Their Eyes Were Watching God By Zora Neale Hurston

Contemporary novels have imposed upon the love tribulations of women, throughout the exploration of genre and the romantic quest. Zora Neale Hurston’s Their eyes were watching God (1978) and Virginia Woolf’s Mrs Dalloway (2000) interplay on the various tribulations of women, throughout the conventions of the romantic quest and the search for identity. The protagonists of both texts are women and experience tribulations of their own, however, unique from the conventional romantic novels of their predecessors. Such tribulations include the submission of women and the male desire for dominance when they explore the romantic quest and furthermore, the inner struggles of women. Both texts display graphic imagery of the women’s inner experiences through confronting and engaging literary techniques, which enhance the audiences’ reading experience. Hurston’s reconstructions of the genre are demonstrated through a Southern context, which is the exploration of womanhood and innocence. Whilst Woolf’s interpretation of the romantic quest is shown through modernity and an intimate connection with the persona Clarissa Dalloway, within a patriarchal society.

Companionship is a fundamental necessity for human beings to function. People thrive off of social interactions and without companionship, loneliness and alienation would prevail. Everyone wants the same things in life which are love, social acceptance and companionship, in the hope that once these things are obtained one will feel complete. In the novels Their Eyes Were Watching God by Zora Neale Hurston and Of Mice and Men by John Steinbeck, readers witness the characters struggle to find their identity while also trying to meet the need for partnership. In the novel Their Eyes Were Watching God, readers see the main character Janie, grow as a women while showing that marriage does not always mean love and that until

Throughout the novel Their Eyes Were Watching God, by Zora Neale Hurston, there is an ongoing story of how Janie, the main character, grows up and deals with the many challenges life throws at her in her quest for her “Horizons”. A horizon is a metaphor for one’s ambitions, hopes and dreams. To be truly happy, one must conceive their own horizons, explore them and embrace them. Janie’s “horizons” evolve throughout the novel, starting as limited and socially determined, moving towards being expansive, individualized, and fully realized.

Throughout life, everybody makes sacrifices that may become more beneficial to him or in ways they could not foresee. A sacrifice may be simply giving up an object or giving up something deeper in meaning. Their Eyes Were Watching God is a prime example of a book that reflects this theme. In Their Eyes Were Watching God by Zora Neale Hurston, the main character, Janie, struggles to figure out her identity and what she desires in life. As she matures in her relationships and in life, she learns to make sacrifices in order to seek what she really needs. In Their Eyes Were Watching God, Hurston illuminates Janie’s values and the text’s emphasis on self-actualization is demonstrated through Janie leaving stability with Logan to marry Joe,

Zora Neale Hurston’s novel Their Eyes Were Watching God recounts the life and loves of a bi-racial woman in the racially charged South during the 1900s. After the death of her third husband, Janie returns to Eatonville amid judgment and gossip, prompting her to share her life’s lessons with dear friend Phoeby. As Hurston’s protagonist relives her turbulent loves, she embarks of a journey of self-discovery, her voice transforming from suppressed to empowered over the course of her marriages.

Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.

In the late nineteenth century, the New Woman time period emerged after World War I. Women began to cast away the domestic stereotypes and they became “independent [women] who [sought] achievement and self-fulfillment beyond the realm of marriage and family” (Miller 1). Straying away from the typical image of women staying and maintaining the home, women started attending universities, receiving professional jobs, and becoming involved in politics (1). The transition of women from the domestic sphere to the public sphere is a notion Zora Neale Hurston uses in Their Eyes Were Watching God. Hurston’s use of dominant characters in society reveals her theme that experiences and relationships are the roots of finding independence and identity despite the obscurity caused by sexism.

In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).

“I’m a woman…Phenomenal woman, that’s me.” This quote from Maya Angelou’s poem “Phenomenal Woman” characterizes the common theme between the novel, Their Eyes Were Watching God, by Zora Neale Hurston, the speech, “Ain’t I a Woman”, by Sojourner Truth, and “Phenomenal Woman”. The common theme between these three different pieces is the idea of a strong, independent woman, which ties into feminism and the concept of being equal to men. Even though these three pieces are each diverse genres, they are all conveying the same general theme in their own way. Throughout any of these texts, it is evident that the authors are pushing the idea that a female is not inferior to any man just because they have a different body structure or a different gender.

  In 1937, upon the first publication of Their Eyes Were Watching God, the most influential black writer of his time, Richard Wright, stated that the novel "carries no theme, no message, [and] no thought."  Wright's powerful critique epitomized a nation's attitude toward Zora Neale Hurston's second novel. African-American critics read a book that they felt satisfied the "white man's" stereotype of African-American culture and the humor which Caucasians saw in that prejudice. However, those critics and most of America overlooked the wonderful use of imagery, symbolism, and thematic application of one African-American female's journey into womanhood and

In 1937, Zora Neale Hurston spent seven weeks in Haiti writing what would become her most well-known and acknowledged piece of work. Their Eyes Were Watching God was born on September 18th, 1937, in New York. The novel told a hopeful tale of a woman finding a secure sense of independence and identity in the 1920s. Janie Mae Crawford is the protagonist of the novel. She knows family only in the form of her grandmother, who she refers to as Nanny. Each relationship that Janie is involved in blooms and withers away like the pear tree that symbolizes Janie's life.

     In Their Eyes Were Watching God, by Zora Neale Hurston, the reader is given a particular glimpse into Janie's life with reference to the men she has known.  Janie's three men are all very different, yet they were all Janie's husband at one point in her life.  Although they all behaved differently, in lifestyle as well as their relationship with Janie, they all shared certain similarities.

“Listen, Sam, if it was nature, nobody wouldn’t have tuh look out for babies touchin’ stoves, would they? ’Cause dey just naturally wouldn’t touch it. But dey sho will. So it’s caution.” “Naw it ain’t, it’s nature, cause nature makes caution. It’s de strongest thing dat God ever made, now. Fact is it’s de onliest thing God every made. He made nature and nature made everything else.”(Hurston 64-65)

In the novel Their Eyes Were Watching God, by Zora Neale Hurston a young girl named Janie begins her life unknown to herself. She searches for the horizon as it illustrates the distance one must travel in order to distinguish between illusion and reality, dream and truth, role and self? (Hemenway 75). She is unaware of life?s two most precious gifts: love and the truth. Janie is raised by her suppressive grandmother who diminishes her view of life. Janie?s quest for true identity emerges from her paths in life and ultimatly ends when her mind is freed from mistaken reality.

In the story Their Eyes Were Watching God by Zora Neal Hurston, the main character Janie dream is to attain unconditional, fulfilling and true love. Throughout her life she experiences different types of love. As a result from her quest to find her desired love Janie’s gains personal freedom and independence, this makes her the true heroine of this novel. Janie searches for the love she always wanted, the one that is represented by the marriage between a bee and a blossom on the pear tree that stood in Nanny 's backyard. All Janie wants is to find true love and independence in her life.