Theme Of Autonomy In The Decameron

The Courtier, originally written as a “courtesy book”, can now be considered to provide significant insight into the norms and practices associated with courtship and gender during the Renaissance era. The book’s third volume is a particularly insightful window into 16th century romantic ideals. Throughout Book Three, Baldassare Castiglione builds an elaborate perspective on what makes the perfect court lady, what sexual and social behavior is acceptable, and how an ideal couple (both courtier and court lady) should function.

Prior to and throughout the late middle ages, women have been portrayed in literature as vile and corrupt. During this time, Christine de Pizan became a well educated woman and counteracted the previous notions of men’s slander against women. With her literary works, Pizan illustrated to her readers and women that though education they can aspire to be something greater than what is written in history. Through the use of real historical examples, Christine de Pizan’s, The Book of the City of Ladies, acts as a defense against the commonly perceived notions of women as immoral.

The medieval church taught that women were inferior to men and that they should be compliant and obedient to their fathers and husbands. Men look down to women as their respect for their ladies are limited as in Canterbury Tales were these women start out as beneath men. These same men who feel the need to arrogate women of their dignity find their fate is later put into the women’s hands. Although a women is taciturn and does not speak out to the men and talk of their animadversion toward the men’s behavior, these same ladies have the power to then decide how these men should serve their punishment for their sacrileges and unruly decisions as in the “Wife of Bath’s Tale”, were after his life was saved by an old lady, in return this old women requested to him to “take me as your wife” (p.138). A women’s love and passion should be approached with appreciation and admiration otherwise being inconsiderate and impassionate will turn a women against a man.

Because Marinella could complete her formal education, she was exposed to the popularized literature, art, and political climate of Venice in the early renaissance. This allowed her to directly experience the misogynist arguments that would influence her feminist ideas. The Nobility and its respective advocacy for women serves as a direct response to Passi’s Defects of Women. In Lucrezia Marinella and the ‘Querelle des Femmes’ in Seventeenth Century Italy written by Paola Malpezzi Price and Christine M. Ristaino, Passi’s treatise is analyzed: Passi satirizes intellectual women, and comes to close to suggesting that women are different species. He asserts that women are like animals because both women and animals are devoid of reason and virtue (Malpezzi Price and Ristaino, 108). These claims of Passi set a precedent for the argument of Marinella in The Nobility. She focused primarily on the nature of women and argued that women were superiority of men. Commenting on the extreme nobility and virtue of women, Marinella contends that because women are the nobler sex, they inevitably perform their duties better

The late seventeenth century, when the enlightenment began, was a period of great turmoil, which persisted at intervals throughout the succeeding century. Reason had led many thinkers to the conclusions that kings and queens were ordinary mortals, and that conclusion implied new kinds of uncertainty. Society in this period worked by the means of well-defined codes of behavior. Religion during this period was still very important to many people. Moliere’s “Tartuffe” is a great illustration on how religion affected people at that time. Moliere was very brave to write this story based on how the Catholic Church was influencing and blinding people. Women also played a huge part of the enlightenment period and society during this time. Women of the upper classes occupied an important place in the Enlightenment society, presiding over “Salons,” gatherings whose participants engaged in intellectual as well as frivolous conversation (Puchner 7). In the literature that we have read, society overlook women capabilities and their logic thinking. The story that was a great example of this is “Tartuffe “and “The Love Suicides At Amijima”. Throughout these two text you can easily point out the difference between a man and a woman role in society. In this essay, I will dive into how society played a factor in “Tartuffe” and “The Love Suicides at Amijima”.

During the eighteenth century, marriage was a representation of not only the unity between man and women but it was also a representation of a woman taking a servile, less meaningful role in the household. Once married, women were expected to be completely submissive to their husbands. This was the norm across Europe and even in enlightened society. These relationships were hierarchical. It was not customary for women to attend schools that educated men the math and sciences. Women holding privileged positons in society traditionally allotted to men were seen as the exception. Yet these exceptions did not generally bother society because they did not lead to certain conclusion that women could do anything. In Gotthold Lessing’s novel “Nathan the Wise” and Francoise de Graffigny’s “Letters from a Peruvian Woman”, both authors upset traditional expectations about what constitutes a novel’s happy ending by refusing to end either of their novels with weddings. In Lessing’s “Nathan the Wise”, the rejection of marriage plot reflects a larger symbolic representation of religious tolerance. While in Graffigny’s novel “Letters from a Peruvian Woman”, the rejection of marriage plots illustrates a woman whose circumstances would make her the exception. Zilia, Graffigny’s main character, was an enlightened woman who chose sovereignty over servitude. Therefore, I would argue that the intentions behind both Lessing and Graffigny’s rejection of the marriage plot was not to serve the same

Marie de France lived in a time when social graces were paramount to a good reputation, lordships and to securing good marriages. A woman was considered less valuable if she lost her virginity; a wife was subjected to her feudal lord, father, brother or son after her husband’s death. According to Angela Sandison’s article “The Role of Women in the Middle Ages”, this was because in the Middle Ages the Church and the aristocracy controlled public opinion and the legal system. These authorities of the times believed a woman’s place was in a submissive role to a man. In The Lay of the Nightingale, we will see how this social and religious hierarchy will impact the behaviors of the three people involved.

Giovanni Boccaccio is one of the leading Italian writers in the 1300s and has been considered as the father of Italian writing style through his composition of one hundred novelle. The Decameron continuously pictures women not as the objects of discussion but as the active producers and interpreters of their actions. Women are portrayed as they are or as they should be; they are shown to be as aggressive as men are while at the same time they can be submissive whenever they need to be. In many instances, Boccaccio depicts women as protagonists who do not readily accept the traditional role – being subservient to men and having no voice in the male-dominated society–, make their own decisions,

An unlikely candidate to dispute the unfair, misogynistic treatment of women by men and society, Christine de Pizan successfully challenged the accepted negative views that were being expressed about women by the all-male literary world of her era. Part of Christine’s uniqueness stems from the time in which she lived, the middle to late 1300’s. The lack of a positive female role model to pattern herself after made Christine a true visionary in the fight for the equal rights of women. Her original ideas and insight provided a new and more intelligent way to view females. Pizan’s work, The Book of the City of Ladies, provided women much needed guidance in how to survive without the support of a man.

The poetry of Ovid exemplified in The Art of Love is one of the only examples of the contemporary social behavior exhibited during the time of Rome. Ovid writes about social activities, proper style, women, and how to obtain them. Through Ovid’s perspective, there are three different ways to consider a woman. These three views include relating a woman to a game, a beautiful treasure, and as a means to assert social status. Comparatively, Andreas Capellanus writes in a way that makes women seem respected, worthy and as something to a man would willingly devote his life to. Both men have a clear fascination with women and their relationship to men. However, their distinct writing styles cause

Throughout Voltaire’s Candide, women are often presented as being victims and are often suffering because of acts of cruelty and violence. In many senses, this does not allow them to be fully developed characters, particularly when compared to the males in the novel. From Cunegonde to the old woman, to the told experiences of other women in the text, the reader cannot help but to pick up on the theme of hatred towards females and it is worth questioning both why Candide might have chosen to present women in this manner and what this means in the context of philosophy (especially Enlightenment philosophy as seen in Candide) which seeks to free people rather than keep in specific roles. Within the opening chapters we witness the characterisation of two of its few female characters: Cunegonde and her mother’s chambermaid, Paquette.

Thus, we see that in a sense, Catholicism acted as a catalyst in the development of female education. Paradoxically enough though, at the same time, it limited the possible level of knowledge they could attain. The thought of the supposedly foolish, sinful female sex breaking the bonds of ignorance made many people fear the possibility of women reading “forbidden” books. Dante’s “La vita nuova”, the Petrarchan sonnets and the “Decameron” are a few examples of books that were considered lasciviously dangerous and kept off-limits (Grendler, 1989). Indeed, women could be educated, yet within a certain framework. Their level of knowledge only went up to a point, in order to make sure they grew up to be exemplary, pious, Christian housewives.

The Decameron, by Boccaccio, is a frame story written in the mid fourteenth century. There are a hundred stories told over a span of ten days. On the second day, a man tells a story about a princess, Alatiel, who was sent away to marry a king. Before Alatiel reaches her destination, she has sexual experiences with a lot of different men. Alatiel is treated like an object and allows this objectification to happen because she is so fickle and does nothing to stop the men. The fickleness of Alatiel and the treatment of her as an object is evident throughout the story.

The Book of the City of Ladies, published by the author, Christine De Pizan in the early 1400s, is known to be one of the earliest works of feminism. In her work Pizan constructs an allegorical city called “The City of Ladies,” a city where only women livelived, to defend the “chosen,” virtuous women from the misogyny of the male authors. Although the text may have sounded dreamy and fantastical for female readers at the time, listing their capabilities, intelligence and strengths, de Pizan cleverly includes a stratagem for females to follow in order to obtain rights. The article “Christine De Pizan’s City of Ladies: A Monumental (Re)construction of, by, and for Women of All Time” written by Jill E. Wagner analyzes the allegorical meaning

With each letter in Les Liaisons dangereuses, Choderlos de Laclos advances a great many games of chess being played simultaneously. In each, the pieces—women of the eighteenth-century Parisian aristocracy—are tossed about mercilessly but with great precision on the part of the author. One is a pawn: a convent girl pulled out of a world of simplicity and offered as an entree to a public impossible to sate; another is a queen: a calculating monument to debauchery with fissures from a struggle with true love. By examining their similarities and differences, Laclos explores women’s constitutions in a world that promises ruin for even the most formidable among them. Presenting the reader glimpses of femininity from a young innocent’s daunting debut to a faithful woman’s conflicted quest for heavenly virtue to another’s ruthless pursuit of vengeance and earthly pleasures, he insinuates the harrowing journey undertaken by every girl as she is forced to make a name for herself as a woman amongst the tumult of a community that machinates at every turn her downfall at the hands of the opposite sex. In his careful presentation of the novel’s female characters, Laclos condemns this unrelenting subjugation of women by making clear that every woman’s fate in such a society is a definitive and resounding checkmate.