Their Eyes Were Watching God By Zora Neale Hurston

Contemporary novels have imposed upon the love tribulations of women, throughout the exploration of genre and the romantic quest. Zora Neale Hurston’s Their eyes were watching God (1978) and Virginia Woolf’s Mrs Dalloway (2000) interplay on the various tribulations of women, throughout the conventions of the romantic quest and the search for identity. The protagonists of both texts are women and experience tribulations of their own, however, unique from the conventional romantic novels of their predecessors. Such tribulations include the submission of women and the male desire for dominance when they explore the romantic quest and furthermore, the inner struggles of women. Both texts display graphic imagery of the women’s inner experiences through confronting and engaging literary techniques, which enhance the audiences’ reading experience. Hurston’s reconstructions of the genre are demonstrated through a Southern context, which is the exploration of womanhood and innocence. Whilst Woolf’s interpretation of the romantic quest is shown through modernity and an intimate connection with the persona Clarissa Dalloway, within a patriarchal society.

Throughout life, everybody makes sacrifices that may become more beneficial to him or in ways they could not foresee. A sacrifice may be simply giving up an object or giving up something deeper in meaning. Their Eyes Were Watching God is a prime example of a book that reflects this theme. In Their Eyes Were Watching God by Zora Neale Hurston, the main character, Janie, struggles to figure out her identity and what she desires in life. As she matures in her relationships and in life, she learns to make sacrifices in order to seek what she really needs. In Their Eyes Were Watching God, Hurston illuminates Janie’s values and the text’s emphasis on self-actualization is demonstrated through Janie leaving stability with Logan to marry Joe,

She then marries a man named Tea Cake and that love proceeds long after his death, which is how Hurston expresses and implies “true love”. Hurston uses the motif of light and the horizon to explore how the “true love” Janie feels for Tea Cake differs from the “real love” with Joe. Hurston first uses the visual imagery of the horizon to convey how much Janie is in love with Joe. Janie

Janie’s discovery of the person she is through each of her separate life experiences, has brought her to the comprehension of the different levels of herself. Although it takes her the complete book to comprehend her sexual awakening from the beginning where the blossoming pear tree starts her on this journey to go through untainted love, she goes through this experience as the sun sets and rises past the many moments in her budding life;

Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.

In the late nineteenth century, the New Woman time period emerged after World War I. Women began to cast away the domestic stereotypes and they became “independent [women] who [sought] achievement and self-fulfillment beyond the realm of marriage and family” (Miller 1). Straying away from the typical image of women staying and maintaining the home, women started attending universities, receiving professional jobs, and becoming involved in politics (1). The transition of women from the domestic sphere to the public sphere is a notion Zora Neale Hurston uses in Their Eyes Were Watching God. Hurston’s use of dominant characters in society reveals her theme that experiences and relationships are the roots of finding independence and identity despite the obscurity caused by sexism.

From her first kiss to the tragic death of her soul mate, each quest for love and enlightenment lends shape to Janie’s emerging voice. For example, at the beginning of Hurston's narrative, Janie quiets her inner voice by succumbing to Nanny's influence

Janie as a protagonist is the only character who believes, wants, and dreams of love and a better life. She, therefore, does this with the pear tree while her ex-husbands were stuck in the burden of overcoming slavery.

Janie’s love life was not always the (Perfect Love Story) in all three of her marriages something was always missing. Zora Neale Hurston,Their Eyes Were Watching God Janie,Tea Cake,Killicks,Jody Starks In this novel Janie marries 3 different men and she faced many difficulties in each of her marriages she married Logan Killicks first then Janie’s first love Jody starks and her second love Tea Cake.In Zora Neale Hurston’s novel, Their Eyes Were Watching God Hurston uses symbolism to illustrate difficulties through Janie’s marriages.

In Zora Neale Hurston’s novel, Their eyes were watching God the main character Janie is on a quest for self-fulfillment. Of Janie’s three marriages, Logan and Joe provide her with a sense of security and status. However, only her union with Teacake flourishes into true love.

In the novel “Their eyes were watching God” by Zora Neale Hurston, Janie’s love changes throughout the course of her three marriages from security to actual love. Throughout time Janie was seeing changes in her first marriage. “Long before the year was up, Janie noticed that her husband had stopped talking rhymes to her.” “He had ceased to wonder at her long black hair and finger it”( Hurston 26). Since Logan stopped showing interest in her, like not showing the love he once did, Janie knew that she wasn’t in love with logan and he was not the one for her. This shows that Janie has yet to feel in love with someone. In Janie’s second marriage she has a feeling of betray. Why must Joe be so mad with her for making him look small when he did it

“I’m a woman…Phenomenal woman, that’s me.” This quote from Maya Angelou’s poem “Phenomenal Woman” characterizes the common theme between the novel, Their Eyes Were Watching God, by Zora Neale Hurston, the speech, “Ain’t I a Woman”, by Sojourner Truth, and “Phenomenal Woman”. The common theme between these three different pieces is the idea of a strong, independent woman, which ties into feminism and the concept of being equal to men. Even though these three pieces are each diverse genres, they are all conveying the same general theme in their own way. Throughout any of these texts, it is evident that the authors are pushing the idea that a female is not inferior to any man just because they have a different body structure or a different gender.

  In 1937, upon the first publication of Their Eyes Were Watching God, the most influential black writer of his time, Richard Wright, stated that the novel "carries no theme, no message, [and] no thought."  Wright's powerful critique epitomized a nation's attitude toward Zora Neale Hurston's second novel. African-American critics read a book that they felt satisfied the "white man's" stereotype of African-American culture and the humor which Caucasians saw in that prejudice. However, those critics and most of America overlooked the wonderful use of imagery, symbolism, and thematic application of one African-American female's journey into womanhood and

     In Their Eyes Were Watching God, by Zora Neale Hurston, the reader is given a particular glimpse into Janie's life with reference to the men she has known.  Janie's three men are all very different, yet they were all Janie's husband at one point in her life.  Although they all behaved differently, in lifestyle as well as their relationship with Janie, they all shared certain similarities.

Through the ‘death’ of Janie’s dream, Hurston argues that one cannot move forward until she has accepted the truth. Janie’s Nanny had constantly reminded her that she needed a husband to one day rely on when Nanny was not around anymore. Nanny claimed that if Janie were to get married to a financially stable husband, she would be prosperous. Therefore, Janie believed marriage automatically results in love. Correspondingly, Hurston writes,