Theme Of Arnold Friend

In 1966, Joyce Carol Oates published her short story “Where Are You Going, Where Have You Been?”. Oates was inspired to write this story after reading about a serial killer that was referred to as “The Pied Piper of Tucson”. Oates was disturbed by the number of teenagers that this killer was able to persuade to help him and keep his secrets (Oates 1). Oates uses irony, imagery, and symbolism to support her theme of evil in this short story.

In where are you going, where have you been the major conflict is the lack of self-confidence and immaturity of Connie. From that, the complication of being stalked by Arnold arises. The author does not just tell us Connie is a naive girl but discusses her actions and lack of actions leading us to believe so. Because of that, by the time the complication start taking shape, the reader can almost guess what would be next, that is Arnold is one of the boys that are Connie’s age. Knowing a lot about Connie by now, we will guess after being reluctant for a while she will take off with him like she has done before so many times, there how ever is a surprise waiting. Once we start following the dialogue between Connie and Arnold and know more about his awkward looks and language we start understanding the symbolism Oates has been using. He is the prince of darkness and he is there to take Connie to her final destiny, the land of the dead. Talking about the old woman down the street who was also murdered he is

A door to the beginning of her outcome is all that divides Connie in, “Where Are You Going, Where Have You Been?” from Arnold Friend, the devilish predator. Symbolism takes a big part in this story that gives a deeper meaning to Connie’s choices that ultimately extent to giving herself to Arnold. The author, Joyce Carol Oates in the short story, “Where Are You Going, Where Have You Been?” represents Arnold Friend as the real world by being challenging and malicious, and Connie as the innocent world by being defenseless and naive.

“I am good, but not an angel. I do sin, but I am not the devil. I am just a small girl in a big world trying to find someone to love” (Marilyn Monroe). Joyce Carol Oates is the author of the realistic allegory story, “Where Are You Going, Where Have You Been?”. The story is about a young girl named Connie, who likes seeking attention from men, as a distraction from her problems at home. She meets a man named Arnold Friend, he goes after Connie, claiming he has to take her for a ride, but it is obvious he wants to do other things. Because of this character’s actions, it is determined that he is a representation of the devil. Through plot, characterization, and dialogue, Oates successfully portrays Arnold Friend as a symbolic Satan.

When Connie first hears a car pulling up in her driveway, her attention is immediately directed to her hair and looks. She isn’t concerned as much about who is outside or what they want, but how see will look to them. When she initially sees Arnold she is attracted to his style and car. He is muscular in tight faded jeans and a drives a bright gold jalopy. His image is everything that Connie has fantasized about and can relate to. Arnold is even playing

In the story “Where Are You Going, Where Have You Been” Connie, the main character, is already struggling with many things in life and sneaks her way to date guys. There was also conflicting between her and her mother due to her mother favoring her sister, June and describing her as someone who is a good example of what she wants Connie to be. Her father is never at home due to work and when he is home, the girls do not relate to him. Arnold Friend is described as a dangerous figure with his pale complexion and his slick black hair looking like trouble by not presenting himself in a pleasing way to Connie, by not walking properly. This was an indication on how he was not in the right state of mind and how Arnold shouldn’t be near Connie. There was one scene in the story where Arnold Friend shows up, uninvited, notifying Connie that he is not a friend, but has come to take her away from her home to possibly kidnap her. "Connie felt a wave of dizziness, rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment, make it alright again”. Connie feels safe in the house and does not come out until Arnold convinces and demands her that she come out. Things took an unpleasant twist when Arnold tells Connie not use the phone or he will break his promise of not coming in the house

In the story “Where are you Going, Where Have you been?” Joyce Carol Oates tells us about a fifteen year old girl named Connie. Connie is confronted by a young man who is trying to persuade her to take a ride with him. He introduces himself as Arnold Friend and kindly asks her to come with him but she refused. He then threatens Connie and her family. She is then forced outside and leaves with Arnold Friend. Arnold Friend clearly symbolizes the devil through his physical traits, his knowledge of Connie, and his power over her kind of like he was hypnotizing her to go with him.

“Nothing about Arnold Friend is genuine, except his violent intentions and his skill at psychological and physical intimidation. By the story’s end, Connie understands that she is not the confident flirt she thought, but a powerless pawn in the hands of a dangerous individual.” (Cormier)

Joyce Carol Oates' short story "Where are you going? Where have you been?" 'runneth over' with Biblical allusion and symbolism. The symbols of Arnold Friend, his disguise, and the music that runs through the story contribute to an overall feeling of devilishness, deception, and unease.

During the conversation between Connie and Arnold Friend, she experiences a dramatic moment so intense that it cannot be avoided or ignored. Her attempt was creating a sexy appearance and fascinating the boys in the local diner delivers as her experiment to analyze new fields as well as a new side of herself. However, until Arnold comes into the story, her expeditions have always been closed into security. She may go into an dark alley with a boy for a short period, but no matter what happens there,

Not everybody is who they seem to be. Be careful about what you wish for, because it just might come true. In Joyce Carol Oates’ “short story” “Where Are You Going, Where Have You Been?”, a fifteen year old girl named Connie comes face-to-face with a man named Arnold Friend. Oates successfully portrays the similarities between Arnold Friend and the Devil through plot, setting, and characterization.

Arnold took advantage of Connie’s vulnerability. For once, Connie was compared to June without being second best. He praised her beauty with compliments for example calling her “a pretty girl ‘’ (292) something her mother had never done and he told Connie that she was “the one’’ (297). Unlike her father, Arnold admitted he took “a special interest ‘’ (292) in her. He took the time to investigate all about her (292). Arnold gave Connie compliments, promises of affection, and attention, things she was not used to. Arnold reminds Connie that her family never showed interest in her, he reminded her that they knew anything about her, and reassured her that she was better than them. (300). Connie then made the absurd decision to get in the car with a man who proved to me dangerous and a possible psychopath.

There are many ideas about what or who the Devil is, even among believers. The number of differing sources and translations have led to plenty of inconsistencies, rumors, and assumptions surrounding the Prince of Darkness. Throughout the short story “Where Are You going, Where Have You Been?”, Arnold Friend is seen as a symbolic Satan. Joyce Carol Oates uses dialogue, characterization, and plot to show the readers how Arnold embodies features of a symbolic Satan.

The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's

Arnold Friend is a seductive man, or should I say ArN OLD FrIEND with a dark appearance hiding something deeper, something evil? Arnold, posing as a teen-age boy, is none other than the devil himself, which shows in his words and actions, and in his physical traits. From the very beginning of, Joyce Carol Oates', "Where are you going, Where Have you been?" a certain number of religious references are interspersed throughout. These references help to maintain a biblical feeling, as well as to set a path for Friend's entry into the story. They also foreshadow that; powers beyond a human level will be presented. Friend looks like one person in the beginning, but as the story unfolds, he is shown as someone else or