The relationship between Rhoda and Gertrude in The Withered Arm

“You have two choices; which one will you try? To have me old and ugly till I die, But still a loyal, true, and humble wife. That never will displease you all her life, Or would you rather I were young and pretty (...) Which would you have? The choice is all your own. (...) At last he said, with all the care in life, ‘My lady and my love, my dearest wife, I leave the matter to your wise decision.”(309)

The novel My Antonia uses imagery and figurative language to help communicate the theme of the novel to the readers. The character Jim Burden is headed west to Nebraska to his grandparents from Virginia after his parents have died. Jim is playing the role of Manifest Destiny by moving West to Nebraska. On his way Jim sees how raw the earth is, relating that it is not yet a country, but rather the material that countries are made of. Looking at the land this way is very much like Manifest Destiny. The author uses imagery many times throughout her novel to give the readers a better understanding and view to pinpoint the theme.

Sarah Ruhl’s play, Eurydice, is a devastating story battling love, grief, life, and death. Although it is set during the 1950’s, the play manages to encompass the ancient Greek myth of Eurydice and Orpheus. The three most evident themes of this play are recurring death, fleeting happiness, and the power of love. The main conflict in this play is ultimately about the painful choice that comes with death; this is often caused by the King of the Underworld. One of the most impressive parts of this play is the ability to change the way the play is perceived through design.

observed that the giddiest turned pale, and the more aged and sedate passed their hands over

Phiscie leaned back, allowed themselves another hurried breath before slumping. Bringing a hand up to their forehead, they found sweat beading up on the thin skin; if they were to look in the mirror, they were sure their normally robust complexion would now be turned waxy and ill.

As time passes by, society changes but the land man lives on never does. In Willa Cather’s My Antonia, Cather describes the Nebraska landscape to convey her attitude toward each character and to introduce and support the novels overall theme. As the novel progresses, Cather constantly explains the theme of man’s relationship with land and as the overall theme of this novel. Throughout the course of this story, Cather’s language institutes an unthought of deeper meaning to this account and clearly identifies relationship between man and the land they live on as the main theme.

“Could I change it if I wanted, can I rise above the flood? / Will it wash out in the water, or is it always in the blood?” (Mayer). A question posed by the artist John Mayer holds true for the characters in Flannery O’Connor’s most famous novel, Wise Blood. In this novel, O’Connor paints a picture of a small town in the heart of the Bible Belt and the internal struggle of its inhabitants. The protagonist, Hazel Motes, procures a twisted version of the Gospel and evangelizes to those who are made to believe they are lost. Yet, according to the teachings of Haze, this picture that humans are inherently sinful and in need of saving is false. In this novel, Flannery O’Connor uses inanimate objects to show the attempts of Haze to replace what he knows to be true. Enoch Emory, on the other hand, struggles with a curse he believes he was born with – wise blood. The prevalent themes of symbolism and imagery in Flannery O’Connor’s Wise Blood represent the inner battle between spirituality and the human nature of rebellion.

finding she was of but little value, her frame already racked with the pains of old age, and

Beginning with her spruced face, the skin is tanned with mild wrinkles located on the forehead, and in-between

(253). The death of a woman’s husband receives similar treatment, as Lady Bracknell tells us of “dear Lady Harbury”: “’I hadn’t been there since her poor husband’s death. I never saw a woman so altered; she looks quite twenty years younger’” (261); Algernon pipes in that “’I hear her hair has turned quite gold from grief’” (261).

old body to show this day” (“Mary Reynolds” 238). She went on to say that “The

My Antonia was published in 1918, two years before all American women were granted the right to vote in 1920. Willa Cather lived in a bustling time where women were heavily vouching for fundamental rights and breaking free from what had been considered societal norms. While Cather mentions the conventional duties and housewives of the time the book was written, her story’s focus differs. “My Antonia’s,” narrative centers around women, many of whom are immigrants, who transcend the gender norms of their time on their journeys to create successful lives, much to Jim’s admiration.

Nora and Krogstad’s first encounter in Act One of Henrik Ibsen’s A Doll’s House, is significant to the plot as the main source of conflict is revealed whilst the central theme of deceit is enhanced through the use of dramatic irony. Throughout their conversation, Ibsen uses language devices to explore the characterisation and parallels between Nora and Krogstad and to foreshadow and detail Nora’s awakening at the end of the play.

the play and keeps her within his own game, as if he was playing with

Perhaps the theme that is most recurrent in William Shakespeare's plays is that of filial relationships, specifically the relationship between daughter and father. This particular dynamic has allowed Shakespeare to create complex female characters that come into conflict with their fathers over issues ranging from marriage to independence. At the same time, the dramatist exposes his audience to the struggles women face when attempting to assert themselves in a misogynistic world. Through the daughter-father dyads portrayed in The Taming of the Shrew and A Midsummer Night's Dream, Shakespeare highlights the effects that gender constraints have on female characters while simultaneously drawing attention to the sharp contrast between both relationships.