In the poem, ‘A Mother in A Refugee Camp’ Chinua Achebe conveys the close relationship between a mother and a son. Achebe starts with the imagery of the famous painting of “Madonna and Child” by Duccio di Buoninsegna. The painting symbolizes Madonna as Mary, who is seen as the mother of Jesus here because in the bible her character is seen to be lovely and every parent-child relationship is just like that of Mary and Jesus, tender and caring. This is emphasized in the second line of this stanza, “Her tenderness for … have to forget”, the two contrasting words - “tenderness” showing how she cares for her son; “forgets” hints the mother should come back to reality as her son is eventually going to die. This is followed by ellipses to give …show more content…
The poet uses vivid imagery, “sitting under the piano in the boom of the tingling strings” to describe how deep he goes back into his childhood. The onomatopoeia of ‘boom’ and ‘tingling’ contrasts with the soft tunes but the echo brings him back to reality, almost as if creating obstructions in his path to remember his mother. Also the simple music from the piano is seen to be loud to the child that could highlight how important his mother is to him, that recalling her grace and beauty gives him warmth and security. Thus the simplistic language in the poem showcases the affectionate love both the mother and child had for each other. Lawrence constantly juxtaposes between the past, “Taking me back down the vista of years” and the present, “a woman is singing to me” throughout the poem to further depict how the memories of his mother singing to him brings him even more closer to her. Personal pronouns such as “me” used in the line creates a wistful tone that takes him back to those sweet memories of him spending time with his mother while listening to the music. In “ … pressing the small, poised feet of the mother…”, the adjective ‘poised’ defines how his mother’s feet were, which can portray the pride and admiration a child has for its’ parents at any age. This can highlight the closeness between the mother and child , as the piano …show more content…
The poet talks about how “he taught me /that telling the truth/did not always mean a beating”, this may suggest that her father was a genuine man who tried to help her become the nice person he wants her to be by teaching her the morals. The verb ‘grieved’ in this stanza could imply how she had disappointed him by revealing “many of” her “truths”. This sudden contrast in the same stanza tells us how she remembers his teachings more when she thinks about all the mistakes she has done throughout her life and how she might have hurt his feelings. It could also link to death and how she feels more upset about not spending the most time with him, before her father passed away. The poet also mentions the memories she had of him”dancing/in a yoga meditation…” informing the reader how she genuinely misses her father’s presence a lot through the use of simple language in the stanza. The closeness between the poet and the father is constantly reminded by the past fun memories the poet talks about and describes her father as a simple, good human who taught her to always be generous : “happy to feed/whoever strays my way” just like
In the poem “Mother Who Game Me Life”, Harwood relates to a profoundly personal experience and also reflects upon human history to display the self-sacrificing figure of motherhood. Here, the declination of a mother to her daughter throughout the passage of time and change, is made eternal by the typical nurturing role of a mother, that is universal to the human condition. The individual experience is expressed through Harwood’s personal tone of reflection and sentimentality, in which the use of personal pronouns convey a confidential and sincere connection between a daughter and her mother. “Mother who gave me life, the wisdom I would not learn from you”, strikes unity within the audience through the use of her authentic reflection on a universal
The poem if read aloud is like a nursery rhyme but not at all loving or kind, she’s through with her dad because of all of the bad things he’s done or because he wasn’t a good father to begin with. “Barely daring to breathe or achoo” makes me think that she was afraid of him growing up, and when Plath says “Marble heavy, a bag full of God, Ghastly statue with one grey toe” I think she was trying to explain as a child what she thought her father looked like, a huge guy who looked like a god and acted like one except that he is frightening and looks like a ghoul. “Every woman adores a Racist” Plath says, describing her father’s brutality and how it made him into an idol/god. Plath pushes beyond poetic tradition in her choice of metaphors, and by pummeling the reader’s senses with the garish violence of her images.
In this poem, symbolism is used to help reader’s find deeper meaning in the little things included and show that everything comes back to the father’s fear of the child he adores growing older and more independent. “In a room full of books in a world of stories, he can recall not one, and soon he thinks the boy will give up on his father.” This sentence makes a reader assume that the story the five year old so
Two distinct points of views can be seen in this poem, one is that of the father and then the son. The father's point of view is more common and used more than that of the son but both displays and add to the complexity of their relationship. From the father’s point of view, he shows his concern for disappointing his son by not coming up with great stories and losing his son as five years old matures which increases his anxiety as he sees the future approaching. The father fears of a fallout in the relationship with his son “...he thinks the boy will give up on his father”(9). The sons point of view
The spacing and structure of the poem is set up to allow flow and momentum in the poem and its narrative. The speaker’s voice is present with emotion as emphasised in a natural rhythm of thought offering an honest and bare interpretation of motherhood. The open “blank space” of the poem encourages a calm and breathy atmosphere, fulfilling a mood of tranquility and bliss. Each stanza is short with a couple quick fragmented thoughts before closing each section with the power of a single word. Each stanza breaks apart a separate thought filled with a loving passion the speaker uses to stress the beauty, wonder, and over-flowing love present in motherhood. To better the structure, the poem itself is broken into three parts, each representing a stage of motherhood. The first segment of motherhood that is represented is during the moments while the baby is still in the womb and the mother waits in anticipation for the baby to arrive. This “honeymoon” phase is expressed with a tone filtered through a perception of rose-coloured glasses and excitement as the mother is in utter bliss to carry a life into the world. The
His desperation to seek the stability of his father’s nature and his guilt, associated with his failure to reap the rewards of his father’s teachings, creates the tension in their relationship. There is no doubt of his admiration for his father which is supported with both his declaration of love in third stanza and how he described his father in the first. The description of his father also shows the extent of his admiration for his father because, with his knowledge that the future is as unpredictable for his father, he can acknowledge the fact that his father, despite the unknown of the next moment, is prepared to care and protect. The tension of their relationship is create by the son feeling inferior to nature of his father. This feeling of inferiority affects the way the narrator views himself, making this an issue of his own conscious and self-worth rather than with his father.
The author explains how his “mother’s countenance could not unfrown itself.” Therefore, we know that the mother was not truly happy at this moment in time. It is possible that she had not been abused or beaten by her husband as her child was, nevertheless she was still sad because she knew that she could not help her son. The imagery that the author provides when mentioning the mother brings tears to my eyes because she has to sit there and watch her child be abused. The loud clanking noises that the pans would make would make it even worse because it just adds to her fear. Overall, the addition of the mother brings a negative tone that stays throughout the whole poem.
TS - In the poem, “Mother who gave me Life”, Harwood explores the memory of motherhood as a quintessential part of being human.
The role of women in society has grown and changed tremendously with the development of the world. Within the American culture, women’s rights have expanded to the extent of being able to vote for who runs our country or even possibly being the person that does run our country. Although the American culture has somewhat promoted the growth of a woman’s role in society, does not mean women receive the same respect in other cultures around world. For example, in Africa women are viewed lower on the totem pole of importance even though without them the village would fall apart. Chinua Achebe is an author that was born and raised in a village of Nigeria. From growing up there, Achebe understands the culture of Africa better than
Harwood wrote the poem with relatively simple composition techniques but it provides a rather big impact which helps to give an insight into the life of a mother or nurturer which bares the burdens of children.
It talks about dealing with loss. People deal with loss in many different ways and feel many different things. This poem allows readers to feel the grievance through his words. Once a reader begins to read the poem immediately they will feel like continuing to read. People who have dealt with loss can relate to this poem.
The tone of "My Papa's Waltz" differs from the tone in "Piano." The ironic tone of the first poem is one of a young man looking back in fear of his father. "But I hung on like death.../The hand that held my wrist.../You beat time on my head..." (3-13). The reader senses a painful scene, which the father appears to hurt and demean his son. On the other hand, the tone of "Piano" is more melancholy. "In spite of myself.../Betrays me back.../To the old Sunday evenings at home..." (5-7). The reader can feel the lyrical and longing tone in the narrator's description of a man who wishes he could go back in time to his childhood where he listened happily to the sounds of the family piano. Roethke's tone towards his father is reflected in the anger and resentment coming from the boy to his father in his poem, while Lawrence's tone towards his childhood memories reflect a longing to return to the love and happiness of his youth. Both poets use their poem's tone to create specific imagery solidifying the reader's perception of each boy's state of mind.
It is always interesting to me to see what types of roles women play in popular books or novels of western history. Most novels and books focus on men as the main characters. The role of women in Things fall apart is more of a background story but their significance is deeply rooted in this book. Women play pivotal roles in society, education, and religion according to Achebe.
In this paper, I will explore the notion of irony in Achebe's "Girls at War and Other Stories". My choice of Achebe’s collection of short stories is due to the scarcity of the critics written about it. All the focus and attention went to Achebe’s novels leaving out his short stories which are interesting to study especially that they represent different points of time in Achebe’s life as a writer. I will be specifically studying three of his short stories dealing with the Biafran war and their relationship to my main topic war and identity production. These stories are “Girls at War”, “Civil Peace”, and “Sugar Baby”. As far as the rest of the collection goes, I will be studying the use of irony as an important tool that Achebe utilizes to
In the next four lines of the poem, the speaker talks about how he feels as he imagines his childhood. Even though he is in front of this woman who is singing and playing music, “in spite of” himself, his present state, this “insidious mastery of song betrays” the speaker back “till” he “weeps” to go back to his childhood. The guileful dominance of the song the woman is singing beguiles him to think about his past experience. His heart “weeps to belong to the old Sunday evenings at home.” He really misses the time when he was little, and he used to hear his mother playing piano every Sunday evening. He wants to go back to his childhood and belong to that time again.