Their Eyes Were Watching God By Hurston: An Analysis

The struggle for women to have their own voice has been an ongoing battle. However, the struggle for African American women to have their own voice and independence has been an ongoing conflict. In Zora Neale Hurston’s novel Their Eyes Were Watching God Janie struggles a majority of her life discovering her own voice by challenging many traditional roles that are set by society during this time. Hongzhi Wu, the author of “Mules and Women: Identify and Rebel—Janie’s Identity Quest in ‘Their Eyes Were Watching God,’” recognizes the trend of African American women being suppressed by making a comparison between animals throughout the novel and Janie. Wu argues that there are ultimately two depictions of the mule that the reader remembers and compares both of these interpretations to Janie’s transformation throughout the novel. While Wu’s argument is sound in the fact that it recognizes certain stereotypes African American women faced during this time, Wu fails to recognize Janie’s sexuality in depth as her major push away from the animalistic pressures she has faced.

In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus

Zora Hurston’s Their Eyes Were Watching God is, among other things, a creation story. For creation stories are not simply myths about the historical origins of the universe and humankind but metaphors for individual maturation. Individual perception is, to a large extent, what constitutes the world. Hence, the individual is the source and embodiment of the world; Janie is, the narrator tells us, “the world and the heavens boiled down to a drop” (72). And Janie’s awakening, or maturation, represents not only a personal transformation, but the creation of a universe. As a child seeking meaning, Janie does not look forward to merely “growing up” but waits “for the world to

In Zora Neale Hurston’s novel, Their eyes were watching God the main character Janie is on a quest for self-fulfillment. Of Janie’s three marriages, Logan and Joe provide her with a sense of security and status. However, only her union with Teacake flourishes into true love.

“...you got tuh go there tuh know there (ch. 20).” In this phrase Janie is referring to the knowledge and experience she has gained by going through her past endeavors. In Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie discovers,“Two things everybody’s got tuh to do fuh theyselves. They got tuh go tuh God, and they got tuh find out about livin’ fuh theyselves (ch. 20).” These morals of Janie’s are depictions of the book’s entirety. Although the two lessons may be laid out plainly, this quote can be shaded into various depths of meaning. Regardless, through several incidents and relationships in the book, the interpretation of the statement and the applicability to Janie’s story is revealed.

In the novel Their Eyes were Watching God, Zora Neale Hurston indicates the role of gender and how men are represented as superior beings compared to women. Janie represents the female protagonist in the novel and how she is affected by the gender role herself. Throughout the novel, Hurston discusses how the role of labor is represented differently for women in the eyes of men and how women are treated as if they are lower than men; and lastly how black men are treated lower than white men using black women as the source for their empowerment. Janie is categorized in the novel as a woman with very minimal rights

It’s amazing that one state can have within it places that differ greatly in all aspects—people, surrounding, weather, and feeling. Zora Neale Hurston exemplifies this phenomenon in Their Eyes Were Watching God. There are a multitude of differences between Eatonville, FL and the Everglades; each place represents a certain theme or feeling to Janie (the main character) and their differences each contribute to the meaning of the novel as a whole.

Their Eyes Were Watching God is sometimes classified as a feminist novel, but that is not so. Feminism is often associated with men and women being equal without a doubt. This passage establishes a fundamental difference between genders. Chapter six is a prime example of these gender differences. Chapter six shows Joe’s need for control. During an argument between Janie and Joe, Joe states, “Somebody got to think for women and chillun and chickens and cows. I god, they sho don’t think none theirselves” (71). Hurston’s statement here suggests that men during that time period needed to feel superior to

In the novel, Their Eyes Were Watching God, Hurston describes the horizon as possibilities and opportunities. When the story starts out Janie’s perception of the horizon changes first from desire for love to the need of love, and ultimately the feeling of contentment towards love to show Janie maturing throughout the novel.

This idea of perception is also presented in Hurston’s Their Eyes were watching God. At the beginning of the novel we see Janie coming to the realisation of her skin, ‘”Aw, aw! I’m coloured!” ‘Den dey all laughed real hard. But before Ah seen de picture Ah thought Ah wuz just like de rest.’ Janie’s lack of awareness about her skin can be seen to be the result of her surroundings; she grew up with a white family, went to a white school, and lived in a white area. This becomes one of the few times what we are aware of her mixed heritage, as her race is replaced by the significance of her hair. The repeated images of Janie’s hair becomes her identifier; it is her hair that attracts men, and it is her hair, which also places her outside of the

Throughout the novel Their Eyes Were Watching God, by Zora Neale Hurston, there is an ongoing story of how Janie, the main character, grows up and deals with the many challenges life throws at her in her quest for her “Horizons”. A horizon is a metaphor for one’s ambitions, hopes and dreams. To be truly happy, one must conceive their own horizons, explore them and embrace them. Janie’s “horizons” evolve throughout the novel, starting as limited and socially determined, moving towards being expansive, individualized, and fully realized.

During the 1930s there was a time period known as the Harlem Renaissance, during this time African Americans sought a newfound cultural freedom and advancements in social classes. In the novel, Their Eyes Are Watching God, Zora Neale Hurston portrays both similarities and departures from the ideals of the Harlem Renaissance. Hurston uses the main character Janie to illustrate these ideals such as the struggle to find oneself and fight against the opinions of others. In addition Hurston also depicts issues and similarities like African Americans who achieved high social classes and discriminated those below them, racial segregation, but also a new found African American confidence. She also demonstrates departures from the Harlem Renaissance

In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).

     “’…but she don’t seem to mind at all. Reckon dey understand one ‘nother.’” A woman’s search for her own free will to escape the chains of other people in Zora Neale Hurston’s Their Eyes Were Watching God.

It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than