Theme Of Dramatic Irony In Oedipus The King

The Greek drama “Oedipus The King” evidently leads to the unveiling of a tragedy. Oedipus, the protagonist of the play uncovers his tragic birth story and the curse he had been baring his whole life. Oedipus is notorious for his personal insight that helped him defeat Sphinx, which lead him to becoming the king of Thebes. He is admired by the people of Thebes and is considered to be a mature, inelegant and a rational leader. From his birth, his story began with a prophecy that Oedipus would grow up to kill his father and marry his mother. Through out the play numerous people, who tell him of his unknown past, visit Oedipus. Blind to the truth he casts them away until a blind man named Therisis gives a sight of truth to Oedipus. As Oedipus learns the truth he realizes the great evil his life carries. After finding his wife and also mother hung in her bedroom, Oedipus blinds himself with the gold pins that held Jocasta’s robe. Oedipus blind to the truth is finally able to see when the old blind man visits him and tells him the truth about his life. Both metaphorically and physically sight plays a significant role in understanding the irony of a blind man seeing the truth while Oedipus who isn’t blind doesn’t seem to the truth that’s right in front of him.

To the reader, it is revealed that what you physically se, may not be what you may see mentally. Irony is also shown in Oedipus Rex in relation to blindness. Teiresias’ is also the character who depicts irony throughout

The story of Oedipus is full of irony such as verbal, tragic, and situational irony. For example, verbal irony appears in Oedipus’ speeches. When Oedipus orders for the man who killed Laius to be punished, he is unaware that he is in fact the murder. Verbal irony appears again when Oedipus ridicules Teiresias for his blindness when Oedipus is also blind, witless and senseless to his own actions. An example of situational irony is: Oedipus is an adopted son; he hears the prophecy; he escapes the city to avoid fulfilling the prophecy only to escape to his real parents.

Dramatic irony depends on the audience’s knowing something that the character does not, and in this play the audience knows Oedipus faith before he knows it himself. In this play there are several parts where Sophocles conveys his plot through dramatic irony. Dramatic irony underlines how partial human perceptive can be even when it is most reasonable and how agonizing it can be to be the costs of the misinterpretation, in some sense foreseeable. Dramatic irony is also use by Sophocles to make the audience feel their taken part of the play knowing the fate of the main character, making the audience wait in suspense wanting to know how Oedipus would react to his fate. The other use of the dramatic irony was to foreshadow which is a key

The gods play an important part in Odysseus’ journey home, bringing him closer and farther from his homeland. They constantly intervene in the lives of the many characters in The Odyssey. Though Odysseus is a hero, the gods control his life. It is as if he were the main character in a video game and the gods are fighting over who controls his life. Personal responsibility is overshadowed by the gods’ eagerness to grab the controller.

Random House, Inc. 05 Nov. 2015. ). Situational irony is seen several times throughout the play, Oedipus the King. An example of situational irony in the play, Oedipus the King, is when Oedipus runs away from his parents in Corinth to escape his destiny of marrying his mother and killing his father, but in reality Oedipus actually ran towards his real parents, and ended up doing just that. This is an example of situational irony because Oedipus wanted to run away from his parents to get away from them so that he wouldn’t end up killing his father and marrying his mother, but his actions have the opposite effect of what is intended. This adds drama and suspense and helps moves the play forward, and adds a comedic effect due to the readers know what is occurring but not the character

When the play opens, the people of the town are asking Oedipus for help. A curse has been cast upon the city and the only way to remove it, is to find the murderer of the last king, Laios.

After it is revealed that Oedipus blinded himself with two pins from his wife’s dress, the Chorus is in disarray and says, “O the terror- the suffering, for all the world to see, the worst terror that ever met my eyes. What madness swept over you? What god, what dark power leapt beyond all bounds, beyond belief, to crush your wretched life?- godforsaken, cursed by the gods!” (Sophocles 1434-1440). Oedipus himself begins to seek answers within himself for these very questions and the irony becomes very clear. While ultimately it was up to the gods, what really makes Oedipus a tragic hero is that he had a choice to live happily or make it worse for himself and very simply could’ve just accepted and supported the gods’ decision. The Chorus’ questioning is

In the play Oedipus Rex by Sophocles, Oedipus remains blind throughout the play, both figuratively and literally. The play is about a man named Oedipus whose fate is to kill his father and marry his mother. His biological parents, knowing about the Oedipus’ prophecy, abandons him, and continue with their lives. However, Oedipus is saved, but spends his life running away from his adoptive parents (who he believed to be his biological parents), afraid that the prophecy may come true. As the audience knows, the prophecy has been fulfilled, however, Oedipus is oblivious to the truth. He often chooses to ignore the truth and remain figuratively blind to what everyone is trying to prove to him. He accuses Tiresias, the blind prophet, of being a liar, continuing to then unreasonably project his anger towards Creon . Once he finally opens his eyes to the truth, he decides to gouge out his eyes, becoming literally blind.

Oedipus only had to open his eyes and realize what the blind prophet was saying described him. Then, he wouldn’t have went down the way he did. When Oedipus finally came to realization, he figured out he had killed his father, married his mother, and also had kids with her. He was in complete shock. At the moment Oedipus found out about his real self, he says “My god it’s all true. I killed him...I made love to her...and raised a family that never should have been born. I can no longer bear to see the light” (Oedipus the King 62). With this, he stabs out his eyes in horror. Not only was Oedipus blind to the fact Jocasta and

Dramatic irony in Oedipus the King is evident throughout, which is similar to the latter play, but in a different form. In here, the irony is evident. Oedipus the King revolves around characters' attempts to change their destiny (which fails) - Jocasta and Laius's killing of Oedipus and Oedipus's flight from Corinth. Each time somebody tries to avert the future, the audience knows

As Creon leaves, Oedipus decides to pursue the rumors that he is the killer in order to find out the truth and hopefully, silence them. He begins asking his wife about the appearance of Laius and details of the attack, and the more he probes the more he understands that he was the killer of Laius. Oedipus is overwhelmed and responds to his wife’s questions with “o wife, I fear that I have said too much.)(47). His blindness has begun to end and Oedipus begins to understand his entire life. Oedipus still clings to the chance that the shepherd will tell a different story that will prove his innocence, but when the shepherd confirms the story, Oedipus yell “Alas! All out! All is known, no more concealment.”(58). Oedipus comes to the brutal realization that he was the killer and that he cannot hide from the truth because the shepherd validated the story. When he retreats to the palace he finds Jocasta dead and in order to end his suffering he pokes out his eyes. The servant watching describes his action: “No longer see those they should have never seen, nor see, unseeing, those he longed to see, henceforth seeing nothing but night.”(61). In this moment Oedipus comes back to the time where he made fun of the prophet. He is blind as well now, but he can see the truth even though he cannot physically see. Again light/dark symbolism can bee seen in Oedipus’s action he puts himself in the physical dark because he has

Sophocles was born a hundred years before Aristotle and perhaps was not aware that he wrote a near-perfect representation of the tragic form. Almost certainly, however, he was conscious of the dramatic irony he carefully intertwined throughout the plot. Dramatic irony was a tool for Sophocles to advance the notion of the tragic one step beyond the simple fate of the main character. Dramatic irony is a literary technique allowing the audience to know of the character's fate well before such fate occurs. The difference between the audience's knowledge of the tragic circumstances and that of the ignorant characters heightens the depth of the tragedy. The more significant the ultimate sacrifice which the innocent hero makes, the more powerful the message sent to those in

Throughout the play Oedipus is given clues to his past and the fate that is to come, the moment that he gouges his eyes out shows these clues that he has missed. Jocasta says wildly, “In the name of heaven, don’t proceed! For your own life’s sake, stop! And I’ve been tortured long enough.” (59) This shows a moment of caution for Oedipus to not continue to seek the truth. The dramatic irony of this situation illuminates the horrors that are to come because of fate as well as Oedipus’ free will. Oedipus: “Laius was killed—I thought I caught the words—where three highways meet?” Jocasta: “So they said. That is how the story goes.” (41) Oedipus is first hearing the true story of the late king’s murder and seems to be beginning to realize that it was he who did the killing. Even though this could be his illuminating moment, Oedipus is unwilling to accept this fact and must hear

Sophocles’s reliance on dramatic irony is apparent throughout the entire story. From the start of the play—where Oedipus searches for the murderer of the fallen king—the audience is already aware of Oedipus’s story. Ironically, readers grasp that Oedipus was the murderer of Laius and therefore the cause of the plague. Oedipus himself, however, lacks any knowledge of his participation in the event and believes that he has managed to avoid the prophecy’s fruition. As such, Sophocles’s use of the device affects the way the plot progresses. Mainly, the author bases the conflict on Oedipus’s “blindness”. It draws out the story until it reaches its climax. Throughout the play, Oedipus is in denial of his involvement in the death of Laius despite being told several times of his guilt. One such time occurred when Teiresias, an old blind prophet, reluctantly told Oedipus of his actions. As to be expected, Oedipus reject his words with scorn, threatening the old man. “Do you imagine you can always talk like this, and live to laugh at it hereafter?” (lines 425-426) Oedipus further insults Teiresias physical blindness, not realizing his own metaphorical blindness. As per dramatic irony, however, readers know the one who is truly blind was Oedipus. Teiresias further makes this apparent. “You have your eyes but see not where you are in sin, nor where you live, nor whom you live with. Do you know who your parents are?” (lines 482-484) Events such as these seem to be a recurring theme in the play. Oedipus is made aware of the truth by another character, and then he fervently accuses them. Because of this, the audience becomes familiar with the pattern. The dramatic