Theme Of Double Life In The Importance Of Being Earnest

Jack illustrates the purpose of deception by using Earnest to escape his role of Cecily’s warden. When Algernon finds Jack’s cigarette case, he is shocked to find the name Jack graven inside. Jack attempts to explain by saying, “[M]y name is Ernest in town and Jack in the country” (Wilde Act I). As Jack, he has to be a responsible adult and take care of his niece Cecily but as Ernest he is able to live the wild life of a young bachelor. By pretending to be Ernest in town, Jack is freed from the restrictions of being a caretaker, yet he still fulfills the duties of one as he resides in the country. While explaining why he has two identities to Algernon, Jack states that being a guardian does not “conduce very much to either one’s health or one’s happiness” (Wilde Act I). Jack has to take care of Cecily, be responsible for her, and set rules and guidelines for her to follow. In his role of guardian, he finds himself unable to have fun, so he creates an irresponsible, carefree

It is as though Wilde, through the vehicle of Algernon, is trying to make a point about the difference in severity between the two cases of dual identity. Algernon never once tries to deceive others into thinking he is Bunburry, whereas Jack literally embodies a different persona depending on his location.

Some people will do anything to escape reality. The idea of living a storybook life excites them. They want to face the good, but not the bad. However, a few of those people take the charade to new levels. They disrupt the lives of everyone around them and try to run from the consequences. Those people are selfish. In Oscar Wilde’s The Importance of Being Earnest, the reader watches the downfall of a Victorian clique. One of the play’s main characters, Algernon, has decided that he deserves a break from reality. Unsurprisingly, this mindset gets Algy into trouble at times. Algernon earns the well-deserved title of the most shallow and static character through his attitude towards marriage, his perception of others, and his opinion of himself.

One thing that Jack and Algernon have in common is that they both have these false faces. Algernon’s alter ego Bunbury is a version of himself used in the country but he uses Ernest to marry Cecily. The story deals with Ernest, this immorally imaginary man that both Cecily and Gwendolyn become engaged to, it exemplifies the irony within the name. Most of the irony comes from this character. One of Wilde's satiric targets is romantic and sentimental love, which he ridicules by having the women fall in love with a man because of his name rather than more personal attributes. Gwendolyn said “No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces

Oscar Wilde’s play The Importance of Being Earnest (.1993.) is an enlightening epitome of social class in the Victorian era. The satire is driven by the frivolous behaviour, superficial lives and artificial norms within the Victorian aristocracy. Incorporating his own opinion into the play, Wilde continually attacked and mocked their hypocrisy, views on marriage, and their mannerisms. Throughout the play, Wilde used an abundant range of literary techniques to reinforce his opinion. Irony, paradox and hyperboles, as well as witty epigrams and aphorisms were used astutely and were ubiquitous throughout the play. This contributed to the satirical style and tone of the text, and enabled Wilde to effectively communicate his critical perspective on social class in Victorian England.

Oscar Wilde’s play entitled “The Importance of Being Earnest” illustrates the concept of dual personality, fantasy, love, and lies. Jack, Algernon, Gwendolyn, and Cecily all live in lies. They are manipulated by their fantasies and desire for perfect relationship and love. Jack, the protagonist in the play, is the root of lies because of his imaginary brother named Earnest. Algernon uses the name to win Cecily, while Gwendolyn and Cecily are both fascinated by this name because it expresses strength and perfection of manhood. Due to their search and desire to have Earnest, the male and female characters escape from the reality. Therefore, Wilde in The Importance of Being Earnest portrays a gender doubled

implications are clear when we discover that Jack's real Christian name is in fact Ernest John.

In some ways, Algernon, not Jack, is the play’s real hero. Not only is Algernon like Wilde in his dandified, exquisite wit, tastes, and priorities, but he also resembles Wilde to the extent that his fictions and inventions resemble those of an artist.

This idea of superficiality is later magnified by the evidence that Wilde gives proving Algernon and Jack to not be at all earnest. Wilde takes advantage of the name Ernest and makes it a pun, as both women have the logic that a man named Ernest must be earnest. Wilde ensures the audience knows this and uses this pun to create irony, as many times Algernon and Jack are presented as morally askew, and not at all earnest. On the subject of Bunburying, Algernon says “in married life. Three is company and two is none.” Which states his view on having two different lives, and this is seemingly how he justifies him lying, as he sees cheating as a normal part of married life. There is also the matter of Jack and Algernon’s acceptance of them having to change their names to be able to marry Gwendolen and Cecily. Of course, lying about their names in the first place is a clear indication that Jack and Algernon are not very honourable, but their acceptance of the fact that Gwendolen and Cecily would not have accepted their proposals if their real names had been revealed presents Jack and Algernon as characters who aren’t bothered by the prospect of lying to their wives for their entire lives.

The most vital inquiry, in any case, is who is his family, on the grounds that the family name is what is imperative in an enduring marriage among the high society. Wilde, be that as it may, spoofs the circumstance, as Jack does not have a family. Jack originated from a "to some degree substantial, dark calfskin purse, with handles on it," rather than having guardians.

Later, when Jack reveals all his truth about the name Ernest, Algernon responds by saying:

Jack illustrates the purpose of deception by using Earnest to escape his role of warden to Cecily. When Algernon finds Jack’s cigarette case, he is shocked to find the name Jack graven inside. Jack attempts to explain by saying, “[M]y name is Ernest

Wilde comments on the honesty of the aristocracy of Victorian society through his motif of lies and deceit while also adding his usual comedic touch. The entire play functions around lies created to either get out of events like dinner with Algernon’s Aunt or get girls like Cecily. Jack jokingly comments that “truth isn’t the sort of thing one tells a nice sweet refined girl (Greenblatt 1711). Algernon adds irony to the play when he brings up false impressions, “My dear Algy, you talk exactly as if you were a dentist. It is very vulgar to talk like a dentist when one isn’t a dentist” after he has just held his friends case captive, knowing he was running “frantic” over it. Truth shows up in a negative light for the aristocracy again when Algernon says “the truth is rarely pure and never simple” (Greenblatt 1703).

By stating that he did not know anyone by the name of Cecily, Jack initiates his own debacle. He has to clarify that Cecily is actual his ward. Nonetheless, Jack bears no anguish to dissembling to his closest companion. Jack’s morality has been impaired by his lies and it implies that his animalistic qualities control him. Yet, he falls in love and he must tell Gwendolen, his sweetheart, of his morally wrong character. In order to do so Jack has to disclose that Ernest was not in fact his real name but a mere alias created to cover up his dastardly ways. He can think of no other way than to “kill” his brother. Wilde shows how Jack’s urbane nature begins to be marred by his animalism since he was willing to kill a man, fictional or not. Ensuing in the play Jack is speaking with Algernon and he begins to ponder on how to commit the murder. He states “My poor brother Ernest is carried off suddenly in Paris, by a severe chill. That gets rid of him” (Wilde 16). Though fictional, Jack’s murder of Ernest still seems to carry the same implications further into the book. This murder eventually skews his reputation once his lies become known. Wilde proves how Jack’s lies soon catch up to him and flaw his esteemed moral persona. Later in the play Algernon sets off on a trip to Jack’s country estate and claims he is Ernest Worthing. Later when Jack arrives Cecily informs her caretaker that his brother Ernest is in his room. Jack replies

Wilde's characters live in a world in which order is constantly vanishing and they scorn stability and simplicity. "The truth", as Algy says, "is rarely pure and never simple."(13) Algy and Jack fulfil their wishes by the means of lying. They are impostors who use false identities in order to free themselves from the hypocrisy of the convention. Their tricks simply serve them as a way to achieve their moral freedom.