Theme Of Chevrefoil ( The Honeysuckle ) By Marie De France

Since the beginning of human existence love has earned a meaning of pure bliss and wild passion between two people that cannot be broken. Through out time the meaning of love has had its slight shifts but for the most part, maintains a positive value. In the poem “Love Should Grow Up Like a Wild Iris in the Fields,” the author, Susan Griffin expresses that this long lost concept of love is often concealed by the madness of everyday life and reality. In the poem, Griffin uses many literary elements to help convey the importance of true love. The usage of imagery, symbolism, and other literary techniques really help communicate Griffins’ meaning

The diction in the excerpt is an essential component to the dramatization of the plot’s central incident. Jewett uses rich language to intensify the simple nature of the main character Sylvia’s journey up a “great pine-tree.” For example, in describing the tree, the narrator uses personification as he mentions the “huge tree asleep yet in the paling moonlight.” The use of personification harkens back to those universal moments in childhood in which everything alive had human feelings, and creates an emotional attachment between the reader and the tree. Jewett also uses other figurative language, like similes, to relate the grandeur of the tree to the audience. She writes, “It [the tree] was like a great main-mast to the voyaging earth…” In comparing the tree to the great mast of a ship, the author invokes feelings of awe at its size.

The narrator is very lost because his love of his life is now gone, and I think that the narrator is going into a depression, but the narrator can still feel the loving, bright eyes of Annabel looking down on him.

At a very young and tender age, Janie develops an ideal view on the concept of marriage and romantic relationships, which is soon shattered by her experiences in her first two marriages. Her ideal view is shaped and created by the time she spends under the pear tree. Many an afternoon Janie would bask in it's shade, and observe the bees “sink into the sanctum of the bloom”, and watch the “thousand sister-calyxes arch to meet the love embrace and ecstatic shiver of the tree from the root to tiniest branch” (Hurston 11). She assumes that the flitting of the bees around the pears is “marriage” and feels as if she has been “summoned to behold a revelation” (Hurston 11). These seemingly pure interactions between the bees and the pear tree

Franscesco Petrach’ sonnet “Upon the Breeze she Spread her Golden Hair” is a love poem in which the persona describes his love feelings about the subject, Laura. However, he laments that while his love for her is everlasting, it only results in pain because the feeling is not mutual thus not reciprocated by Laura. In fact, the structure and style of the poem help in conveying his message. Petrach uses metre, rhyme, and alliteration to impart the feeling of euphony in the audience regarding the poem. Nonetheless, there are few instances in which he deviates from the set structure, which mirrors real life situations and the love experience he describes as imperfect.

To Browning, a rose still holds beauty even when it is unable to function in nature. By comparing the fairness of a rose after death and giving it more love “than to such roses bold” (30), Browning indicates that the rose is more deserving of praise than living roses because it is underappreciated. The passing of a rose does not mean that the beauty is gone, in fact, the heart “doth view [the rose] fair, doth judge [it] most complete” (24). Similarly, the departure of a loved one is devastating, however, there is peace in

In his short story, “The Chrysanthemums,” John Steinbeck’s use of symbolism throughout the story provides the development for the plot which demonstrates that women sometimes suffer from estrangement and solitude while in search for their identity. Steinbeck presents the main character, Elisa Allen, as a frustrated woman who is dissatisfied with her current lifestyle as she yearns for a more adventurous one, instead of living up to society’s expectations of a woman only being a simple housewife. To support the theme, the author uses the fence and the flowers in a symbolic technique to represent the feelings of loneliness and alienation to portray Elisa’s relationship with the outside world.

7. The setting is used as a reflection of the woman's inner emotions. The sun shines and birds sing with no sign of gloom because she is not actually mourning as she thinks to herself. The lack of sorrow from the woman cause the setting to seem even more lovely to her as she realizes she is feeling joy. The details used by the writer portray a sense of well being and positivity. The woman reaches out towards the window as if her joy is tangible, this is a vey important

She moves slowly taking her first few steps, and approaches the handsome young man in front of her. Their eyes connect with one another, and the connection is not to be broken despite every distraction surrounding the two. They are both remembering their younger days. The days of a boy meeting a girl. The days of holding hands as they ran up and down these grounds just for play. The days of so much laughter, games, and unconditional affection. Oh how they had missed each other’s company, and both feel the calm on their

The similes in these lines relate to each line of the poem because the last lines are the speakers waking up from his dream. The speaker begins with his dream just starting, explaining he has been anticipating this moment. The speaker must have a fond interest of Lucia because he seems to care about her through the characteristics he describes her in. The poem begins with the speaker dreaming of being transformed into a vine, as he is growing and free-flowing. The vine is automatically mentioned because the speaker’s love beings to grow for Lucia.

The poem makes the reader feel as if it represented a relationship, confident in contentment and pleasure (Atwood). Seducing the reader for hope of a happy ending, but not all relationships remain blissful. Foreshadowing in this piece of literature is a perception that gets shifted. Lastly the poem ends in dissonance, leaving the speaker to be exposed to a somatic, violent, and horrifying

Carol Anne Duffy presents love and romance in a unique way that differentiates valentine from any other love poem. Throughout this poem carol expresses love though the original metaphor of an onion. This essay analyses how she does this so effectively and how she presents a range of ideas about love and romance.

The woman and man caught in their passionate embrace are set above the wartime images. It seems that symbolically the man and woman are above the war, that their love transcends the tragedy and the tumult that surrounds them, if only because they are fighting their own romantic war. Below them is a burning city. The couple on the carriage fleeing the city looks to be the same couple that is staring into each other’s eyes. This further suggests that they were apart of the events in the war, but were still caught in the throws of their own love life. The girl that rushes from her

To begin, the speaker, in a very calm manner, describes a moment in time where she and a man called Death share a carriage together as if they were in a relationship with one another. Not only does the speaker leave with Death without any questions, but also states that she is obligated to leave her household to work for her new husband Death in lines five through nine. Due to the fact that the speaker so carelessly goes along with Death, shows just how strong her connection is with him. She is completely unaware and blinded at the fact that leaving with Death is something that is forever.

Consequently, this picturesque poetic device helped communicate the theme of lost love by helping the reader associate the personas’ thoughts and beliefs with their own.