Theme Of Blindness In King Lear

Lear can "see" through a sympathetic lens, after having exchanged the pride for shame, revealing to us that mental blindness can be more damaging than physical blindness. While Gloucester, who willingly admits that "[he] stumbled when [he] saw," is only able to "see," though sightless, after he has suffered (4.1.20). Only through the physical pain of losing his sight was Gloucester able to see the truth of his sons. Unquestionably, the plots of Lear and Gloucester run similar courses. However, Shakespeare employs Gloucester's plot to clarify Lear's plot. Through the physical blinding of Gloucester, Shakespeare provides an equivalent, which contextualizes King Lear's theme of consciousness and allows Lear's own metaphorical blindness to be fully

King Lear is the character who suffers the most from blindness in the play. His three daughters are most likely the main cause of his mental blindness. In the very first act of the play we see that Lear is easily fooled by his two eldest daughters Regan and Goneril, and we also see his inability to realize Cordelia’s true love for him when she tells him the truth. His blindness causes a rift in the family, and Lear banishes Cordelia from the kingdom saying “Thou hast her, France; let her be thine, for we / Have no such daughter, nor shall

In King Lear, Lear’s conflict of power with his daughters is brought about by his own arrogance, which flaws his judgement and propels his change of heart. When Lear parcels out his kingdom to his daughters, he finds the honesty of Cordelia’s praise to be ungrateful and

Due to this flaw, Lear has given way to the two older daughters to conspire against him.  Lear is finally thrown out of his daughters’ homes and left with a fool, a servant and a beggar. This is when Lear realizes the mistake that he has made and suffers the banishment of his two eldest daughters.  Lear is caught in a storm and begins to lose his sanity because he can not bear the treatment of his two daughters as well as the error he has made with Cordelia and Kent.  Lear also suffers from lack of rest when he is moving all over the place and the thing that breaks him is the death of his youngest daughter, Cordelia.  This suffering can be contrasted with other happier times like when Lear was still king and when he was not banished by his two daughters.

Kent’s effort to steer Lear in the right direction backfires. Lear is offended by Kent’s attempt to make him go against his word and reverse the disownment on Cordelia. Lear, feeling his pride in jeopardy, goes into a fit of rage and banishes Kent for questioning his judgment:

Throughout the tragedy, Lear, at times, seems to only be capable of heinous volitions. His malevolent actions extend especially to his daughters. While angry, Lear tells his daughter, Goneril, that she is “More hideous when thou show’st thee in a child / Than the sea monster” (1.4.268-269). After not receiving his way, Lear refers to his daughters as “unnatural hags” (2.4. 280) because they would not let him keep all of his knights. He then threatens Goneril and Regan by letting them know that he “will have such revenges on [them] both” (2.4.281). Lear’s scathing cruelty shines through in his unnecessary name calling and threatening approach to his daughters. Lear also tells his fool that “[they will] have [him] whipped” (1.4.178) as a showing of his cruel nature. If Lear were able to keep his preposterous actions in check by learning to not be so cruel, much of the sorrow and destruction that occurred would not

At the beginning of the play King Lear denounces Cordelia as his daughter in a fit of rage. He has this reaction simply because she refused to flatter him and speak exaggerations of her love for him. As his favourite daughter, Lear was expecting Cordelia to shower him with compliments and praises like his other two daughters and when this did not occur he was overwhelmed with fury and denounces her as his daughter. Lear also falls victim to wrath once he realizes what his other two daughters have done to him. “I will have such revenges on you both, That all the world shall--I will do such things,-- What they are, yet I know not: but they shall be The terrors of the earth.” (2.4.305-9). In this quote Lear reveals the wrath that he wishes to inflict on both of his daughters for deceiving him and rejecting him after he gave them everything he had. King Lear’s wrath is fueled by his daughters’ betrayal. Lear never actually did proceed to inflict his wrath upon his daughters but he did however have every intention of doing so if given the opportunity.

At the beginning of the play King Lear has more power than anyone else, the feeling of power made him think it was okay to ask his three daughters who loved him the most. When his youngest and favourite daughter Cordelia did not give him the answer he wanted by saying, “Unhappy that I am, I cannot heave / My heart into my mouth/ I love your majesty / According to my bond, no more nor less” (King Lear 1.1.91-93). he started lashing out. Lear clearly values Goneril and Regan fawning over him over Cordelia’s sincere honesty. Out of pride and anger, Lear banishes Cordelia, as well as Kent for defending her. Lear splits the kingdom in half to Goneril and Regan which leads to the deaths of many people in the play. Throughout the play he becomes increasingly shocked when people do not obey him the way they did before and the lack of respect he receives. With his loss of power Lear often responds to these problems with anger saying things like “My curses on her!” (2.4.138). about his own daughter. By the end of the play he recognizes that he takes responsibility for both his own problems and for those of others. King Lear’s actions were the first step to the plays tragic outcome.

King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He

    In King Lear, the recurring images of sight and blindness associated with the characters of Lear and Gloucester illustrate the theme of self-knowledge and consciousness that exist in the play.

King Lear an imprudent, old man symbolizes selfishness like no other. What is most daunting is the fact that he is adamantly loyal to appearances and ranking in life. He carries a title which most can not even dream of attaining, but wants to give up the position and all the responsibilities that follow it. “ Know that we have divided/ In three our kingdom, and `tis our fast intent/ To shake all cares and business from our age” (1.1.37-39). It is quite understandable if he just wanted to end his reign as king, but it’s another thing when he also wants to bask in the glory of the title and be treated like he still owns it. This egotistical attitude of his is more annoying than anything else, for he brought forth all his problems upon himself, and also unto others. His most arrogant moment is at the very beginning of the play, when he demands his daughters to profess their love for him openly, “which of you shall we say doth love us most?” (1.1.53). The use of his words in this quote is disgusting, it exudes pride, self-importance, and flattery. It’s because of these very words, that Cordelia denied him his right to the, all so selfish public display of love. Although Lear made costly mistakes throughout the play, his love to Cordelia rang

Like Lear, Gloucester fails to see the true nature of his children and also invokes the language of nature in blind ways. After wrongly condemning Edgar he calls Edmund a "loyal and natural boy" (II. i. 85).

As the play progressed Lear's sanity went downhill, but his vision became clearer. When Goneril and Regan would not provide him with shelter during a furious storm, Lear realized that they were the daughters who did not love him. He also began to understand the words of Cordelia from the beginning of the play, he realized that she loved him too much to put into words.

King Lear is a character who displays a great deal of anger throughout the course of the play, he often allows his anger to take over him. A lot of things that are said and during the course of the play are due to Lear’s anger which is a leading factor for his insanity. Lear loses his temper during a love test when his daughter does not give the answer that he was looking for, he disowns her calling Cordelia his, “sometime daughter,” (1.1.119) and gives her share of the land to her sisters. This in turn leads to his insanity because in his blind rage he does not acknowledge the sincerity behind Cordelia’s veiled words; unlike her sisters she does not try to flatter her father in order to receive more land, whereas her sisters have their secrets agendas and do not truly love Lear. In addition to this, King Lear is also enraged when the Earl of Kent who is a loyal follower of Lear, goes against the banishment of Cordelia and speaks up in favour of the youngest daughter. Lear is livid with Kent going against him and banishes Kent, as well reminding him that, “if on the tenth day

Lear has been driven mad because of his own poor choices and decisions he has taken in his life. His blindness to Gonoril and Regan’s false flattery and his inability to see Cordelia’s real affection has led to his insanity. When he goes mad, the turmoil in his mind reflects the disorder that has descended upon his kingdom. However, his madness teaches him humility and provides him with important nuggets of wisdom by reducing him to his bare humanity, stripped of all royal pretensions. There is a dramatic value in Lear's madness whose roots lie in his moral and spiritual defects, and the cure is his moral regeneration which has come late. Madness is a central theme in King Lear’s characters between the ones that act in an insane way that are the wisest, and the sane characters that act in a foolish and unreasonable way. Lear’s madness is real compared to Edgar’s which is feigned as Hamlet’s. Edgar who has been the victim of a brother’s treachery perfectly enacts the role of a fool in his