In the fine arts community there are many options of occupation from drawing and painting to singing and instruments and even the Theatre. In theatre there are many options past acting. You have lights, sounds, makeup and costume, set, stage manager, assistant stage manager, house manager, ushers, and director. As a theatre technician I would want to do it all but mostly costume, set, and sound. With costume design comes clothing design. You are given a character and you have to show who they are through clothing. Pulling things from the script is important as to find small information that could be used. It also helps to figure out what they go through, do they change clothes, do they roll through dirt. You’ll also need to know the time period to know what fashions we’re appropriate. If it's victorian what do the lower class wear, or the upper class, if you're working with old generals how were they presented. You also have …show more content…
Maybe it’s inside the building or outside. Are most buildings brick, is the furniture inside older, does it have certain required qualities. The more your set goes with the time period the play is in, the more your audience can get into it. The whole point of any design is to give you more on the story or characters. If your play is set for 1956 but your set looks 2016 it may not make any sense unless that’s the theme you’re going for. Design has many elements to keep in mind. How does the set go with the play? It has to make sense with the story. Building bigger sets will require a lot of support and you need to know that it can fit. Working with the space around you to figure the exact design is better than for bigger projects so you know your limitations. Smaller projects need to make a big impact to the audience, more detail would more likely be needed. You also have to consider the levels of your stage. Do you wants more ups and down available or do you want a flat
The set was designed in a way that was very versatile and yet, still convey a serious message. By versatile, I am implying that the open-stage with two ramps crossing each other in the background was plain and simple but served a purpose of several scenes -- such as a bar, church, and even a funeral. A set prop that were a key pieces in the play were the wooden benches, these made it possible for the actors to switch scenes. Some examples on the usage of the benches were when they stacked two benches one on top of another and turned it into a bar, they turned the bench in a vertical position and created a podiums to express different religions, or setting the benches in a close and aligned design to create a church. Other props that influenced the scenes were snow, umbrellas, then using the umbrellas as angel wings, and of course lighting. Instead of building entire sets, or making the audience use their imagination with no props included in the play, the set designers and directors created visuals that were ordinary objects and interacted the audience to use their imagination and "build" the appropriate set for the scene in their minds. I believe by keeping a low budget, the designers of The Laramie Project accomplished a bigger impact on the audience with a simple-low-budget set rather than an expensive-big-fancy set.
The set was designed by Amy Campion's who did a great job of placing the actors strategically in the center of the raised stage with an overlooking balcony, that gave an added dynamic to the scene changes. Brett Maughan's was responsible for lighting the show and using spotlights to add to the conflict happening in any given
The technical aspects of the production such as scenery, properties and costumes also played a keynote in the productions success. The scenery was fabulous it truly made the play. It was very realistic and extremely vibrant. Almost the entire play was performed in one setting, except for the railcar and dance scenes. The house, the main setting, was magnificent with painstakingly placed detail in every corner. All elements in the house matched wonderfully, for example the furniture, the photos on the wall, the telephone and even the trash can. Little bits of detail were everywhere adding to the beautification of the set, for example the lace decorations on the chairs, the etched glass above the front door and even the Christmas tree.
The scenic design in this play was extraordinary, and I could tell there was a lot of effort put into it. In this play there was a stairway towards the back of the stage. It brought in a new way for the actors to enter/exit the stage. I thought this was very creative idea that was easy to move on, and off stage if needed. There were many scenes that had the moon and the stars in the background. I loved this because it showed the audience when it was night time. I also love looking at the moon and the stars, I feel it creates a very romantic atmosphere. There were times the setting was inside a house or a pub, and then there were times that the setting was outside like the war scene, and the balcony scene. I
Two productions that I had enjoyed seeing very much were Lend Me a Tenor and One Flew over the Cuckoo's Nest. Both of these productions were great and had very great storyline and I really enjoyed both of these productions. Each production had great actors and each portrayed their character very well, by using many of the aspects of the six elements of theatre that Aristotle used to explain the aesthetics of theatre. Each of these productions had very interesting characters and also had great plots that kept audiences on the edges of their seats. In each of these productions there were also many recurring themes and important messages that were underlying the whole play. The design and furniture of both plays were also very stunning and visually pleasing. In Lend Me a Tenor, there was a set of a house, which was very neat and very pretty. The house was very great and also had other doors to other rooms that were very neatly and visually set up. In the production, One Flew over the Cuckoo's Nest, the design of the set was very horror filled and it was very dark because the setting was inside an asylum. A lot of the plot production and set and use of characters to reveal the theme was prevalent in both of the plays. Both productions had very great and visually pleasing sets, but also had difference in the mood each set gave off.
The 20th Century was home to many important events in history, one of the most memorable being The Great Depression. Unemployment was at an all time high, businesses were forced to shut down, and suicide rates were through the roof. New York City was no exception. 213 of it’s 253 theaters were forced to close, putting hundreds of thousands of theater people out of work. In these devastating times, a hopeless yet admirable organization known as the Federal Theatre Project (FTP) was created by request of President Roosevelt. Originally created to preserve music and art, this project consumed government funds, was plagued by censorship, and was blatantly biased in social issues, with the end result being far from it’s original goal.
A character’s costume is much more than the clothes they wear to play a part. These clothes help us venture into the author’s world and help us connect with this new place and believe in its reality. They help us capture so much more than what the character looks like. We are able to see, feel, and experience the characters personality and purpose in the story. In a play or movie, we immediately make our fist connection with a character based on what they are wearing, this is the first step in drawing us in and making us believe in this new world. This first impression gives us the first glimpse at the characters style, background, and social class. All of these things are meant to immediately draw us in.
I became interested in being a surgical technician when I was younger because that is the job my mom had done while I was growing up. Despite the long, gruesome hours, I believe being a scrub tech is a very engrossing job that would keep me on my toes every day. Also, surgical technicians have a long list of tasks they must do such as preparing the operating room with all the tools and instruments the surgeons require in order to perform the procedure and making sure the instruments are sterile and clean. They prep the patients for surgery by calming them down, observing the vitals, washing and or shaving incision sites, positioning them on the operating table and sterilizing the area designated for incision. As well as constructing solutions and medication that will be used in surgery and double check to ensure that all the machinery is working properly. During surgery, surgical technicians are the ones handing the sterile supplies
The arrangement of the set also added to my enjoyment of the play. To expand, the characters did not utilize the whole stage, specifically the downstage space. Instead, the
Costume design Costume design is particularly paramount in any play, film or television show. In fact, its contribution to the plot or story is more profound than is generally realized. This is more often than not because of the inadvertently vulgar definition associated with the word ‘costume’. People will invariably associate costumes with parades and Halloween rather than the more incredibly refined art that is costume design. Whether it is the simple costume differences between the various doctors in Grey’s Anatomy or the elaborate costume change done by Rihanna in the invigorating scene in Valerian and the city of a thousand planets, costume brings the characters to life.
When the dims light brighten and the show began, the set was the first thing that would catch anyone's attention. The way the different scenes were set up perfectly to showcase each character and who they were. The contrast between Mrs.Van Buren’s humble abode where she lives so comfortably and Mayme’s hole in the wall apartment where she carries out her exotic exchanges. Although the stage wasn't substantial, each set was rather intimate and in a way separated from the others. The compact size of the stage made every romantic scene come alive because of how finite the space was. It was very easy to follow along with the plot because the set was designed so intricately.
Design elements are important because of the part that scenery, costuming, and lighting plays in the movement of the musical production. As Richard Kislan says, "the ultimate objective of the designer of musicals must be to service the moving forms that characterize the musical theater." (Kislan 251). As a member of the audience I never recognize the movement of the scenery but enjoy each new set and costume. Without those important changes of movement the audience might lose interest or feel lost in a long musical. Musicals are full of costume changes that signify an important event in a character's plot. A good example is My Fair Lady, where Eliza Doolittle begins the musical with nothing more but rags and a small weary basket of flowers.
The moment you sit down, you feel the atmosphere of the play. Proscenium stage was used in a very interesting way. The designer has put the space of warehouse room on the angle,; there were only two walls, the audience could see one of the corners. Other corner did lack of a solid wall, but lights, designed by David Lander, fooled the audience and made us believe it was complete room. The ceiling of the stage actually went over the first row of the seats, adding more presence to the play.
The costume department plays an essential role in creating a performance. Their task is to produce costumes which allows both actor and audience to really get a feel of the character before even hearing them speak. In addition to this the work they produce must be functional. It must be suited for carrying props, dancing, quick changes or whatever else the piece demands while still portraying the character themselves. Without costumes the story would seem flat with no depth to the characters. We can tell a lot about a character from what costume they wear: whether they are the villain or the hero, whether they are upper class or lower class and that informs the actors on how they should portray the character to an extent. Within the costume department there are six main roles within the costume department and each of those roles has tasks which they are responsible for. In some theatres these roles can be completed by many people and in others some tasks are given to just one person but the roles themselves are essential for a successful working production.
As you may know fashion designers create anything that is part of a garment for men, women, and children. They understand the needs of their clients and create attractive, functional garments and accessories. When designing they must keep a close watch on fit, style, color, texture, size, and material. Designing any outfit starts with sketching and original idea on paper or on computer programs. Then shaping the patterns pieces which make the garment. The pieces are then drawn in actual size on paper and cut out on a rough material. These pieces are