The study, in which we looked upon through our time working within Applied Theatre, is how our role

Discuss the issues raised and reasoning behind decisions made when attempting to contemporize your own version of Sarah Kane’s play Cleansed for stage. Comment on the professional production and how and why your work may have differed from, or mirrored, Katie Mitchell’s production and any considerations/adjustments you may have made to your performance after viewing

The set used for Vernon God Little was highly symbolic and simplistic; when we walked into the theatre we could visually see that there were flowers, cards and memorable items attached on the audiences seats above our heads, which already created a sombre atmosphere around the theatre.

The first time I went to observation I was in his final period of the day. This class had around twenty-five to thirty students in this class. His final class is his AP English class. During this day their first assignment for the class was a writing assignment to help prepare them for the AP exams. Using this authentic activity will help the students prepare for this upcoming exam. While the students were writing their responses, John Dolphin explained to me that at first he had an outline which the students had to follow, but know they write their responses all on their own. This scaffolding made the students more independent on what they had to write about since he kept taking away more and more directions (Ormrod 2014). He explained that at first he wanted to have them write the

As the children engage in dramatic and imaginative play together, they are creating stories. These stories are then told to and transcribed by Paley (1990) and acted out on a pretend stage by the students in the class. Each student or storyteller in the eyes of Paley (1990), chooses classmates to perform the roles in his or her story, and each story is re-enacted at least once, if not multiple times. For example:

As well as the quality of spoken language that children hear on a day to day basis will have a vast impact on the grammar and language they use. Therefore teachers and all teaching staff should ensure they continue to develop children’s confidence when it comes to communication by developing the skills needed to explain their understanding this is also vital when it comes to understanding and explaining of books or other recourses. All children should have access to and be encouraged to develop their role in drama. Pupils should be able to adopt, create and sustain a range of roles, responding appropriately to others in role. They should have opportunities to improvise, devise and script drama for one another and a range of audiences, as well as to rehearse, refine, share and respond thoughtfully to drama and theatre

The timeline of the drama program is it would start in October and end in May. The program will include teachers and community members as volunteers. Ideally, the people who volunteer would be interested in the arts such as: music, art, dance and acting. But, experience in those fields is not required. The students will have the opportunity to learn reading comprehension skills such as: sequence of events, vocabulary and summarization. The students will choose one book to read and study per month, and the activities will coordinate with those books. The books the children will choose from will vary in topic and difficulty, but will be on the 2nd grade reading level. The drama techniques that will be used are: hotseating, role-play and tableaux.

Ownership: Students love to be involved in things that physically include them. Allowing students to have a say in what happens in the classroom will make them feel as if the classroom is theirs. That is the kind of feeling I want my students to have, because it is their classroom. I am just there to help guide them. To give the students ownership and responsibility I could let them help make routines and procedure and choose the topics that they want to write about and how long of an assignment their writing should be. Students connect better to things that they are familiar with, so I am sure that can only make writing workshops fun for the students. After a while when students begin to feel more comfortable with each other I would let a few students become peer teachers. Some kids learn better from peers than adults.

Middle School Theatre as a student is really interesting. I have an amazing teacher and I learn everyday. We learn about lot’s of things in theatre that helps me grow in theatre. In this paper I’m going to talk about all the things I’ve learned so far in Theatre and my favorite unit this year.

“Theatre makes us think about power and the way our society works and it does this with a clear purpose, to make a change.”

Before my senior year of high school, I was a very shy, closed-off individual. However, my last year I wanted to change that. The primary way I sought to do this was through participating in high school theater. If I was given $10,000 and 30 days, I, Jacob Smith, would put forth these resources towards the improvement of Roxana High School’s drama department.

The teacher will elicit the activities their going to do by means of drama techniques.

When I first began directing, to me, the play was the thing. My mind was focused on the goings on of the stage with limited awareness beyond its borders. It seemed that dealing with the audience was somebody else’s job. If I directed a great play, I thought, people would come and like it. Job done. “Why this play now?” was a philosophical, intellectual question—but not something I really confronted in an educational setting.

The above example illustrates not only how the theatrical performance affects the audience, but also how the audience influences its dynamics, development and the characters within it. The actors feel a certain level of acceptance from the viewer, who demands a certain way of depicting the character. Theatre is not just entertainment, itís something much more than that ñ itís education. Theatre should always represent things, rather than

Starting off my group tried to use the list of movement vocabulary. That didn’t work out so instead we decided to focus on what our theme or story would be. Eventually we settled on two topics, unrequited love and love at first sight.

Despite the claim that Drama in Education ( DIE) as a pedagogy dimmed its popularity in the Western world since 1990 until 2016 (Gallagher, et al. , 2017), in the year of 2011, Morrow, et al. included it as one of the best practices in literacy instruction. Some of the teachers who had the experience of trying process drama in their classrooms found that the pedagogy improved students’ participations, pushed students to use their imaginations, performed deeper understanding of the topics being learned and made the students learn to have empathy ( Long, 1998). Do the voices from the classroom resemble to what researchers and theories have to say on process drama?