Australian literature covers a wide range of works and genres with diverse subject matters, yet among these works, common themes can be discerned. In particular, the concept of struggle has been occupied widely by writers as a means of documenting Australian society and attitudes towards national identity and gender. Not only does Australian literature cover a wide range of components, but so does the Australian National Identity (ANI). Just like the concept of struggle has been highlighted in Australian literature, struggle can also be found in the ANI. Struggle—specifically seen in the landscape and war has been incorporated into the works of well-known Australian authors, Miles Franklin, AB Facey, and David Malouf. The first …show more content…
237). Australian weather is very extreme and quite unpredictable—when it’s dry, there is usually a drought, and when it rains (which is never expected), there is flooding. Not only is the struggle of the environment seen in Franklin’s novel, but this idea can also be seen in Henry Lawson’s (1867-1922) poem, “Up the Country” (1892). Lawson paints an unwelcoming portrait of the bush landscape writing of “those burning wastes of barren soil and sand” and claiming that “the country’s rather more inviting round the coast” (Lawson cited in Poemhunter.com, 2002, lines 11-12, line 7). Lawson sees the bush as unpleasant and doesn’t know why anyone would live there. The irregular, intense, and often dry weather makes living in the bush and Australia in general difficult and that is why the struggle of the environment has become such a big element highlighted in the ANI and Australian literature. The struggle of the landscape present in the ANI and Australian literature can also be seen in the autobiography, A Fortunate Life (1981) by Australian writer and World War I veteran, A.B Facey (1894-1982). Facey spent most of his childhood fending for himself in the bush and he documents his own experiences with the tough and dry weather, and the difficulty of relying on the land for food and harvest. His life was in no way glamorous, and this is seen when the hot weather
The careful choices of literary devices Paterson had successfully conveyed his underlying purpose to the reader. This text also paints a picture of the mood of one of the facets of Australians in the war which is the main focus of this poem.
Australian landscapes have long been used to place fear and anxiety in the Anglo-Australian’s psyche. This anxiety and the requirement for Indigenous peoples to negotiate white ideals is reflected in current Australian literature and cinematic identities. This essay will discuss the critical arguments of what makes the chosen texts Australian literature. This discussion will be restricted to the critiques of the film Lantana directed by Ray Lawrence and the novel Biten’ Back written by Vivienne Cleven. The will firstly look at the use of landscape as a crime scene and how this links to the anxieties caused by the doctrine of terra nullius and the perceived threats from an introduced species. It will then look at the Australian fear of a different ‘other’ followed then by a discussion around masculinity and the need for Indigenous people to negotiate white ideals. The essay will argue that Australian literature and film reflect a nation that still has anxieties about the true sovereignty of the land and assert that Indigenous people have a requirement to fit in with white ideals.
Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.
Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.
Hunter Harris Anderson looked up through the towering gum trees, feeling the sunlight cascade down on him, dappled by the straggly branches of a young wattle. A sense of awe engulfed him as he wondered at the height and strength of the century old trunks. The steady rush of the stream provided a constant background noise, which, in harmony with the occasional rustle of leaves and birdcalls throughout the trees, created the raw melody of the Australian bush. Hunter stood, eyes closed, and listened, enjoying each and every note.
Australia... land of the sun, beaches and kangaroo’s, known for being a free and multicultural country accepting you, no matter whom you are... or so we thought. Kevin Gilbert’s insightful poem ‘The New True Anthem’ tries to uncover the faults hidden under Australia’s picturesque surface. It depicts an Aboriginals’ view of Australia, comparing images of Australia to the harsh reality that the author feels is happening in this country. The destruction of the environment and the poor treatment of Aboriginal people are common themes that can be seen throughout the poem which contrast ideas about Australia such as natural beauty and freedom.
It is crucial that we study Australian Narratives as it creates insights into events we may have not explored. This is evident in the novel "Crow Country" written by Kate Constable. It teaches us about Aboriginal beliefs and spirituality, Australia's History and respect, as we experience what it feels like to live in rural Australia, creating an understanding about Aboriginal people. Therefore, through a close read and study of "Crow Country", readers are able to learn new and important things about our past and present, showing that it is crucial to study Australian Narratives.
Similarly the idea of Australian life and isolation is depicted in ‘Journey: The North Coast’ where poet is eager to reach home. Perhaps the poet desires to visualise beautiful Australian landscapes as to allow the readers to view the magnificence of flora and fauna in contrast to the man-made destructions. It appears that the poet has been isolated for ‘twelve months’, and Sydney in this case acts as a barrier of poet’s desire towards nature. The title itself symbolises poet’s home and the destination which contradicts to the urban
In the history of Australia, there are a variety of people in their respective areas have made outstanding achievements, made a contribution to the identity of Australia. Among these people, Anh Do is probably the most instructive and interesting person. As his book "happy refugees" implied, Anh experienced suffering in his early years. At the same time, he has maintained an optimistic attitude, this pain into an inspirational story, to share with you. At present, Anh has made achievements in various fields such as writers, films, television, artists, live performances and corporate speeches (Anhdo.com.au 2017). Anne 's story is sure to shape the identity of Australia. This report will analyze the achievements of Anhe and his
Many of Tim Winton’s fictional texts mirror moments in his own life, and with an understanding of Winton’s personal context, we can begin to discover the importance of these events and an understanding into why many of his text orbit around similar ideas. Through the insight given in his landscape memoirs, Lands Edge and Island Home, a more considered reading of his fictional texts; Breath, A Blow, A Kiss and Sand can be found. Specifically, these texts explore the role that landscape and place have had in shaping his perspectives and distaste of the expectations of Australian males. These texts each explore certain aspects of the expectations that men all over Australia are subjected to that Winton strongly opposes. Winton grew up in the 1960’s middle-class suburb of Karrinyup, WA, his working class Christian family’s beliefs and values, and events in his early life have evolved to form many of his present-day values towards landscape and masculinity.
Australia has always been centered around diversity and change, specifically with the vast multiculturalism and migrant culture throughout the nation. The specifics of Identity hold an important role in shaping our identity as students and as a nation. Australians pride themselves on being a land of the free and full of diverse culture. This is specifically referred to in our national Anthem; “For those who've come across the seas, We've boundless plains to share; With courage let us all combine,”(McCormick, 1984). Displaying Australia’s open attitude towards immigrants and contributes to the diversity present within our society today. Even before this, much of Australia’s Identity was associated with caucasian culture (Originating from British Settlers). Which is the dominant perception of Australia through the media with australian representation being present through the stereotypes of Bogans, which was made popular through shows like Kath and Kim (ABC, 2007). Also, represented through the popular depiction of Australian people - the bushman made popular by movies like Crocodile Dundee (Faiman, 1986) and through famous real life bushman; Steve Irwin. An important aspect of Australian identity which is consistently neglected is the culture and representation of the initial owners of the land; the aboriginal people. Throughout history the constant mistreatment and neglect of the indigenous, has lead to a massive gap in privilege between the aboriginal people and our
Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.
Arthur W. Upfield was a mystery writer who defined his writings with the stark beauty of natural Australia. He used his vast knowledge of Australia’s landscape to craft remarkable tales taking place in seemingly barren landscapes. With his talents, he has managed to entrance many readers across the globe, making him a very well-known and studied author. The legendary Arthur W. Upfield was born on September 1, 1888, to a stable middle class family. His father owned a drapery business, and his mother stayed at home and tended to her children. As a direct result of her parenting stress, Mr. Upfield was sent to live with his grandmother at a young age. Furthermore, at the age of 19, he was sent off to Australia at his father’s wish. As a young
The notion of the contemporary indigenous identity and the impact of these notions are both explored in texts that have been studied. Ivan Sen’s 2002 film ‘Beneath Clouds’ focuses on the stereotypical behaviours of Indigenous Australians highlighting Lina and Vaughn’s journey. This also signifies the status and place of the Australian identity today. Through the use of visual techniques and stereotypes the ideas that the Indigenous are uneducated, involved in crime and the stereotypical portrayal of white people are all explored. Similarly the notion of urban and rural life is represented in Kennith Slessor’s ‘William Street’ and ‘Country Towns’.
Humanity is but a facet of the sublime macrocosm that is the world’s landscapes. In the relationship between man and landscape, nature is perpetually authoritarian. In her free-verse poems, The Hawthorn Hedge, (1945) and Flame-Tree in a Quarry (1949), Judith Wright illustrates the how refusal to engage with this environment is detrimental to one’s sense of self, and the relentless endurance of the Australian landscape. This overwhelming force of nature is mirrored in JMW Turner’s Romantic artwork, Fishermen at Sea (1796). Both Wright and Turner utilise their respective texts to allegorise the unequal relationship between people and the unforgiving landscape.