The relation of form to content in Mark Twain's The Adventures of Huckleberry Finn

It is not difficult to at first dismiss the similarities of Mark Twain’s The Adventures of Huckleberry Finn and Homer’s Odyssey as entirely superficial. Both are examples of the narrative pattern of The Hero’s Journey; the Odyssey presented as an epic that was so influential it birthed the entire western cannon of story telling and The Adventures of Huckleberry Finn written in the tradition of the Great American Novel that defined the spirit of the age in the United States. Each respective hero embarks on a journey, encounters strange places and people, overcomes the odds they are confronted with, winning the day and ultimately returning home before their next adventure (Coupe). Beneath this pattern however, lie similarities so consistent, that one cannot help but wonder, did Twain use Homer’s Odyssey as a blueprint for The Adventures of Huckleberry Finn? By examining the story of Huck Finn’s trip down the Mississippi through the lens of the Odyssey, I endeavor to show how the deeper similarities between these two classics not only tie them together from centuries apart, but that the influence of Homer’s epic is alive and well in Twain’s novel.

“The Adventures of Huckleberry Finn” is a piece of fiction that is so strongly written it can be conceived as the truth. Mark Twain’s ability to paint a clear and realistic picture of the Southern way of life in 1885 is unparalleled in any author. The story of Huckleberry Finn is one that gives ample opportunity for interesting sights into the South at that time. The story consists of Huck and a runaway slave, along with two men and Huck’s faithful friend Tom Sawyer and some points of the novel, floating down the Mississippi’s shores and encountering different feats of Southern culture, tragedy, and adventure. A nice example of Twain’s ability to turn an event on a river into an analysis of Southern culture is a fun bit of the story where Huck

Jim’s unselfish actions reveal his love for Huck, and through Twain’s use of imagery, the reader is able to better comprehend this love and understand why such a choice is one of great difficulty. Twain again uses another element of tone to reveal Huck’s assertive tone. In using syntax, Twain places emphasis on Huck’s continuous flow of uninterrupted thought. In the passage, he incorporates substantial amounts of semi-colons, dashes, and commas, to further represent Huck’s haphazard gush of thoughts. Twain writes, “. . . straight off, but laid the paper down and set there thinking – thinking how good it was all this happened so, and . . .” (Twain 161). The usage of dashes emphasizes a shift in thought, therefore allowing the reader to notice Huck’s ambivalence. He also does not fail to disclose that Jim heavily depends on Huck and would be practically unable to function without him, and resorts to using italics to do this. A reader can infer that Huck is in the process of deciding between conforming to society’s standards or forming his own. This idea is proven through yet, another example of syntax: “I could go on sleeping; and see him how glad he was; and such-like times; . . . and the only one he’s got now; and . . .” (Twain 161). The reflective tone in the passage can be characterized, finally, through the usage of details. By using the tone element of details,

The Adventures of Huckleberry Finn is, perhaps, the most famous novel in American literature. Chances are that you made a poster about it in middle school, read it in high school, and wrote several reports on it in college. However, as famous as the novel is, it is also notoriously controversial for its language and portrayal of African Americans (which I will term “narrative realism”). After eventually capturing a coveted spot in the American literary canon, concerned calls from the American public for its ban only grew. Today, the great controversy over whether the novel belongs in the American literary canon in the first place continues. However, there is a clear answer: the novel deserves its coveted spot in the American literary canon

One of the most noteworthy aspects of Twain’s The Adventures of Huckleberry Finn is the skillful way in which Twain relates Huck’s thoughts. By telling the story from the first person point of view, Twain not only lets the reader into Huck’s mind, but he also allows Huck to characterize himself in terms of dialect—his manner of speaking, as we hear his thoughts in his own uneducated and thoroughly “countrified” voice.

Adventures of Huckleberry Finn is a significant book in the history of American literature that presents readers with the truth of our past American society in aspects such as speech, mannerisms, and tradition that we must embrace rather than dismiss by censorship. It is a novel that has been praised and proclaimed America’s “first indigenous literary masterpiece” (Walter Dean Howells) as well as one that has been criticized and declared obscene. It has undergone much scorn and condemnation as a novel and many feel that it should be censored. This, however, is not the way it should be. Huckleberry Finn is a masterpiece and, as a matter of fact, it is one on many levels. The story itself, though

Mark Twain’s “The Adventures of Huckleberry Finn” is said to be one of the greatest American novels to ever be written and is what all other pieces of American literature are based off of. The novel has been debated for over an entire century and will continue to be debated for much longer. Never the less, Huckleberry Finn teaches young students and adults the important life lessons. ”The Adventures of Huckleberry Finn” by Mark Twain should remain required reading in American Literature classes because it enlightens students about the horrors of racism and slavery, familiarizes students with the South during time period, and properly portrays the powers of conformity.

The highly lauded novel by Mark Twain, The Adventures of Huckleberry Finn, entertains the reader with one adventure after another by a young boy (and his runaway slave friend Jim) in the mid-1800s who is on strange but interesting path to adolescence and finally adulthood. What changes did he go through on the way to the end of the novel? And what was his worldview at the end of the novel? These two questions are approached and answered in this paper.

The novel The Adventures of Huckleberry Finn has stirred up much controversy over such topics as racism, prejudice and gender indifference, but the brunt of the criticism has surrounded itself around the ending, most notably with the re-entry of Tom Sawyer. Some people viewed the ending as a bitter disappointment, as shared by people such as Leo Marx. The ending can also be viewed with success, as argued by such people as Lionel Trilling, T.S. Eliot, V. S. Pritchett and James M. Cox in their essays and reviews. I argue that the ending of the novel proves successful in justifying the innocence of childhood through such themes as satire and frivolous behaviour.

In the novel Adventures of Huckleberry Finn, Mark Twain juxtaposes two environments that tackle many different aspects of life. From Christian reforms, domestic abuse, and slavery to reflective solitude and liberation, Twain brings together a plethora of obstacles for the main character Huckleberry Finn and his companion Jim to encounter and assimilate. The two contrasting settings depict intermingling themes of the repressive civilization on land, the unrestricted freedom on the raft, and the transcendentalism that Huck and Jim experience during their escape from captivity towards liberation.

Mark Twain's The Adventures of Huckleberry Finn Mark Twain's classic novel, The Adventures of Huckleberry Finn, tells the story of a teenaged misfit who finds himself floating on a raft down the Mississippi River with an escaping slave, Jim. In the course of their perilous journey, Huck and Jim meet adventure, danger, and a cast of characters who are sometimes menacing and often hilarious.

Any rational reader who perceives this gripping, energetic adventure novel (of satire) as nothing more than a mere raft ride down the Mississippi thus misses the point of the journey entirely and, of a surety, will likewise evade the lexicon and lessons learned inside the head and heart of the central character, Huckleberry Finn, who is undistracted – even nonchalant – about his own external environment which provides many threats, yet lesser instructions.

.” (Twain, ix) He openly and firstly acknowledges the irregularities in this story and explains that it is not on a whim that he uses this specific type of language but with the purpose to expose the world to a new and original form of literary design. The main character in this story is Huckleberry Finn, the complete opposite of a traditional European hero; he is not the typical king or nobleman that traditional stories tell of. He is an everyday boy uneducated and seemingly unworthy, Huckleberry Finn is the epitome of a real American every day hero. Mr. Twain writes this book as a way to show that just by simply maturing and growing up so that Huckleberry Finn can make the right decisions in all aspects of his life; it makes him a noble character. “We are asked to trust this not as a sport, but rather as a well-considered and well-honed document. . . We are invited to experience and to appreciate this narrative in terms of its thought, its thoughtfulness, and its craft.” (Fertel, 159 –Free and Easy”)

Throughout the evolution of the world’s societies, the roles of women seem to act as a reflection of the time period since they set the tones for the next generation. Regardless of their own actions, women generally appear to take on a lower social standing and receive an altered treatment by men. In Mark Twain’s pre-civil war novel, Adventures of Huckleberry Finn, lies a display of how society treats and views women, as well as how they function in their roles, specifically in regards to religion and molding the minds and futures of children. The novel’s showcase of women affords them a platform and opportunity to better see their own situation and break away with a new voice.

Mark Twain’s Huckleberry Finn is widely considered a classic - an embodiment of American literature. It rightfully tackles the issue of slavery through the illustration and vernacular of the young protagonist, Huck Finn and his adventures with a runaway slave, Jim. However, beneath a linear challenge towards slavery, Twain’s depiction of Huck’s changing views of Jim reveal Huck’s unique attitude and philosophy towards slavery, and in particular - his partner-in-“crime” - Jim. Although Huck never abandons societal opinions of slavery and never opposes the bondage, his exception for Jim unveils the follies of his society and flawed upbringing.