Their Eyes Were Watching God Pear Tree

Symbols in literary works can express an idea, clarify meaning, or enlarge literal meaning. Symbols can appear in a novel as an event, action, or object. In Their Eyes Were Watching God, the author, Zora Neale Hurston, uses the symbols of the gate to show Janie’s transitions to womanhood, independence from oppression, and realization of what love is to Janie.

The mood of the speaker changes to guilt as the speaker and her mother realize they would "crawl" with "shame" and leave an "emptiness" in their father's heart and yard. The author negatively connotes "crawl," "shame," and "emptiness" to invoke a more serious and shameful tone. The beginning of the conveyed a more matter-of-fact and pragmatic tone, but changes into a more sentimental one by the end to convey family is more important than the money. The symbol of the tree represents the family, and connects it to their father's hard work and dedication to the family. If they were to cut it down, it would be symbolic of their betrayal. Imagery of the tree is used to describe the freedom and beauty of the tree as it "swings through another year of sun and leaping winds, of leaves and bounding fruit." The tree represents their family bond and how strong it is even through the "whip-crack of the mortgage."

Janie was no longer letting anything control her any longer. She was making her own decisions now by talking to Jordan and not listening to her grandmother, who told her to respect her husband. With the results of this, Janie ran from Killicks to marry Joe for numerous years while waiting for her hunger for love to be filled. However it never was with Joe. After the death of Joe, Janie soon found Tea Cake, who gave her the love she starved for: “after a long time of passive happiness, she got up and opened the window and let Tea Cake leap forth and mount to the sky on a wind” (Hurston 107). Hurston gave Janie Tea Cake to show that she was no longer going to wait around and wait for love. She was now going to find it herself. Proving that she was no longer the naive girl who sat under a tree and dreamed all day.

      In Zora Neale Hurston's Their Eyes Were Watching God, the image of a pear tree reverberates throughout the novel. The pear tree is not only a representation of Janie's life - blossoming, death, metamorphosis, and rebirth - but also the spark of curiosity that sets Janie on her quest for self-discovery. Janie is essentially "rootless" at the beginning of her life, never having known her mother or father and having been raised by her grandmother, Nanny. Nanny even says to Janie, "Us colored folks is branches without roots and that makes things come round in queer ways" (Hurston, 16). Under a pear tree in Nanny's backyard, however, Janie, as a naïve

Even before Joe’s death, Janie “was saving up feelings for some man she had never seen. She had an inside and an outside now and suddenly she knew not how to mix them.”(75) Joe’s influences controlled Janie to the point where she lost her independence and hope. She no longer knew how to adapt to the change brought upon her. When she finally settles and begins to gain back that independence, the outward existence of society came back into play. “Uh woman by herself is uh pitiful thing. Dey needs aid and assistance.”(90) Except this time Janie acted upon her own judgment and fell for someone out of the ordinary. Tea Cake was a refreshing change for Janie, despite the society’s disapproval. “Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place.”(128) This was what she had always dreamt of. When she was with Tea Cake, she no longer questioned inwardly, she simply rejected society’s opinions and acted upon her own desires.

In the novel, Their Eyes Were Watching God, Hurston uses the horizon, the pear tree, and the bee and blossom as symbols of Janie’s ideas and dreams. In this paper, there will be the analysis of these symbols in the book and how they fit in the belief system and needs of Janie.

Tea Cake, whose real name is Vergible Woods, is Janie's soul mate, both of them being tree metaphors. He’s the only one of her husbands who haven’t been described as dead wood. Hurston writes, “looked like the love thoughts of women. He could be a bee to a blossom - a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God.” His nickname too holds significance in referring to something sweet, just as she has hope dor "things swee wid mah marriage" (24). Because Tea Cake is unconcerned with her money, for instance, in that he asks her to keep her savings aside and live from his current earnings, Tea Cake is clearly contrary to the norm of suitors who preceded him following the death of Joe, who didn’t want her for her. He is a man truly in love with Janie, a man who understands her. In instructing “Everytime Ah see uh patch uh roses uh somethin’ over sportin’ they selves makin’ out they pretty, Ah tell ‘em “ah want yuh to see mah Janie sometime.’ You must let de flowers see yuh sometimes, heah Janie?” (181), he shows that he too sees her mirroring, even competing with nature. It is with him, that Janie is pollinated to realize the meaning of the pear tree’s mysteries and

Although her marriages end for different reasons, they all lack unconditional love. Janie’s first marriage was not even her choice; Janie’s grandmother married her off when she was young because she saw Janie kissing a boy named Johnnie Taylor. "Dat’s what makes me skeered. You don’t mean no harm. You don’t even know where harm is at. Ah’m ole now. Ah can’t be always guidin’ yo’ feet from harm and danger. Ah wants to see you married right away." (31). It is impossible to give and receive unconditional love in a forced marriage. “Some people could look at a mud puddle and see an ocean with ships.” (34). Janie tries to see the good in the person she is married to. She wants the marriages to work, but they never do because of her partner. Janie’s third marriage with TeaCake is good because she finally finds someone she truly loves, but not long after they are together TeaCake becomes abusive. “Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches” (57). Janie’s true vision of love and marriage is revealed through a pear tree in the novel. The pear tree reveals Janie’s sexual identity and helps her come to terms with what she thinks is love. Janie sees the things she enjoys within the pear

Author Zora Neale Hurston weaves many powerful symbols into her acclaimed novel, Their Eyes Were Watching God. Hurston’s use of symbols enhances the reader’s understanding of the trials and tribulations along the road of self discovery for the story’s main character, Janie. Of the many symbols used throughout the novel, one in particular - Janie’s hair - is subtle yet striking as it gives us insight into Janie’s perceived social status, oppression, self identity, and her eventual independence through her self identity as a woman despite the social norms of the time period.

Instead of treating Janie like the beautiful woman that she is, he uses her as an object. Joe was a man who “treasured [Janie] as a posession” (Berridge). Joe’s demanding nature suppresses Janie’s urge to grow and develop, thus causing her journey to self-realization to take steps backward rather than forward. In Janie’s opinion, “he needs to “have [his] way all [his] life, trample and mash down and then die ruther than tuh let [him]self heah 'bout it” (Hurston 122). It is almost as if Janie loses sense of her own self-consciousness due to the fact that she becomes like a puppy being told what to do by her master. The death of Jody is actually a positive thing. Joe’s controlling nature stifles Janie’s inner voice. While married to Jody, Janie became closer to others, however, she did not become closer to herself. Being on her own again gave her another chance to embark on her journey and realize who Janie Crawford really is.

Janie’s inner self is entirely composed of her desires, needs, and true feelings. When Joe dies, Janie is internally genuinely happy; However, she can only express this inwardly because she can’t portray her husbands death as a happy aspect to society. On the outside, Janie participates in the funeral and the requisite mourning period; while inwardly, rejoicing.

We see a lot of symbolism through the book, such as the gun used at the end of the book, and the pear tree. Towards the end of the chapter we see janie having to kill her only true love with a gun, it was a tough decision because in her eyes tea cake has shown her what true love really feels like. The gun symbolized how sometimes the tough decisions are the necessary ones. In the last chapter page 185 it states “It was the meanest moment of eternity. A minute before she was a scared human being fighting for its life. Now she was sacrificing self with Tea Cake’s head in her lap. She had wanted him to live so much and he was dead. No hour is ever eternity, but it has its right to weep. Janie held his head tightly to her breast and wept and thanked him wordlessly for giving her the chance for loving service”. This is talking about how she had to kill her own true love because her own

Their Eyes Were Watching God In the novel Their Eyes Were Watching God by Zora Neale Hurston, I want to inform reader’s that Janie's "home" is the pear tree. In the story when Janie was under the blossoming pear she explains how the pear tree was blooming. Janie sees a bee pollinating a pear blossom and that made her come to a realization of love and marriage.

As yet, the connection amongst Janie and Tea Cake has appeared to be unrealistic. While proceeding to exhibit that their relationship is a decent affair for Janie, bring up some mind boggling issues about Tea Cake's character. Their entry in the Everglades is a snapshot of satisfaction for Janie as she winds up encompassed by prolific nature. By and large, her experience is for the most part a satisfying one. By and by, Tea Cake controls her in unobtrusive ways, raising, by and by, the ghost of male mastery in her life.

Secondly the Pomegranate tree can be seen as a symbol of Amir and Hassan friendship, childhood innocence and shelter. The tree is presented to the reader in two different states. When the tree appears in the first part of the story, in chapter 4, the tree is shown as being fruitful and blooming with ‘blood red’