Stories all over the world involve the concept of the monomyth. Stories that involve an evil villain, a horrifying creature that goes through a dramatic change, a magical hero with superpowers, or even a story with an average person living an average life all involve and follow Archetypes. The concept of Archetypes presents itself in Joseph Campbell's’, Hero with a Thousand Faces. Campbell’s book goes the extra mile describing/explaining how Archetypes come into action throughout the journey of the hero detailing how “The archetypes to be discovered and assimilated are precisely those that have inspired, throughout the annals of human culture, the basic images of ritual, mythology, and vision”(Campbell 41). One story, in particular a poem, …show more content…
Sir Gawain undergoes character development in changing his mind in accepting the girdle. Sir Gawain deals with conflict by trading his honor for self-regard.
Every hero’s journey involves an ultimate boon, which exists as the prize in the hero’s journey after or during the center of the abyss. The theme is presented when Sir Gawain accepts the challenge. In Sir Gawain and the Green Knight, the ultimate boon Sir Gawain needs to achieve requires maintaining the honor he set out for the community of Camelot. A conflict arises during the dinner of New Year’s Eve, at King Arthur’s court. The community Camelot is threatened by a strange figure known as the Green Knight. He challenges the group’s leader or any other brave representative to a quest. The Green Knight says, “ I charge thee, to the Green Chapel; such a stroke as thou hast dealt thou hast deserved, and it shall be promptly paid thee on New Year’s morn” (Weston 9), in summary he will allow whomever accepts the challenge to strike him with his own axe, on the condition that the challenger find him in exactly one year to receive a blow in return. The knights at the court become mute by his presence, and the king is left to answer him with volunteering himself to play the Green Knights game. This pause of silence tests the character of Sir Gawain. At once, Sir Gawain arises and admits himself to the challenge in place for King Author.
Sir Gawain is known for his knightly integrity, but by failing to uphold his agreement with Lord Bertilak, he is demonstrating that human perfection is impossible to maintain. By failing to give the girdle to Lord Bertilak-when he returns from his hunting trip, Sir Gawain is not abiding by
Near the end of the battle, when Roland realizes his uncle Ganelon has betrayed them and is helping the enemy, he begins to get more and more injured. Even while continuing to fight like a true warrior, Roland understands that they will lose and finally sounds his olifant to alert Charlemagne. In this moment, “his pain is great, and from his mouth the bright blood comes leaping out, and the temple bursts in his forehead” (Roland 258). In the aftermath of the battle, the sheer force of this blow is enough to kill him. As a near representation of this powerful horn, I used shell-shaped noodles, which resemble the horn. While an olifant looks more like an elephant tusk than the conch shape of the noodles, the similarity to a horn is still clear. The Kalamata olives, which add a necessary salty bite to the dish, also sound similar to olifant and Oliver, who also dies a warrior’s death in the battle. While this dish is simple and light on symbolism, it was one of my favorites to eat.
The archetypes that are prevalent in many different stories all have have common origin in Joseph Campbell's Hero With a Thousand Faces. More specifically, in the medieval story, Sir Gawain and the Green Knight, there are distinct archetypes that are especially necessary to the theme of the story.An understanding of three key archetypes—the temptress the magic weapon, and the task—reveal the essence of Gawain’s role within the archetypal quest motif.
Sir Gawain and the Green Knight, the poem of a Sir Gawain and his quest to find the Green Knight and the green chapel in one year and a day later. This occurs after the Green Knight appears in King Arthur's court to test the honor of the legendary knights of the roundtable. The challenge he brought would be that he will withstand the blow of his axe from any of the knights as long as that knight would agree to meet him in a year and a day later to receive a blow from the axe in return. No one would accept it, not even King Arthur. Therefore Sir Gawain decides he would accept the challenge after the Green Knight provokes Arthur because he was not accepting the challenge. Sir Gawain would go on a year later on a journey to find the Green Knight and the Green Chapel with many peculiar things happening on the way. He eventually finds him and receives the same blow from the Green Knight with the axe but nothing happens to him. There are some archetypes in the story, and we will see some examples of them.
An archetype, which can also refer to as a universal symbol, can not only limit it to theme, setting, and symbol but can also refer to as a character. A type of archetype can not only represent one character, it can represent many different types of characters. Depending on the story that the author wants to try and portray. In the medieval romance, Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles. This story possesses many different types of characters that can all have more than one archetype. Having characters that more than one archetype in this story helps build Sir Gawain’s character and helps guide him through his initial quest and trails that he encounters to face in order to face the Green Knight. There are several different characters in the story of Sir Gawain and the Green Knight that aid in the troubles that Sir Gawain faces throughout the story.
Throughout the poem, the Green Knight plays various roles as an archetypal figure, for example he serves as both a herald and a mentor to Gawain. The poem begins at the Round Table, with a challenge being presented to the knights by the Green Knight. No one budges to accept the challenge so Gawain steps up and accepts it, knowing Camelot’s honor will be at risk. Gawain is told by the Green Knight that they must meet at the Green Knight Chapel in one year so the Green Knight can return the blow that Gawain gave to him. At this point, the Green Knight serves as the “announcer of adventure” or the “herald” (campbell 48) since he approaches the knights at the Round Table. As Gawain begins his journey to the Green Knight's Chapel, he meets a Host of a castle, who makes a deal with Gawain to stay there for three days. Although it is unknown to Gawain, the Green Knight is the Host, just in disguise. As the Host, the Green Knight mentors Gawain with their deal as a means of training Gawain for his upcoming challenge. Their deal was “we will make a covenant. Whatsoever I win in the wood shall be yours, and whatever may fall to your share, that shall ye exchange for it. Let us swear, friend, to make this exchange, however our hap may be, for worse or for better.” (Weston 20) and it provided a way for Gawain to prove himself and his worth to the Host, which is exactly what he did. As stated before, the many roles of the Green Knight each aid in Gawain’s development as a character and prepare him for his awaiting challenge.
In many works of literature, many archetypes (or symbols) are used to help the reader understand the story of a hero’s quest. In the Sir Gawain and The Green Knight, the hero has to go on a fatal journey to uphold the reputation of Camelot. While enduring that journey, Gawain has to conquer many trails. Gawain’s succession of trials leaves the hero, like Coleridge’s Ancient Mariner, a “sadder but wiser man.” With all the trials that Gawins intakes, many archetypal characters contribute to the theme of the story.
At first the hero has no clue of the excursion set upon them, they receive a call to a journey from the herald which changes their life. In the poem, during the celebration takes place when the Green Knight challenges Camelot, “If any knight be so bold as to prove my words, let him come swiftly to me here..” (Weston 6); thus ultimately making this request the call for Gawain. Even though the Green Knight displays this challenge towards King Arthur, Gawain wholeheartedly intervenes and presents himself as the one to undergo the challenge. As Gawain agrees to the “fateful region of both treasure and danger…” (Campbell 53). He is a bit hesitant towards the refusal of the call the Green Knight has exemplified to the knights of Camelot but knows he must do it for the reputation of Camelot. Gawain must decapitate the Green Knight with an axe and in return the Green Knight has a right to deal him another but respite a year and a day Gawain has been given. The hero must leave the community to reach the initiation for the ultimate task. Gawain realizes he must uphold the chivalric code and accepts the task given and leaves the following year. When the hero departs for their quest, cultural values can be examined based upon their behavior. By the time Sir Gawain must depart for the Green Chapel, Arthur’s knights place various symbols on his armour demonstrating the rank of symbolism in Camelot with reference to Christianity.
Medieval romances are dramatic theatrical narratives that usually include heroes, adventures, and of course the excitement of love. These stories have been around since the 12th century, first appearing in France and then later seen in England. They were some of the most popular texts of the era. Sir Gawain and the Green Knight is one of these stories introduced in the 13th century. In fact, it’s so old that nobody knows who even wrote the poem. Sir Gawain and the Green Knight is an exciting tale where Sir Gawain is tested as a knight by facing challenges and adventures. Sir Gawain and the Green Knight shows us the all the main traits and characteristics of a medieval romance, such as supernatural elements, mistaken identity, larger than life characters, and lastly a hero facing and passing tests of loyalty.
The ultimate boon is the girdle that was given to Gawain by the Host’s wife. On the third day that Gawain is staying with the Host he is given a green girdle by the Host’s wife that is said to protect the person wearing it; knowing that he will meet with the Green Knight the next day, he selfishly keeps the girdle without telling the Host. The next day Gawain meets with the Green Knight to complete the challenge that was presented to him in the beginning of the poem. However, since the Green Knight knows that Gawain broke the deal with the Host he cuts Gawain on the third swing of his sword. The three swings symbolize the three days Gawain stayed at the castle. The first two swings don't touch him because he kept his part of the deal. On the third swing he is cut, this symbolizes the third day when he keeps the girdle and breaks his part of the deal.
With every corner we turn in today’s culture, we become more and more aware of the archetypes that surround us. Archetypes are the works of a typical character, situation, setting, or symbol that can be found in fantasy and reality. An example would be the renowned medieval story Sir Gawain and the Green Knight by Pearl Poet. The author permeates the story with situational, symbolic, and character archetypes that illustrate the profound life of Sir Gawain. Sir Gawain was apprehensive of his journey at first, but as time passes, he began to make choices that unveils to the audience the true flawed knight that he was.
At first the hero possesses no clue of the excursion set upon them, he receives a call to a journey from the herald which changes his life. In the poem, during the celebration takes place when the Green Knight challenges Camelot, “If any knight be so bold as to prove my words, let him come swiftly to me here..” (Weston 6); thus ultimately making this request the call for Gawain. Even though the Green Knight displays this challenge towards King Arthur, Gawain wholeheartedly intervenes and presents himself as the one to undergo the challenge. As Gawain agrees to the “fateful region of both treasure and danger…” (Campbell 53); he hesitates towards the refusal of the call the Green Knight presents to the knights of Camelot, but knows he must do it for the reputation of Camelot. Gawain must decapitate the Green Knight with an axe and in return the Green Knight holds a right to deal him
Sir Gawain is reluctant to accept the Green Knight’s challenge. He fears for his life. In the end he only accepts the challenge to protect King Arthur’s life and honor. He knows it is his duty to protect King Arthur, but only volunteers to do so at the last second. Sir Gawain also breaks his oath to the Lord of the castle he is staying in. He broke their vow to trade whatever they had earned during the day when he keeps a sash the Lady of the castle gives him because he believes it will protect him during his battle with the Green Knight.
To begin with, the Green Knight teaches Sir Gawain respect when he has to come forward and repay the Green Knight’s agreement. Sir Gawain and the Green Knight come to an agreement, one day the Green Knight gets his head cut off by Sir Gawain, and next year on the same day Sir Gawain must have his head cut off by the Green Knight. If he does not follow through with his word he will be considered a coward. Sir Gawain agrees to his game and sets off to his expedition a year later. Sir Gawain arrives and says, “Where is the hero / who swore he’d be here to meet me ?”(lines 223-224). Sir Gawain goes to the place of
Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.