Theatre Actor Research Paper

When people think of theatre they usually think of acting, directing, and maybe script writers. They would correct, all of those disciplines are part of theatre but there's more to theatre than just that; however, due to personal interests those specific disciplines will be exactly what this essay is about. What most people don't think of when they think of theatre is how much thought is put into it. The different type of methods, not just for acting but, for directing, and script writing as well. Everyone has a different method of running a show but this paper will discuss some of the legendary people that have influenced theatre the most.

Their training method is usually working on the text and putting emphasis on the dialogue before drafting the physical element because that’s how they get their inspiration from. All the devising aspect is broken down into bite-sized tasks so they can fully develop and expand on it as much as possible. These small bite-sized tasks are merely building blocks to support more blocks. Doing these helps the performers have a creative input in the process as they feel shaping theatre and choreography requires different perspectives and an outside eye of the director so it’s still new and fresh and risks are taken. Directors simplify, improvise and use any sort of imaginative tool to avoid being empty handed in a rehearsal room. This is why they never teach steps/choreography from the front of the room, because it comes down to what the performance feel capable of doing and learning it in their own pace and time instead of it being on a strict time.

Theatre is a collaboration of various forms of fine art which utilizes live performances presenting before the audience on a stage at a specific place within a scheduled time (Dugdale 10). The message is communicated through a combination of various channels like songs, speech gestures or dances. Stagecraft skills are combined with elements of art to make the performance more physical and near to real life experience. Theatre is categorized broadly into drama, musical theatre, comedy, tragedy and improvisation. Any form of these accepts integration of various production modes and collective reception to influence the artwork being presented. As a result of this cooperation of items in the theatre

African American Theatre has a very dynamic and rich entity which comes from ancient Egyptian practices, and the African background of Greek legends contributed by Shakespeare. While black theatre was in its early stages, plays echoed of the lives they were living. Black American artists were constructing and preforming plays for mixed audiences as early as 1821. The dance and rhythm black people inherited caught the eyes of European audiences. Black theatre involves all sorts of black tradition with ancient stories, mythology, dances, music, and rich practices. It also contributed to the formation of America’s musical comedy acts. Social restrictions that

Having knowledge and involvement in both the acting and the technical aspects of theater, I expected the production to deliver a qualitative performance that gave its audience the full experience. This experience is achieved by the elements of theater such as acting, lights, sounds, props, costume and set design

Middle School Theatre as a student is really interesting. I have an amazing teacher and I learn everyday. We learn about lot’s of things in theatre that helps me grow in theatre. In this paper I’m going to talk about all the things I’ve learned so far in Theatre and my favorite unit this year.

The first chapter Actor contains ten sections which belongs to elements of compositing an actor. Correctly understand the basic literacy and maintain an actor on the stage of normal play is crucial. Typically, there are two kinds of actors which including representational actors and presentational actors. The representative character actor imitate behavior. They think their body at any time, they tried to make their character would make faces; they were trying to be like them. To an extreme degree, it's a bit like

Dance is a universal language, there are no words being said but you can still feel something very powerful. Dance has been around for centuries, some of the earliest known records are paintings from nine thousand years ago in India. There are also some dancing figures from an Egyptian tomb that were found which were dated back to three thousand, three hundred BC. It is said that before the invention of written language, dance was the most powerful method to tell stories throughout generations. Is this why dance is still around after so many years, because it can portray amazing stories with no words? Today, we are going to explore the many reasons why dance, in the use of musical theatre, can make the difference between an amateur show and a Broadway show.

A director will decide where and when actors move -- a term known as "blocking"-- to ensure the proper dramatic effect and to work with the lighting design of the scene. Where the actors are moved in one scene will usually correspond with how they will be placed in the next scene, unless there is a stage clearing in between scenes. The director becomes the "eye of the audience" during rehearsals. He makes sure that an important character is not being hidden behind another actor and ensures the audience can hear everything. There are a few tricks a director can make to emphasize certain moments and characters during a play. If a character is sectioned off from a crowd or standing on a prop higher than the rest of the cast the spectators

As I took the course of “Introduction to Theatre”, our class has explored the enduring question of “what is the place of theater in the world and why?” To answer this question, we learned about the different time periods, including the BC time period all the way to the present time period. As we learned about the history of that period, we saw some reasons and answers to the question of what the function of theater is in the world. Our first step in analyzing plays was that we first examined the time periods of that play, and then how the events and lifestyles influenced the writers of the plays. For an example, through theater, the plays Fences and Angles in America were both meant to bring awareness about the social issues in society. During

It would seem that within the realm of any individual stage show, it’s the associated Stage Director that is the single most powerful driving factor to help guide the show to ultimate success. But be not fooled, the director needs a ton of help/support to carry out his/her vision. Let us take a few moments to touch upon some key elements that lead to a highly effective stage director.

Theatre is a way that designers, playwrights, performers, producers, and audiences use interaction to present a story. Along with these different aspects, theatre also uses the Aristotelian Elements which are; plot, thought, music, diction, character, and spectacle. Theatre is certainly not limited to only these few things, there is a wide range of what is done to put together a presentation for an audience to learn one more story. Those details stated are mains things that are used or done, but they are not all known by society, especially if a person has no background knowledge of the subject.

To Lee Lewis, the most important aspect of theatre is the message the writers are trying to put across to the audience. In order for that message to be heard, there can’t be any sense of the director present, nor the actors behind the characters, as she quotes “If the directors hand is to visible in a work then that’s a failure to me” (AustralianPlays.org 2014). This message from the writers is so powerful because it conveys present issues and thoughts, which is why she is so interested in directing ‘new work’. “You can’t take the writing of someone else and use it as your own materiel” she quotes. This is what she calls ‘re-authoring’ when an artist like Barrie Kosky or Benedict Andrews takes a work such as Barrie Kosky’s remake of Oedipus

The above example illustrates not only how the theatrical performance affects the audience, but also how the audience influences its dynamics, development and the characters within it. The actors feel a certain level of acceptance from the viewer, who demands a certain way of depicting the character. Theatre is not just entertainment, itís something much more than that ñ itís education. Theatre should always represent things, rather than

The essay investigates how a director should communicate and work with actors during rehearsal and on set to produce engaging performances. The essay investigates different acting styles, the rehearsal process, directing on set and communication between actors and director. The essay assumes the actor has formal training and basic experience. The essay then proves effective communication achievable through the “actor’s vocabulary” is key not to over-direct and building trust with the actor.