Dracula Research Paper

Are there still connections between Bram Stokers famous novel Dracula and modern day society? In Dracula, Stoker expands on many themes that indeed exist today. Not only does he touch on the most obvious theme, sex. He expands on gender division and good versus evil. Some say since times have changed the themes I introduced have changed as well, leaving connections between then and now irrelevant. However, I feel that although times have changed they still have roots from the time of the novel to now. In this essay I will expand on the themes of this novel while connecting them to modern day society, the critical texts I have chosen and will mention later on in the essay are a good representation of the commonalities between the chill, dark Victorian days in which the era that Dracula was written in and modern day.

Bram Stoker`s “Dracula” is one of his most prominent work, originally published in 1897. Forming part of the gothic literature; the novel focuses, through the character of Dracula, on the theme of Supernatural and Religion in an era largely dominated by Science and Rationality. This critical essay, will therefore demonstrate how Dracula, portrayed as the “other,” is essentially different from the rest and, how he subtly manage to incite people and challenge values and ideals of the British Society.

The play-script book “Dracula”, adapted by David Calcutt, is a captivating reword of the iconic epistolary horror novel of a same name which was written by Bram Stoker, The author outlines the power struggle between good and evil in the text through messages and symbols. The author focuses on Dracula and a group of friend’s actions and emotions in which he uses narrative conventions to convey key messages in the book. The messages I found that were prominent were “evilness is an infection”, “greed is consuming” and “good always prevail”.

Bram Stoker 's novel, Dracula was written during the late nineteenth century and is commonly classified as a horror novel. Further analysis, however, has brought to light the buried symbols and themes of sexuality that the novel holds within it. Due to its female sexual symbolism, the novel draws the attention of most men, as exploring these female forbidden themes were more of a fantasy for them than reality. As Dracula was set in the Victorian culture, it is shown to encompass all the beliefs and prejudices of the society, especially in regards to the social gender roles of men and women. Women were known to be suppressed and put down socially while men were lifted up and known for the authority and freedom they possessed. Through the

The illumination of cues and clues regarding Dracula begin following Harker’s declaration: “I am a prisoner!” (32). Firstly, the question of Dracula’s curious actions and presence is prevalent. According to Harker, he has “not seen the Count eat or drink” during his entire stay (31). This is particular, and when tied in with Dracula’s “demoniac fury” and the fact here was “no reflection of him in the mirror” when Harker cuts himself shaving present an image of a creature which the Transylvanian peasantry warned against earlier (31). However, this idea is quickly repressed when contrasted with Dracula’s humanistic attributes of education and culture. The reader then questions Dracula’s motives in learning about England and his want to blend, not to be known “for a stranger” (26). The immediate impression is that he wants to adapt and become independent in the new society and, being that independence is considered important, his goals are thought to be good. Secondly, “the story of his race” is peculiar

While reading Dracula, by Bram Stoker, readers are transported into the Victorian Era through the pages of great, mythological, literature. Not only does Stoker place emphasis on the gender role issues circulating the 1800’s, but focuses on controversial topics such as religion and sexuality, while masking it behind a riveting fictional work. The book takes place between a series of letters and journal entries written by the characters. Dracula, the antagonist, is depicted as a blood-thirsty vampire, who transforms wholesome men and women into the like. Throughout the book, Stoker covers many feminist theories, while primarily focusing on female sexuality, showing the perception of women during the 1800’s.

Bram Stoker’s Dracula remains one of the more recognizable novels of its genre despite being published in 1897. A classic horror story which has been retold and produced over and over again since its original publication, Dracula was especially disturbing when it originally was released because of how Stoker attacks Victorian era social mores and norms throughout the entire novel. Stoker subverts traditional 19th Century social mores and norms in Dracula through the portrayal of sexually aggressive and assertive females, Jonathan and Mina’s relationship, and the inverse of Maternity.

In Castle Dracula, Harker meets three vampiric women whose monstrosity is presented as inseparable from their eroticism. Describing their fangs, Jonathan Harker writes ‘I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth’ (52). Here, fangs serve as signs of these women’s inhumanity and their carnality, this

Vampires have aroused a perennial fascination within humanity since their fictional materialization into history. However, it is over the course of the last century that these creatures have become an iconic symbol of mystifying horror and inexplicable desire. Recently, the vampire has undergone a significant reconstruction of physical appearance, behaviour, and surroundings, along with, extensive modifications to its super-natural disadvantages. These distinct character adaptations are imperative when considering two of the most notable vampires ever fashioned: Count Dracula and Edward Cullen. The dissimilarity between Bram Stoker’s 19th century, Count Dracula, and Stephenie Meyer’s 21st century, Edward Cullen, is a complex reflection of the contrasting societies from which these vampires emerged.

Bram Stoker’s ingenious piece of work on writing Dracula has set the expectation for gothic novels all over the world and time to come. The mindset of writing Dracula through the Victorian Era really sets the tone for the reader by creating a spine-tingling sensation right through the novel. With this in mind, Stoker wouldn’t have been able to succeed his masterpiece without the effective uses of symbolism, imagery, foreshadowing, and its overall theme.

When people hear the term vampire they usually go into certain directions with their thoughts about them. Some people may think of the sparkly, secluded vampires from Twilight or attractive, moody vampires from Vampire Diaries. In Aubrey Sherman’s book “Vampires: The Myth, Legends, and Lore” she says, “When you hear the word vampire, probably the first image that comes to mind is that of a tall, dark, handsome man with luminous eyes, clothed in a fine black tuxedo enveloped by an exquisite opera cloak” (Sherman 19). Here it’s pretty clear that she is going in the direction of Dracula, a seductive, well-dressed Vampire. When I read this it really made think about vampire’s images and how they have been distorted so much in time. There are the ones in their different cultures that are meant to be scary and

Expository Essay Mary Arnold For centuries, vampires have been depicted in various cultures and throughout literary history as both bloodsuckers and vampire lovers. A good example is they’ve been portrayed as both monsters, comedic villains, and romantic figures. The film industry has represented many incarnations of vampires on the big screen for decades. Let’s begin with the first vampire film, Nosferatu (monster), up to the latest vampire film, Twilight (lover).

Vlad III Dracula was born in the year 1431 in Târgovişte, Transylvania. Sighişoara, Transylvania, but it is not certain that Vlad III was born there, but his father, Vlad II Dracul, owned a residence there. Dracula was the second child born out of four brothers born into the noble family of Vlad II Dracul. Vlad III’s nickname, Dracula, simply means “son of Dracul”. The family received this surname after Dracula’s father was inaugurated into the Order of the Dragon that was the Defense for Christian Europe. Vlad III’s father, Vlad II owned a residence in

In 1897, Bram Stoker wrote Dracula, the story of a monstrous Transylvanian count who terrorized local villages and fed on the peasants who lived in them. The book is today widely recognized as a historically significant literary work, and its importance has caused many scholars to debate whether Bram Stoker’s main character Dracula was actually inspired by real historical figures. Although all evidence used in the debate is somewhat unreliable, it can be established that Bram Stoker based his character Count Dracula on historical figures to a certain extent.

The amount of crazed vampire stories within this world continuously grows despite the amount of creativity that can go into the description, and characterization of said vampires being quite limited. There would only be so many possibilities for scenes, situations, and character designs if authors went by nothing more than the characteristics of the vampires in Bram Stoker 's Dracula. Because of this, authors continue to create more and more ridiculous scenarios as well as more and more advanced vampires. The comparison of the way vampires look, respond to environmental stimuli, and act in social situations in books like Dracula or The Chronicles of Vladimir Tod, as well as book series such as Blood Lad and Twilight, is quite drastic.