In Langston Hugh’s poem “Theme for English B” he introduces a speaker that is assigned to write a poem for his English teacher. In the poem, the relationship shared between the teacher and the student is only true during limited moments when their two worlds collide. It is in these rare moments, what is true for the teacher is also true for the student. In the classroom the teacher and student share a physical room, where dialogue and understanding can occur. Outside of these temporary connected intervals of time, between the instructor and student, exists a world separated by differences. The student argues in his poem that his truth cannot be absolutely understood by the instructor because the difference of race and location tears their two …show more content…
The student declares, “I guess being colored doesn’t make me [un]like [other races]” (Hughes 25). In this line the speaker introduces race and its misconceptions. He states that he similarly enjoys the same music and hobbies his classmates do, yet he feels divided by race. He believes that because of his location—Harlem—which is synonymous for his blackness, his poem will sound similar to his classmate’s but have a different meaning. Therefore, the speaker’s race will obscure the poem’s true message from the teacher. He warns the teacher that if the poem must come from him, “Being [him], it will not be white.” (Hughes 28). The speaker is slowly unravelling the complexity of race. The reader may wonder, if he is similar to other races why will his paper not be white? Comprehension of his life in Harlem can be heard, but the speaker is attempting to explain that in his world cannot be bridged just by reading about it. The student believes that the instructor will interpret his poem as if it contains impartial truths, but the student counters this assumption and attempts to explain that his reality is defined by race. The student argues that the difference in race that divides him from his class will inevitably prohibit the instructor to understand the student’s view. The speaker believes that there are realities in his life that others have not experienced. To understand the speaker one must look into the black community. Within the black community exists a very opposite culture. This culture was first demonstrated in the Harlem renaissance—a movement where black individuals showcased black work and black pride. Through the Harlem renaissance “blackness” or acceptance into black culture, is granted to those with melanin in their skin. Race in this poem acts as a one sided mirror, where the speaker can see the white
The division between whites and blacks was clearly prevalent and the United States of America was a racially discriminatory society reinforced by its racist laws. Hughes took the initiative to speak his mind via poetry, resulting in his piece “I, Too”. In this poem, Hughes clearly signifies one thing: Just because his skin color is different from whites, does not mean that they get to sing the National Anthem louder. Arguing that all American citizens are the same, disregarding their skin color, Hughes applies in this poem a master-slave relationship. The assumed white master shows disrespect to his servant by sending him away whenever visitors come over, because he is ordered to eat secluded from the company. However he seems to not be faze by this and actually finds it funny, supported by “But I laugh” (5). Furthermore, not only does he find amusement in this unpleasant situation, but the isolation has a positive effect on him “And grow strong” (7), implying that even though he submits to his master, his spirit will not be diminished.
Langston Hughes was known for his poems of black activity in America since the 1920’s to the 1960’s, which was the time of the Harlem Renaissance. “My writing has been largely concerned with the depicting of Negro life in America.” Throughout Langston’s life he has seen and experienced racism. He used these experiences to give him ideas of things he could write about. Back then white people were the majority in Harlem, but then once the blacks started to come they dispersed. “We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.” Langston knew that blacks should express themselves no matter what color they are and not be ashamed of it. Some white people may like that they are expressing themselves, on the other hand, some white people may not accept that the
What i feel like he mean by the poem is, the fact that h is from Winsto-Salem and go’s to a all white school called Harlem. Them things doesn't make him no different then the next person, or the fact that he is the only black man in his class. He want the teacher to see him for him no matter the color, age, or his personality. And so he say “ does it make his paper any different from yours
My response to Langston Hughes ' in Theme for English B is we have a variety of interests that are relatable to both of us. We encountered and conquered the greatest battles in our lives. We confronted segregation and rejection in view of the color of our skin and identity. After reading his poem, I was reminded of how I experienced discrimination and rejection throughout public school and I was labeled an outsider. I was discriminated and rejected not only just the color of my skin, it’s because of my disability. Langston Hughes’ Theme for English B made me feel the same way at public school. I wonder, precisely who am I? Where do I fit on this Earth? Indeed, these are a couple of questions that Hughes struggles with, aside from the world in which he was posing these questions. I was lost, but now I found my identity and build great character. My identity, which includes my race, disability, and my values are either accepted or not in this broken world. These three things affect how I read Langston Hughes’ poem because I was faced with deep ambivalence toward the prevailing society, but now I feel that I’m open and positive about society and my place in it.
In “Theme for English B” Langston Hughes dramatizes race and self-identity. Hughes is struggling to relate himself to his teacher and everyone around him, so he starts off by telling readers about his background such as his age and where he has lived. “I am twenty-two, colored, born in Winston- Salem” (2). Through the first stanza of the poem we know that Hughes is living through a time where race is a big issue and not too many African American adolescents are in school like he is. He is learning more and more about himself by asking questions about the society he lives in and if and how he fits in it. He is trying to discover truths about his self-identity by comparing himself and his white teacher several times. “You are white- yet a
Both Jamaica Kincaid’s “Girl” and Langston Hughes’ “Theme for English B” depicts the way society is so stereotypical to a person based on race, gender, sexual preference, cultures, religions, and how some people will never understand a person’s plights because they don’t come from the same environment.
Langston Hughes was an African American poet, social activist, novelist, and playwright. His works are still studies, read, and, in terms of his poems and plays, performed. He is best known for being a leader of the Harlem Renaissance. Within his works, he depicted black America in manners that told the truth about the culture, music, and language of his people. Besides his many notable poems, plays, and novels, Hughes also wrote essays such as The Negro Artist and the Racial Mountain which Hughes gives insight into the minds of middle-class and upper-class Negroes. Prior to reading this essay, I never heard of, nor did I know, Langston Hughes composed essays, much less an essay that outwardly depicts aspects of life that most are accustomed to and see nothing wrong with. The Negro and the Racial Mountain formulated this view that Langston Hughes was more than a poet who wrote about jazz music as he is depicted within grade school textbooks, but instead, a man who had a great passion for the African American race to develop a love for themselves and for non-African American audiences to begin to understand how the African American race can be strong and creative despite struggles that may be occur. There is a possibility that this essay, The Negro Artist and the Racial Mountain, is not more commonly known because it has the ability to make the reader uncomfortable, no matter if he is an African American or white. For the African American, one can find himself reflecting back
The two authors, Langston Hughes and Sterling Brown, both have earned the right to be included in the same category as white poets. They were both very important members of the Harlem movements. This movement is defined as a style that compares the similarities of the two different races, back and white. Both poets are considered dominant black poets and their works consist of day-to-day life of a typical African American man. These two poets discuss in very different ways the differences between white men and black men of their time.
Hughes feels like his being characterized into one common African-American standard instead of his individual identity, this part of the poem Hughes describes the things he likes and what interest him expressing his true identity stating that just because his colored doesn't make him like the same stuff as other. Hughes identifies himself with Harlem by emphasizing the sound and the view of the city, claiming to hear Harlem, that Harlem is part of him is who he is.He uses a rhetorical question asking since he is colored does that make his paper colored or less important than others. I feel the same I too struggle to find my identity in myself because being a young African-American in America is hard.People expect you to act a certain way, you are put into this category.I always changed my personality in order to make friends or to appear a certain way, sometimes I feel like I'm not important and other times am at the top of the world. At the moment am trying to find something that I can identify with that I can be like this is me, we are part of each other, I feel and hear just like Hughes found himself in Harlem.
Continuing his poem, Hughes delves even more into the idea of truth. “I guess being colored doesn’t make me not like/ the same things other folks like who are other races” (“Theme B” 25-26). The lines are relatively easy to understand. There is the notion that the difference in race changes what you can or can’t like, which is an ignorant thought. Race has nothing to do with your likes or dislikes. The speaker of the poem mentions his color, yet again, and questions why it should matter. Towards the end of the poem Hughes leaves the reader with something to think about:
Through his poem “Theme for English B”, Langston Hughes expresses his will to exterminate discrimination by proving that despite different skin colors, Americans all share similarities and learn from each other. Langston wrote the poem in 1900, when black Americans were not considered Americans. He talks about a black student being assigned to write a paper about himself. The audience is thus the student’s professor – the representation of the white Americans. Since the professor said: “let that page come out of you---Then, it will be true.”, the student began wondering “if it’s that simple”. He then describes himself to explain why it isn’t simple: he is “twenty-two”, “the only colored in class”, and lives in the poor community Harlem.
During the 1920s, black literature and culture exploded in a movement known as the Harlem Renaissance, which at its forefront directly challenged white stereotypes that ‘defined’ black perception in society. Thus, one major focus during this movement was to recreate and define a new identity for black Americans through the lens of art. Two poets attempted such a feat and, in their works, argued for an identity centered on the authentic roots and customs of African-American culture. As evidenced by “I, too,” “Theme for English B,” and “The Melting Pot,” Hughes and Randall assert that black racial identity should not be sequestered, but instead should be embraced in society.
Many writers during the Harlem Renaissance have used their writing to speak with a unified voice. But there were many African American writers and critics from the Harlem Renaissance that were very brutal and strict on the way that Langston Hughes depicted black life in the time era that viewed as unnecessarily exposing the “dirt” in their lives. Langston Hughes’s poem “Harlem” illustrates an image of human response to an unresolved dream. In “Harlem” Langston Hughes uses diction and stanza form to demonstrate how “dreams deferred” can discourage and antagonize the human
The theme of double consciousness pervades the poetry of the Harlem Renaissance. Reasons for expressing double-consciousness stem from historical, cultural, and psychological realities facing African-Americans realities that continue to define the sociocultural landscape in the United States. In Countee Cullen's poem "Heritage," the opening line is "What is Africa to me?" The narrator ponders what it means to be of African heritage, especially given the astounding number of generations separating ancestral ties from life in twentieth century America. Moreover, slavery tore apart families and communities, rendering African identity into a fragmented entity and African-American identity even more inchoate. The Harlem Renaissance represented a revolutionary shift in the way that the sons, grandsons, daughters, and granddaughters of slaves begun to conceptualize the African-American culture. African-American identity is naturally one of double- or even multiple-consciousness, and this consciousness is conveyed throughout the literature of the Harlem Renaissance.
In Hughes poems, he talks about the dilemma of the difference between black and white from a prejudice state of mind. “Well, I like to eat, sleep, drink, and be in love. I like to work, read, learn, and understand life. I like a pipe for a Christmas present, or records-Bessie, bop, or Bach. I guess being colored doesn’t make me not like the same things other folks like who are other races” (Theme for English B, Ln 20-25), Hughes explains in Theme for English B, that his life is no different than his white professor’s life, and his likes, and