The 's Argument That The Holocaust Is Only Available Through Representation

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Miller, like Glowacka, understands that literature, even fiction, transmits ideas and emotions to the reader which are central to comprehending and learning from traumatic experiences. Miller references Susan Suleiman’s argument that the Holocaust is “only available through representation”. Suleiman made this argument in response to Holocaust deniers who claim that fictitious memoirs confirm the inexistence of the Holocaust. However, the point supports the idea that art, including literature, allows the public to experience something like the Holocaust that otherwise would be not be available to experience.
On the other hand, Miller successfully argues that fake memoirs are meant to “highlight the problematic nature of authenticity” and capitalism has changed the idea of what we think is real and what is not. By citing Baudrillard, Miller states that our idea of real is only a series of representations that we think are real. In fact, all our ideas of reality are fabrications because memory is not factual. The discovery of these fake memoirs can cause society to realize that all memoirs are, in fact, fabrications. With that in mind, this article contradicts the idea that the public can understand trauma through experiencing art. Overall, “Stylised Configurations of Trauma” contributes to the art, trauma, and memory theme through proving that the study of fraudulent memoirs can help explain “the strange expectation that literature is able to provide access to something
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