Their Eyes Were Watching God Independence

Zora Neale Hurston is considered one of the most unsurpassed writers of twentieth-century African-American literature. Published in 1937, Zora Neale Hurston’s Their Eyes Were Watching God depicts the life of Janie Crawford, an African-American woman, who is in search of true love and ultimately her true self. In the novel, Janie shows us that love comes in all shapes and forms, and love is different with each person you choose to love. In the opening of the novel, Hurston uses a metaphor to say that, while men can never reach for their dreams, women can direct their wills and chase their dreams. Hurston uses this metaphor to make a distinction of men and women gender roles, and Janie went against the norms that were expected of her.

Janie’s first husband is Logan Killicks, an old, unattractive man whom Janie marries while trying to appease her grandmother. Logan is a farmer with 60 acres of land and a comfortable house. Nanny believes in marrying for financial stability, not for love: “Tain’t Logan Killicks Ah wants you to have, baby, it’s protection” (Hurston 15). Instead of following her heart and insisting on not marrying someone she doesn’t love, Janie consents due to the pressure and marries Logan. He wants to keep her firmly under his control so he forces her to work in the field with him and clean the house. In addition to physically oppressing Janie, Logan also mentally oppresses her by showing Janie no affection during their marriage. Due to

Zora Neale Hurston had an intriguing life, from surviving a hurricane in the Bahamas to having an affair with a man twenty years her junior. She used these experiences to write a bildungsroman novel, Their Eyes Were Watching God, about the colorful life of Janie Mae Crawford. Though the book is guised as a quest for love, the dialogues between the characters demonstrate that it is actually about Janie’s journey to learn how to not adhere to societal expectation.

Over the course of the novel, Janie is married three times to three drastically different people. First is Logan Killicks, whom she has no choice but to marry; soon Janie discovers that she could never have loved Logan because he treats her as less than him. She leaves Logan for Joe “Jody” Starks because initially, she believes that she loves him. However, after he gains power in their community and his true opinion of Janie as less valuable than any man is revealed, Janie begins to hate him and she isn’t affected much when he eventually dies. After Jody’s death, Janie falls in love with Tea Cake, who treats her better than either of her previous husbands. He makes Janie feel valued and practically equal to him and other men for almost the first time in her life. Each marriage brings Janie closer to realizing her role and identity in society. In the novel, Their Eyes Were Watching God, Zora Neale Hurston explores each of Janie’s three husbands’ different opinions on gender roles in society and relationships to construct the idea that, in life, it is absolutely necessary to find your role in the world -- especially as a woman.

At the same time, however, Janie begins to confuse this desire with romance. Despite the fact that nature’s “love embrace” leaves her feeling “limp and languid,” she pursues the first thing she sees that appears to satisfy her desire: a young man named Johnny Taylor (Hurston 11). Leaning over the gate’s threshold to kiss Johnny, Janie takes the first step toward her newfound horizon. Nanny sees this kiss and declares Janie’s womanhood. She wants Janie to marry Logan Killicks, a financially secure and well-respected farmer who can protect her from corruption. The marriage of convenience that Nanny suggests is “desecrating … [Janie’s] pear tree” because it contradicts her ideal vision of love (Hurston 14). Because she did not have the strength to fight people in her youth, Janie’s grandmother believes that Janie needs to rely on a husband in order to stay safe and reach liberation. Ironically, Janie’s adherence to Nanny’s last request suppresses her even more because it causes her to leave behind her own horizon.

In the novel, Their Eyes Were Watching God, by Zora Neale Hurston, a young woman travels through difficult life experiences in order to find herself. Hurston portrays the protagonist as an adventurous soul trapped in the binds of suppressing marriages. Janie experiences three different types of marriage learning from each one what she values most. From these marriages she learned she values love and respect, finally achieving them in her last marriage. Each new marriage brought something new to the table for Janie and no matter the situation or the outcome of the relationship Janie grew into her own independent individual because of it.

In Zora Neale Hurston’s novel Their Eyes Were Watching God, she sets the protagonist, Janie Mae Crawford as a woman who wants to find true love and who is struggling to find her identity. To find her identity and true love it takes her three marriages to go through. While being married to three different men who each have different philosophies, Janie comes to understand that she is developed into a strong woman. Hurston makes each idea through each man’s view of Janie, and their relationship with the society. The lifestyle with little hope of or reason to hope for improvement. He holds a sizeable amount of land, but the couple's life involves little interaction with anyone else.

Zora Hurston’s Their Eyes Were Watching God follows protagonist Janie Mae Crawford’s journey into womanhood and her ultimate quest for self-discovery. Having to abruptly transition from childhood to adulthood at the age of sixteen, the story demonstrates Janie’s eternal struggle to find her own voice and realize her dreams through three marriages and a lifetime of hardships that come about from being a black woman in America in the early 20th century. Throughout the novel, Hurston uses powerful metaphors helping to “unify” (as Henry Louis Gates Jr. puts it) the novel’s themes and narrative; thus providing a greater understanding of Janie’s quest for selfhood. There are three significant metaphors in the novel that achieve this unity: the

Zora Neale Hurston’s Their Eyes Were Watching God tells the story of Janie’s journey towards spiritual enlightenment and her development of individuality, largely through Janie’s relationships with others. Hurston uses the themes of power, control, abuse, and respect, in Janie’s relationships with Nanny, Killicks, Starks, and Tea Cake, to effectively illustrate how relationships impact identity and self-growth.

In conclusion, In Their Eyes Were Watching God by Zora Neal Hurston, the audience watches Janie enter a period of self-discovery. When Janie gains this power of freedom, she realizes she craves something different from what society had told her she would want; What we feel inwardly to be true, society seeks to take that truth away. With this experience an internal and external

Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she

Logan simply amplifies the negative effect Nanny has on Janie. Rather than showing affection or love towards Janie, as a husband should, Logan is constantly passing judgment on Janie, and mistreating her. He accuses Janie of having an entitled attitude, and says to Janie, “You think youse white folks by de way you act…Ah’m too honest and hard-workin’ for anybody in yo’ family.” (Hurston 32) Not only does Logan insult Janie and her family, but he provides no compassion towards Janie, nor encouragement for her to try to become a better person. In her relationship with Logan Killicks, Janie is constantly unappreciated and looked down upon. Rather than being offered constructive criticism, she is constantly surrounded by negativity and recognition of her faults rather than her strong points, thus preventing her from developing into a better person or finding happiness.

Their Eyes Were Watching God was a book that presented the world with a new look on writing novels. Zora Neale Hurston’s experience in what she has seen through research was embodies in this novel. She demonstrates what data she has collected and intertwined it into the culture within the novel. While being a folklorist/anthropologist, and inspired by her life experiences, she developed a character who dealt with the issues that were not yet uncovered, female empowerment was one of them. Zora Neale Hurston defined this topic of female empowerment throughout the character Janie in Their Eyes Were Watching God.

“Their eyes were watching god” a novel that looked how societies view on women, written by Zora Neale Hurston, portrays a society where “nigger women” are considered a “mule”. Throughout the novel, the protagonist, Janie Crawford, strives to find her own voice but struggle to find it because of the expectation in the African American community. Each one of her husbands play a big role in her life long search for independence and her own voice.

In the society and world we live in we all want to be accepted and feel like we belong. Zora Neale Hurston goes through trials and tribulations as being a twenty-century African American such as slavery and feeling like she belongs. Imagine every time you think you are finally happy with whom you are and it turns out that wasn’t the case. In Their Eyes Were Watching God Janie embarks on journey in search for her own identity where each of her three husbands plays an important role in her discovery of who she is.