedrals and tapes; nevertheless, the blind man and the narrator have had dinner, "smoked dope," and drank together,

In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.

The beginning of the story presents the narrator’s wife working for a blind man one summer by reading, “stuff to him, case studies, reports, that sort of thing” (Carver, 34). She eventually extends an invitation for the blind man, Robert, to stay at their house after Robert’s wife had passed away. The narrator was not too happy about having a stranger stay in his home by stating, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 34). The narrator seems very timid about someone he had never met stay at his house who can see purely nothing. This gives off an impression that the narrator doesn’t want to have Robert stay with him because he will be a hassle to keep up with since blind people in the “movies” progress, “slowly and never

Because of this the husband was completely ignorant about blind people and could only rely on his preconceived notions about the blind to interact with Robert. The husband thought all blind people always wore dark glasses and used a cane or guide-dog. He didn’t think blind men smoked because they couldn’t see the smoke. He even says “My idea of blindness came from the movies.” Those movies had portrayed blind people as slow, never laughing, and being guided by guide-dogs implying and enforcing the stereotype that the blind/disabled are helpless, weird, and/or inferior. Kemp says in a paper from 1981, the same year “Cathedral” was published, that there are three main ill-mannered views of the blind: non-acceptance, the blind are helpless and dependant, and the sighted must help the blind. These are all negative and are representative of the way the blind were viewed during the time of the story showing how the husband saw Robert as a blind man.

Throughout the middle of the story, the narrator is discriminatory towards blind people but suddenly feels the need to make Robert feel comfortable just because it will please his wife. The narrator and his wife were in the kitchen talking, and then the wife says “If you love me, you can do this for me. If you don’t love me, okay. But if you have a friend, any friend, and the friend came to visit, I’d make him feel comfortable” (116). To show that her husband is still prejudice towards blind people, he replies and says “I don’t have any blind friends” (116) which gets his wife upset because Robert is her friend. When the narrator says that he does not have any

Though the narrator has the full ability to see, he lacks the ability to connect to the world and to the people around him. He is described as an egotistical, superficial being who is very shallow in the way he views the people and events in his life. The man,

In the short story “Cathedral”, written by Raymond Carver, the story is told through the narrator’s eyes as the audience gains insight on his perspective of his life and, more specifically, his views on his wife and her blind friend. The narrator’s name is never mentioned throughout the story, but his personality and initial narrow-minded bias towards his wife’s friend Robert depicts his character traits. Throughout the story he does not seem to change his views, but once he experiences Robert’s point of view in his life, the narrator changes his perspective. This suggests the narrator is a dynamic character in the story due to his change after getting to know Robert.

The doubt the narrator had towards blind people his further evident when the blind man arrives at his house. On seeing the blind man for the first time in the parking lot, the narrator noticed that the blind man had a beard, but he thought that it was unusual. This is evident when the narrator remarks, “This blind man, feature this, he was wearing a full beard! A beard on a blind man! Too much, I say” (Carver 4). The skeptical view, the narrator had towards blind people is further brought out when the narrator was being told about the death of the blind man’s wife.

Through the author's use of diction, more aspects of the narrator's personality are revealed. Simply from word choice, we learn that the narrator is prejudicial towards others, and jealous of other men's relationships with his wife. When facing the situation of Robert coming to town to visit his wife, the narrator blatantly expresses that "a blind man in my house was not something I looked forward to" (Carver 209). This repeated substitution of "blind man"

And the husband’s vulnerability is shown is shown in his hostility to the blind man, whom he rightly suspects of having a psychologically more intimate relationship with his wife than he, with all his emotional blindnesses, is able to have.