The themes are timeless and resonate the views in a modern society despite being written in

Othello is a play that asks the reader to take a look at how women are viewed within society. Part of the fear of cuckoldry derives strongly from the play’s cultural influence. In the times of the play it was important for a woman to stay chaste which explains why one of the central issues in the play; adultery gives rise to anxiety on the part of Othello and also the female characters of the play. The Venetian and Cyprus societies has established through social conditioning of the sexual dominance of men. As it is often so in modern day society, men are positioned to be the initiator for an intimate relationship. Women who try to do so are often looked down upon and are reprimanded if they do not meet the ideal that befits a female of those times. An illustration of this particular type of act can be seen in the second setting of the play; the island of Cyprus. The reader will find in the first scene in Cyprus, Iago who most likely has the most hateful attitude towards women says to Desdemona and Emilia ‘You rise to play, and go to bed to work.’(Act 2.2.114). In this scene the reader sees that even royal daughters and wives are looked down upon as material objects and whores. The illustration of victimization of women is strongly depicted through the lack of representation of women. The play carries only three main female characters; Desdemona, Emilia, and Blanca when comparing to the number of male characters.The removal of minor female characters in the play show

Feminist critical lens examines certain texts with a primary focus on both gender’s relationship with each other and how such relationships demonstrate effects towards beliefs, behaviors, and values. This critical lens also examines a patriarchal-centered society and how such society define and interact with women with an emphasis on stereotypes of both genders that are present and evident in the text being analyzed. William Shakespeare’s Othello can be scrutinized through the feminist critical lens. A deep analysis focused on feminism of the play Othello paves way for the judgement of different societal status of women in the period when the play took place, the Elizabethan society. Othello is a best fit that demonstrates how men were

Contextually it is important to understand how women are presented as tragic victims of men in ‘Othello’. Contemporary views of women were, according to Sir Thomas Elyot “to be mild, timorous, tractable, benign, of sure remembrance, and shamefast.” Conversely men were seen to be “fierce, strong in opinion, covetous of glory, desirous of knowledge, appetiting by generation to bring for his semblable.” Elyot’s views of the contemporary man, though much grander than those of women, could prove to be their downfall in ‘Othello’. Shakespeare’s protagonist’s downfall could be based on the fact that he is desirous of knowledge, and Iago’s manipulation of Othello’s trustworthy nature suggests that not only are women the tragic victims of men, but it is men who are also victims of men.

Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.

In Shakespeare’s Othello, the nominal character, an honorable Venetian general, is driven to madness through the deceptions of his honest right hand Iago. Iago plots to ruin Othello and through his deception, he drives Othello’s insecurities by implanting the idea of infidelity of his beloved wife Desdemona. Othello goes on to murder his wife, and after he discovers Iago’s plot, he kills himself. In a time when women were looked down upon, Shakespeare crafted a drama in which women took part in major roles. Modeled by Elizabethan England the women in Othello were portrayed in a light justified by society as in Othello, these women were nothing more to than objectified possessions, forced to submit to the ever dying will of their husbands. This is displayed by Desdemona and Emilia’s and relationships with their husbands.

Geoffrey Sax 's advanced retelling of William Shakespeare 's Othello can control Shakespeare 's unique ideas in spite of the time period and connection in which both writings happen, while investigating the all inclusive topics of prejudice, misogyny and force. Shakespeare 's play reflects conventional Elizabethan connections and qualities in its investigation of such ideas amidst a catastrophe impelled on by misleading and desirously (Aebischer 12). On the other hand, Geoffrey Sax 's 2001 representation of Othello, set in 1980s London, concentrates on issues of prejudice and ladies in a post-women 's activist society. In spite of the diverse the distinctive time periods both writings have the same all inclusive thoughts.

Othello, by William Shakespeare is well known for its richness in literary content and elements pertinent to societal ideas. Moreover, women are portrayed in Othello in ways that confirm, but also contradict their treatment in Shakespeare’s time. Both female action and language represent these ideas such as expectations for a wife and expectations for how a woman is to act. That said, there are many other lines spoken by these characters that defy the expectations placed on women at time. Overall, the feminist critical lens allows a reader to understand Othello and the manner in which it is slightly sexist and controversial. This lens allows the reader to observe both discrepancies of how women are treated, and common characteristics found

In Shakespeare's tragedy, Othello, Iago is uncharacteristically honest when he says "I am not what I am". However, he is not the only character whose appearance differs from the reality. Nonetheless, he is possibly the only person who intends this duplicity. Unfortunately everyone is under the impression that Iago is "honest and just". Once alone, Iago reveals "when devils will the blackest sins put on, they do suggest at first with heavenly shows as I do now". Iago is two-faced in his relationships, even in the language he uses. After referring to Othello as a "black ram", he then tells him "my lord, you know I love you". Iago has no shame in appealing to heaven and godly images in

   Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.

    Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)

   Shakespeare’s tragic drama Othello features sexism as regular fare – initially from Brabantio and Iago, and finally from Othello. Let us in this essay explore the occurrences and severity of sexism in the drama.

The critical landscape in regards to cuckoldry in Shakespeare’s works varies greatly in its scope, especially in regards to the true perpetrators and victims of cuckoldry. The importance of this dialogue becomes especially significant when applied to Othello, a play that features cuckoldry as an invisible but ever present specter waiting to corrupt and ruin the lives of all. In Othello, we see cuckoldry, in the case of Iago, as the malignant supposition that motivates Iago’s perpetration of villainy against the entire cast of characters; indeed, few escape from the wrath of Iago and his male anxieties. In Othello himself, the fear of cuckoldry is so intense that he believes Iago’s word over his own wife’s. With the acknowledgement of the male anxiety of cuckoldry present in Othello, the question of who suffers most from a wife’s unfaithfulness is raised. There are some critics who assert the true victims of cuckoldry are the men, as they have now been shamed and have lost all preconceived notions of honor. In a play such as Othello, where male honor is such a relevant factor of

The relationship of the characters in Othello are shaped by the theme of truth and lies. Othello has trouble believing in his relationship with Desdemona because he considers too many outside opinions. Iago is the center of creating manipulations to alter the truth of the actual information. Therefore, Othello questions his fidelity with Desdemona because Iago plants different information to manipulate Othello’s mind and ultimately disrupt his relationship. According to Samuel Taylor Coleridge, “Othello wishes to excuse himself—to excuse himself by accusing” (151). Othello has others easily influence his decisions, in which he is incapable of trusting himself. Needless to say, Othello finds it easier to accuse Desdemona of her wrongdoings and for being unfaithful; he does not question Iago’s creditability. In addition, the theme of truth and lies arise from Othello’s inability to understand himself, so Othello initially has Iago dictate. For that reason, Iago is able to tell Othello anything, knowing that Othello does not question him. However, Othello does not see that Iago manipulates him, and Iago’s lies are perceived as the truth, as it contradicts what Desdemona says.

In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.

In Othello by William Shakespeare, the villainous Iago devises a plot with the hopes that Othello and his wife, Desdemona, will be separated so that he can take Othello’s position as head of the Venetian Military. Iago’s scheme consists of him convincing Othello that Desdemona is cheating on him with his lieutenant, Cassio. Iago has told no one else about his ploy so while everyone else’s actions remain true, he manipulates their every move for his benefit. While their actions may not lead to results that they expected, exploring the reasoning behind everyone’s actions, can give insight to their values since the actions were based on what they believed was the best thing to do. To the characters of Othello, honor is more important than