The 's Lover, By Robert Browning

There is a fine distinction in the fabric of DNA that separates men and women- one has the opportunity to give life and one does not. Although beneath skin and flesh is the foundation of a body, the bones. What every human being also shares with each other is the ability to cast emotions. However throughout history, men have been brought up to be seen as if they have little to no feelings at all and women are to be too emotional. Everyone has the potential to feel pain at some point in their lives. Objectification is the central concept dear to feminist thinkers. Many think that objectification is something that remains in history, but it continues to be a problem in modern society. F. Scott Fitzgerald applies this to the characters in his book: The Great Gatsby. The underlying theme of the podcast: Relationship Radio dealt with the objectification of human beings. Aidan Buckner, Olivia Lujan, and Penelope Tucker’s three podcasts: You Can Buy Me Love, Daisy, Money and Usage, and Puppy Love tie the notion of objectification through the relationships: Jay Gatsby and Daisy Buchanan, Tom and Daisy Buchanan, George and Myrtle Wilson, and Tom and Myrtle Wilson through the book The Great Gatsby.

communicates two interpretations concerning Both poems describe the behavior of people who are in loving, romantic relationships. There are several aspects common in both poems. Using the literary technique of dramatic dialogue, the author reveals the plot and central idea of each poem. Robert Browning tells each poetic story through a single speaker. Both poems reveal an account in which the admirer kills the object of his love. This paper will compare and contrast the following characteristics: the setting, the speaker, the mood and tone, and theme found "My

While it is easy to say that this poem is simply a frightening and perverse account of a man who cannot properly express his feelings for a woman, it is much more complex. Two major motifs in the poem, love and sin, create a sense of contradiction. Browning uses this contradiction to explore the relationship between art and morality.

The voice in Porphyria’s Lover is a dominant voice, and the reader becomes very involved in the thoughts of the narrator. There is a strange sense of satisfaction in his voice: “and give herself to me forever.” This could be ironic as in the end, she spends her last moments with him, and as he lies with her corpse, she is literally his forever now. However, although the reader could interpret the narrator as being perhaps psychotic, the calmness of his voice from the enjambment does not reflect this, as he describes the actions in a very matter of fact way: “in one long yellow string I wound three times her little throat around”, and “her darling one wish would be heard.” This creepily makes it sound as if he is doing

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

“The woman was made of a rib out of the side of Adam; not made out of his head to rule over him, nor out of his feet to be trampled upon by him, but out of his side to be equal with him, under his arm to be protected, and near his heart to be beloved” (Matthew Henry). Gender roles are how each human is supposed to act, speak, or dress according to their assigned sex. The world has always depended on them to make crucial decisions and they have marked every aspect of society. Several people have taken advantage of gender stereotypes to determine what to do with their lives or to come up with excuses as to why they are carrying out a task. Literature is one of the main agents that exposes human attitude towards life. It has been affected by time

     I have thought about many different ways to organize this paper and have come to the conclusion that the best way to approach the topic is on a book-by-book basis. My perceptions of the gender biases in these books vary greatly and I did not want to begin altering my views on each so that they would fit into certain contrived connections. What interests me most in these stories is how the authors utilize certain character’s within their given environment. Their instincts and reactions are a wonderful window into how the authors perceive these “people” would interact with their surroundings and often are either rewarded or punished by the author through consequences in the plot for

Robert Browning’s “Porphyria’s Lover” is a perfect representation of the status of women during the Victorian Era; women were treated as objects not people. They were property of men, not individuals. In this poem, the speaker, Porphyria’s lover, murders Porphyria and does not only think it was okay to do so, but he also thinks what he has done is noble. In the lines shown above, the speaker begins to realize that Porphyria loves him. Not only does she love him, but she “worships” him. This further pushes the idea that, because he is a man and she a women, he is so superior to her that he is a god. It is not actually her love that he wants, it is the power that he gets from earning her love and making her his subject. His heart does not swell because of the joy in discovering that she loves him; it swells because of this sense of pride he now feels. In the next line, he debates what to do to preserve her “love” forever. In line 36, the speaker comments on how, in that moment, Porphyria was pure and innocent, as Victorian women should be, and suddenly thinks of how to keep her that way. The speaker wants to hold on to the image of her like this forever; so he decides to kill her. The narrator then strangles Porphyria. When describing the act of strangling her, the narrator describes her throat as “little.” Here he is once again showing his dominance over her. However, the most important thing is that he uses her hair, of all things, to strangle her. At the time, hair was a

To quote author Chimamanda Adichie, “Imagine how much happier we would be, how much freer to be our true individual selves, if we didn 't have the weight of gender expectations.” However, the influence of gender is pervasive from jobs to the military, even extending to education. Men are generally characterized as strong and independent. Women, on the other hand, are supposed to be more feeble and domestic by societal standards. These distinctions have always been the case in the United States, from the moment people first crossed the Bering Strait into North America. It should come as no surprise, then, that the societal expectations placed on gender affect literary works. Gender often conflicts with the hopes and dreams of the characters and makes it harder for them to achieve success. The flawed societal gender constructions found in American literature are adversarial to characters in their search for fulfillment. The concept of gender roles obstructing success is ubiquitous in the many works, including The Great Gatsby, The Mystery of Heroism, The Scarlet Letter, A Raisin In The Sun, and The Death of A Salesman.

First, Browning uses personification to demonstrate the idea that love can make someone disturbed, for example, “The sullen wind was soon awake,” (Line 2). As the character in this poem sits in his dark cottage pinning over his lover, he labels the wind as being “sullen” and “awake” as if the weather is intentionally being unpleasant. In reality, the speaker is just so insane that he assumes the weather is out to get him and is being irksome on purpose. Another example is, “It tore the elm-tops down for spite,” (Line 3). The writer uses the word “spite” to describe his feelings because the wind does not feel spite during a storm. Once again, the character is so obsessed over Porphyria that he has gone crazy. Therefore,

Gender references always surface, not only simply because they exist, but because there has always been a struggle for equality or at least purpose and meaning in their roles. An overview and gender study of many types of literature from many eras of time help us to see the interactions, and,

“ You cannot talk about genre without talking about gender.” Initially, this would appear to be a simplistic statement. On closer analysis, however, one fact becomes evident. It is the representation of gender which informs the genre of the text. Ismay Barwell , in her essay ‘ Feminist perspectives and narrative points of view’ states that “ Every text is gendered since every act of narration…..involves a process of selection….and the nature of that selection implies certain values” ( p.99). She makes the point that “ The desires, attitudes and interests which guide any choices made must be either male or female”( p.98 ). It is within this frame of reference, that the two texts will be analysed.

The four poets from War Photographer, Do Not Go Gentle Into That Good Night, Havisham, The Laboratory, My Last Duchess and On My First Sonne have all crafted very emotion based poems, all 6 present strong feelings. Some through manic speech and rhythm, others through a deeper meaning. I would say the majority of these poems (Havisham, Duchess, Laboratory and Photographer) all feature protagonists with mental disorders, after or during certain situations.

Author and civil rights activist Maya Angelou once said, “How important it is for us to recognize and celebrate our heroes and she-roes!”. When one thinks of comic books, it is very likely that the subjects that come to mind are Marvel’s Spiderman or DC’s Batman. Although comic books are stereotypically thought to be mainly about super heroes, there are a wide variety of subject matter they could be written about, such as romance. In the 1950s – 1960s, it was common for these romance comics to exploit the social norms of that time and emphasized the subject of gender roles. While the men in comic books were usually illustrated in a brave heroic manner, the women would be portrayed to be what would now be considered a stereotypical “trophy wife”. As a young child reading these comics and taking in these images, they are slowly molding their ideals to believe that what they are reading and seeing is what is accepted and normal in their society. By coding gender norms into the texts, authors are helping mold the ideology of its readers to believe that it is acceptable for both genders to follow specific rules that accommodate to the believed social norms of the time.

The dramatic monologue “My Last Duchess” was penned down by Robert Browning. In this poem, the narrator is the Duke of Ferrara, and the listener is the count’s agent, through whom the Duke is arranging the proposed marriage to a second duchess. The poem is ironical and reveals its rhetorical sense, gradually. In the later part of the poem, the Duke claims that he does not have a skill in speech, but his monologue is a masterpiece of subtle rhetoric. While supposedly entertaining the listener by showing his wife’s portrait, he clearly reveals his character. Through his formalized tone of rhyme, he reveals his egoistic and jealous attitude.