Theme Of Discrimination In Native Son

The Shadow of Hate helps illustrate the evergoing history of racism that is portrayed within the United States. It emphasizes that since the beginning of United States history to the present day, racism still remains a critical topic that many individuals need to be informed about. While this film talks about racism in the United States as a whole, it goes deeper in pinpointing specific racial groups that received the cruelest treatment throughout U.S. history. Once finishing the film, I found myself mesmerized by the fascinating stories and clear depiction on how the severity of racism has had an impact on the past as well as how it will influence the future. It truly shows that racism is still prominent in society, considering people from the past condoned to this type of behavior. When finding the points made throughout the film, I was able to categorize them and look at them through all three sociological perspectives- the interactionist, the functionalist, and the conflict paradigms-to understand the deeper meaning behind them.

The novel Native Son by Richard Wright tells the story of Bigger Thomas, a young black man living on the South Side of Chicago. Due to the severe oppression and racism he has faced throughout his entire life, the reader is shown how Bigger has no control over his life and is driven to extreme actions as a result of his fear and anger. Wright displays how media and popular culture in the novel serve as powerful driving forces in emphasizing the destructive racial prejudices that are present in society as a way to solidify these ideas in the minds of its members. Through presenting the media in such a light, Wright criticizes how the media inaccurately presents information to the public

America’s history is overrun with oppression and injustice based on race, ethnicity, and other traits that innocent victims have no control over. As a result, the reputation of the United States is forever tainted by it’s dark past, and still practices these surviving habits of hatred. Civil liberty issues faced since the establishment of the country have yet to be resolved because of the ever-present mistreatment, corruption in positions of authority, and the dehumanization of minorities.

In the 1986 film adaption of Richard Wright’s novel Native Son, the director presents the following question: can those who suffer from Post Traumatic Slave Syndrome go insane after years of oppression? That is the question that must be answered in the case of 19-year-old Bigger Thompson, who is accused of murdering Ms. Mary Dalton. The purpose of this essay is to examine Richard Wright’s film adaptation of Native Son, and Bigger’s innocence regarding ethos, pathos, and logos.

Both racism and violence are large themes of not just, Just Walk on By: Black Men and Public Space, but also of America during the mid-1900’s. Unfortunately, there still exists the same themes in today’s world even though the population is becoming increasingly more educated. Hate and discrimination are taught evils, not innate ones, and in order to prevent the need for stories such as Brent Staples’ to be told, society as a whole must band together to eliminate the occurrence of such a destructive, devastating

Richard Wright’s “Native Son” Bigger shows us the short end of the stick of how it feels to be seen as a second-class citizen for being black. His speech talking about how he feels like a prisoner in this world just because he is black. (Wright P.17) This prison pain of Bigger in Wright’s novel shows how the negative effects of fear and discrimination affect minorities in our society. This discrimination just for existence is mirrored in the “Diary of Anne Frank” and “The Color of Water”. In the Diary of Anne Frank, spends two years of her life in an attic with her family and other Jewish people, hiding from the government trying to capture them just because they are Jewish. In “The Color of Water” Ruth McBride describes how the KKK was a huge part of her hometown. That whenever a car full of white hoods drove past, any African Americans in the store would run home, Ruth did the same thing, knowing her family was also in danger. (McBride P.58)

Wright uses Bigger’s psychological corruption to send a message to the reader. It offers a new view on the underlying effects of racism on the black community of the time period. Wright creates Bigger from the diversity he saw throughout American society. “I made the discovery that Bigger Thomas was not black all the time; he was white, too, and there were literally millions of him, everywhere... I became conscious, at first dimly, and then later on with increasing clarity and conviction, of a vast, muddied pool of human life in America. It was as though I had put on a pair of spectacles whose power was that of an x-ray enabling me to see deeper into the lives of men. Whenever I picked up a newspaper, I 'd no longer feel that I was reading of the doings of whites alone (Negroes are rarely mentioned in the press unless they 've

Inequalities in skin color at Wilson were very prevalent. This wasn’t because of the teacher, but the world around them. Each different color segregated themselves to “keep with their own.” The differences like this kept the students at Wilson from reaching their potential. When

Oppression is an omnipresent force which has fed on ignorance and hatred and affected the lives of the less fortunate and powerless. Through literature people are able to express their feelings and attitudes regarding an amalgam of elements. An example of this exists in the two texts, “One Flew Over the Cuckoo’s Nest,” and “The Life Your Save May Be Your Own;” in both texts we see a clear correlation between the plot events in the stories and the events that took place in American History to oppress women and Native Americans. “One Flew Over the Cuckoo’s Nest,” and “The Life You Save May Be Your Own,” are similar due to the fact that they

The image of Native Americans primarily consumed by all of America is more often offensive, stereotypical, or downright fictional. And this is all because a non-indigenous person is always the one teaching us about indigenous people, thus their bias is forever unconsciously tied to the “facts”, which could very well be just a “common sense racism” agreed upon by many others. For those who have no contact with a minority group, television is their best source of information on said group, and both the news and entertainment shows us what gets the best reaction; the Dakota Pipeline won’t get news coverage because it’s peaceful and not affecting 60% of America, but soon as black people snapped in during the Watts Riots of ’65 and they white life was in danger, everyone had their cameras pointed. And some went as far as to not know why the civil black man was no so up in arms all of a sudden, despite the recent court ruling of the police responsible for the assault of Rodney King. There is no looking at the cause of the anger, just like the argument to change many sports mascots from racial caricatures of Native Americans seems completely invalid for someone unwilling to see why it might offend someone. The only way to obliterate stereotypes fueling miseducation of the minority is to have everyone correctly educated on each minority group, through schools is good but through media (television mostly) is even better.

believied that they were alowed to occupy it by the grace of the "Great Spirit",

When analyzing Bigger Thomas, Richard Wright’s protagonist in the novel Native Son, one must take into consideration the development of his characterization. Being a poor twenty-year-old Black man in the south side of Chicago living with his family in a cramped one- bedroom apartment in the 1930’s, the odds of him prospering in life were not in his favor. Filled with oppression, violence, and tragedy, Bigger Thomas’ life was doomed from the moment he was born. Through the novel, Bigger divulges his own dreams to provide for his family and to be anything but a “nobody.” Although Bigger struggled to fight through obstacles to pursue his dreams for the future, his chase for a better life came to an abrupt

Hatred for white society was a common sentiment among the black community during the 1950s. These feelings were expressed through different mediums, ranging from music and art, to the written word. But James Baldwin, a popular black writer during this time period, does not harp on this subject. Instead of preaching about his hatred for white America, Baldwin utilizes his narrative and analysis techniques to illustrate the destructive nature of the black society’s hatred for white society in “Notes of a Native Son”.

He does explain that oppression and racism affected both whites the oppressors and blacks the oppressed. He also explains how a white like girl, befriended a black man, and that a lot of what happened was because of the lack of understanding of the others culture. Yet, I feel that Mr. Wright’s emphasis was more on the struggles that the African Americans endured during the 1930’s. I feel he felt that this oppression and racism affected them the most so he tends to favor their plight more than that of the whites. Wright uses this quote to express how Bigger felt, “To Bigger and his kind, white people were not really people: they were a sort of great natural force, like a stormy sky looming overhead or like a deep swirling river stretching suddenly at one’s feet in the dark.” (109) Wright does not downplay the suffering that they endured at the hands of the whites. He depicts their poverty, in Bigger’s case the cramped rat infested apartment his family lived in. Wright uses this quote to express the living conditions, "Gimme that skillet, Buddy," he asked quietly, not taking his eyes from the rat. Wright tells of some of their racial struggles and inequalities like not being able to be educated, being forced to live in areas that were not as good as those the whites lived in but still over paying for them. It reads “black people, even though they cannot get good jobs, pay twice as much rent as whites”(248) Wright also declares that Bigger was not even allowed a fair trial to defend himself even though he was guilty of what he had done because of this racism. The headlines “NEGRO RAPIST FAINTS AT INQUEST was featured in the Tribune and in the article, Bigger is described as looking “exactly like an ape with “exceedingly black skin” (279). Wright allows the reader to know that he feels this misguided oppression and racism shows that both races lost the realization that all men are

Richard Wright’s novel, Native Son, depicts the life of the general black community in Chicago during the 1930’s. Though African Americans had been freed from slavery, they were still burdened with financial and social oppression. Forced to live in small, unclean quarters, eat foods on the verge of going bad, and pay entirely too much for both, these people struggled not to be pressured into a dangerous state of mind (Bryant). All the while, they are expected to act subserviently before their oppressors. These conditions rub many the wrong way, especially Bigger Thomas, the protagonist of the story. Though everyone he is surrounded by is going through all the same things that he is, growing up poor and uneducated has made Bigger angry at the whole world. You can see this anger in everything he does, from his initial thoughts to his final actions. Because of this, Bigger Thomas almost seems destined to find trouble and meet a horrible fate. Wright uses these conventions of naturalism to develop Bigger’s view of the white community(). With all of these complications, Bigger begins to view all white people as an overwhelming force that drags him to his end. Wright pushes the readers into Bigger’s mind, thoroughly explaining Bigger’s personal decay. Even Wright himself says that Bigger is in fact a native son, just a “product of American culture and the violence and racism that suffuse it” (Wright).