Theme Of Authority In Antigone

The conditionality of burying the dead shows that gods’ law is less sacred for Antigone than she claims to be. Neither does she care about her living families. She humiliates Ismene publicly, causing Creon’s death indirectly and set her uncle Creon in a dilemma where he needs to punish his daughter-in-law. Her real incentive is individual reputation, for she excludes Ismene from standing by her and asks Ismene to spread the news about her defiant act. She seems to use religion and family as elegant reasons to achieve honor. On the contrary, Creon, as a king, weights the interest of the overall state more than his own family. After experiencing the civil war caused by Polyneices, he understands the great need of the polis for order and thus enacts harsh laws to punish people causing riots. Unanimous obedience to law would also encourage his people to fight bravely in the war by being “loyal and dauntless at his comrades’s side”. Creon has to retain the validity and effectiveness of the law, because if every citizen can pursue any personal interest without fear for grave consequences, the entire social operation mechanism would break down. Punishing Antigone is necessary to retain the order of the polis.

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

Antigone has the strong belief that loyalty to the dead and to the gods has precedence over all other opinions, specifically those of Creon. Antigone does not at all care that the one with all governing power has the most disagreement with her decision to remain devoted to her family below. “Since I must please those below a longer time than the people here, for I shall lie there forever” (Sophocles 16). She knows and understands that time in the mortal world has a limit, however time in the underworld is eternal. Pleasing Creon and his belief to only stay true to civil laws are of no concern to Antigone, for all she wants is to please her family below and the gods above. An example of this is the burial of Polynices, because while it is right in Antigone’s eyes, Creon believes it is foolish and a sin

Creon orders the guards to take Antigone away not caring for his son's feelings, since she is his fiancée. Creon feels the law should stand despite the fact that Antigone was his niece or how moral her act was. "Bring her [Antigone] out! Let her die before his eyes..." (Scene 3, 130). This quotes shows that Creon took his position as king seriously to the point where in he was willing to sacrifice the feelings of his own son. He was willing to be the cause of son's destruction just to prove that he is the king and always right. "I will go... I buried her, I will set her free" (scene 5, 102,104). Not only does this quote show leadership but also stubbornness he was risking his relationship with his son to prove that he was the leader of Thebes. Creon says another quote which shows his loyalty to his kingdom, "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26). It shows his strong sense of leadership which catches up with him in the end causing destruction.

Antigone’s motivation is love for her family- she puts it above all else. In fact, she is willing to sacrifice her life to defend that love. Antigone goes to great lengths to bury her deceased brother, who according to an edict issued by King Creon, died in dishonor, consequently making it illegal for anyone to bury his body. Through her actions to comply with her motivations, it is revealed that Antigone’s actions are also fueled by her strong beliefs that, first, the gods’ laws

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

For most people family is the most important thing in their life. But what if you had to choose between honoring your family and obeying the law? What would you do? In the play Antigone by Sophocles, a woman named Antigone is faced with a very difficult decision. If she decides to honor her dead brother she may be persecuted and put to death but if she leaves her brother’s body to decay without performing a ritual he will have a terrible afterlife. Antigone decides that family always comes first and perform the forbidden ritual on her brother. She is eventually prosecuted for her actions and later on kills herself. Personally, I agree with Antigone. To a certain extent, family should come first. In my opinion, family is almost always more important than authority. But, according to the play, it depends. Based on the results of everyone's actions I think that the play believes family is more important than authority. Creon punishes Antigone for choosing family over authority and as a result the members of his family all die.

In addition, Creon also has an inaccurate view of his place in relation to the gods. He believes that man’s laws are more important than the laws of the gods. Antigone tries to defend her decision to bury her brother by proclaiming, “I do not think your edicts have such power that they can override the laws of heaven…If I transgressed these laws because I feared the arrogance of man, how to the god’s could I make satisfaction” (line 408)? Creon’s hubris causes him to think that he must put Antigone to death because she chooses to follow the god’s laws over his.

Many believe that the divine word holds more power than man, Antigone is one of these people and hold the divines laws higher than man's laws. On the other hand, Creon believes that holding power is the way of life and tries to uphold his laws over the deity laws. Creon does this when the brothers Polyneices and Eteocles kill each other and Polyneices is designated as a traitor. Creon decides to prohibit the people from burying Polyneices properly and follow the god's law to prevent more rebellions. Antigone on the other hand believes that a Creon's law holds no power over her from giving a proper burial. As Antigone is talking to Ismene she states "No one shall say I failed him! I will bury my brother -- and yours too, if you will not"( Sophocles ). This statement shows

“ The nation will find it very hard to look up to the leaders who are keeping their ears to the ground.” This is a quote from Sir Winston. The Greek Drama Antigone is about a girl who lost her parents and most recently her twin brothers. Creon the King of Thebes, and also her uncle, is new in possessing the throne and he established a law in which a burial for Polynices, Antigone’s brother, was forbidden. In the play, Sophocles’ purpose for writing about leadership was to convey that as a valuable leader they must know what their true values are, as well as, when to prioritize them, because they need to do what they think is best for the city, they need to listen to the opinion of others, and should still remain powerful.

Creon has just become the king of Thebes and is letting his great power go to his head. He is deaf to reason and even accuses those who try to change his mind of “selling their soul

Antigone’s words greatly contrasts with Creon’s character because she displays that she believes her brother should be buried. She states that is isn’t going against the Gods, and it actually pleases them. She also says that Creon and his crew are filled with ridicule, and how she doesn’t understand why the law is

Questioning authority is an important part of democracy as demonstrated in the Greek Tragedy Antigone. A major plot point in Antigone is that the ruler, Creon, does not listen to his people and tries to limit free speech. However, this results in his corruption, because he rules solely by his own terms and does not realize his mistakes. For example, in Antigone a guard literally questions authority saying to Creon, “Does it sting in your ears or in your soul?” (327).

In the beginning of Antigone, Creon and his people firmly believe in the power of his authority and his leadership of the city of Thebes. When Creon argues with his son Haemon, he tells him “that man the city places in authority, his orders must be obeyed,” so much that “whoever places a friend above the good of his own country, he is nothing” (748-750, 203-204). The citizens place Creon in authority, so he urges his people to obey his edicts and orders because their compliance is essential to his position. In his opinion, authority is the most meaningful entity in Greek life, regardless of friendship or family ties. For example, even though Antigone is his son’s fiancée, Creon refuses to absolve her of her crimes because in his eyes, no one should be exempt from the law. The city-state agrees with Creon, illustrated when the chorus sings, “When he weaves in the laws of the