Theme Of Existentialism In The City And The River

As defined in The American Heritage College Dictionary, existentialism emphasizes the uniqueness and isolation of the individual in a hostile or indifferent universe, regards existnece as unexplainable, and stresses free choice and responsibility for one's actions.  Existentialism is personalized from other schools of thought by its embodiment of three important criterion; 1) the emphasis of the individual as the centerpoint of his domain; 2) an accentuation of human choice and freedom; and, 3) a critique of social norm and its aim for individuals to congregate as merely part of a herd.  These three standards of action are present in all works defined as existential, and are absorbed in Achebe's Things Fall Apart.

Damon Knight’s “The Country of the Kind” follows a narrator who the audience at first knows little about, who lives in a society that is different from the norm, but is also initially left ambiguous. This sense of the unknown exists up until the narrator stumbles upon a pamphlet which opens up new viewpoints to the reader. The pamphlet serves to create three new perspectives in particular, all of which significantly shift the reader’s understanding of the story. First, it gives the reader a chance to understand the narrator and sympathize with him. Second, it offers a new perspective on society and their overall conception of what defines a utopia. The third and final perspective is that of the people who live within this society, and their interactions with the main characters. These three new perspectives prove to be formative in understanding the main character, his interactions with other characters in the story, and the role of society.

Beneath the gore and smoke and loam, this book is about the evanescence of life, and why some men choose to fill their brief allotment of time engaging the impossible, others in the manufacture of sorrow. In the end it is a story of the ineluctable conflict between good and evil, daylight and darkness, the White City and the Black. (Larson

Automatically, the reader knows that serious issues are about to be discussed and that the outcome may not be positive. This novel challenges the material ideology discussed above. It does this by bringing the issues to the forefront and reporting on them in a fictitious yet realistic manner. The reader is not led to believe that the ending will be happy, he is supposed to expect the consider the harsh realities of the world throughout the piece.

Existentialism is a Humanism by Jean-Paul Sartre, was published in 1945 at the height of Existentialism's cultural resurgence. As Sartre states in his opening line, his purpose is to “offer a defence of existentialism against some charges that have been brought against it.” (Sartre, 1945) At a time where Existentialism was heavily associated with wearing black and smoking (Fahlenbrach, 2012) Sartre felt the need to draw attention to its philosophical and more meaningful aspects, beyond it simply being a passing trend. Sartre outlines, “Man is nothing else but that which he makes of himself. That is the first principle of existentialism” (Sartre, 1945) This is rooted in what Sartre believes to be the basis of all Existential

This novel measures the influence of an individual against human desires and the forces of nature. For example, Alexandra's relationship with the land summarizes the struggle between human desires and the larger forces than manipulate individuals. This difficult relationship between individuals and society is one of the most dominant themes and is depicted throughout the novel by using setting to reflect the characters.

In his essay “Existentialism”, Jean Paul Sartre discusses the main beliefs of existentialism. Perhaps the most important belief of existentialism is that there is no human nature, and there is no God. This means that each individual man has control of his own destiny. The definition of each individual man is the sum of his life and all he has accomplished in his life. He is also responsible for all the choices and actions he makes in his life. These types of choices and actions can be seen in the book “Night” by Elie Wiesel. This book is a story about a boy, Wiesel, who is taken to a concentration camp with his family. It follows him and his father through their trials and movement from Auschwitz

As I sat in the desk of my afternoon class, “Intro to Philosophy 1101,” I longed to be outside with my fellow colleagues enjoying the winter air as it turned to spring. Instead of sitting on the grassy lawn, I sat confined behind the jail-resembling cinder block walls of the classroom. My professor’s lesson contradicts the atmosphere of the classroom as she mumbles about, “Existentialism” and how it is “a philosophy emphasizing individual existence, freedom, and choice that influenced many diverse writers in the 19th and 20th centuries.” (Funk & Wagnalls 1.) At the time, I did not notice a significance to the lesson, but while reading pieces of literature in English, I understand the purpose of existentialism and how apparent it is in written works. Writings such as “Raj Bohemian,” “The Lottery,” and “Good Country People” all show evidence of an attitude of choice. The term itself suggests one major theme: the stress on the concrete individual existence and, consequently, on subjectivity, individual freedom, and choice. (Funk & Wagnalls 1.) The use of existentialism shapes the characters’ such as the Narrator in “Raj

Existentialism, a philosophical ideology conceptualized by Jean-Paul Sarte, encapsulates most thought processes where “the individual is obliged to make a choice as though he were choosing for all mankind” (Arnold, “Jean-Paul Sarte: Overview). Put simply, Sarte’s concept of existentialism is the thought process by which humans find themselves existing, and the analysis of their existence itself (Tulloch, Sartrian Existentialism). This analysis of existence found itself in many writings during the twentieth century, and acts a driving force in both Bishop’s “In the Waiting Room” and Lispector’s “The Daydreams of a Drunk Woman”.

In conclusion, certain techniques of visual rhetoric and plot devices can be detected in the novel and are utilized to express the personal opinion of the author whilst displaying the revolutionary government as incompetent and unqualified. The followers of

  Existentialism is a philosophy dealing with man's aloneness in the universe. Either there is no God or else God stands apart from man, leaving him free will to make his own choices. From this basic idea of man being alone in an uncertain and purposeless world, many related ideas have developed. One great worry of existentialist writers is that life is becoming too complicated and too impersonal. People become more and more involved with their work, which is taking them away from their friends, family, and culture. However, these provide the only "meaning" that life could possibly have. One author prominently known for his work with existential ideas was Franz

Perhaps the most telling symptom of existentialist philosophers is their ever-divergent theories on the fundamental characteristics of human life and their steadfast refusal to assign an explicit meaning or reason to our existence at all. Contrary to criticism which therefore labels the movement cynically nihilistic, existentialism justifies life with reasoning similar to that of Zen Buddhism. Specifically, the notions of hopelessness and absurdity can be gleaned from Buddhism in a manner helpful to the understanding of existentialist viewpoints on the same.

The existentialist is one who is concerned only with that intense moment of awareness with only his senses at his disposal, never looking to the future – the most living awareness. McCandles, the protagonist, in Into the Wild has come to the realization that existence is already being dead and accepting the fact that life is absurd and marvelous. He embraced the sublime absurdity of existence by renouncing the language games society plays. What is so enticing about the existentialist is that he is not concerned with the pressure of appearances and small talk which society employs to lie about what they think and feel. Existentialism is accepting the inevitability of death and living life for the moment without entertaining hope or falsities that distract one from living and accepting truth. The existentialist sees the simplicity in life and the absurdity of complicating it with pretences and lies, the existentialist is a naked man, he is one who becomes one with the rest of creation in accepting his fate on this earth and not hoping for anything more – he simply exists.

This semester we have studied five works that all communicate different themes and views of existentialism through each protagonist's point of view. From reading, watching, and analyzing each piece of work, we have come to know existentialists as having a very interesting outlook on life. Almost all the existentialists in the five works we studied believe in freedom of choice. That humans define their own meaning in life and try their best to make rational decisions in spite of existing in what they consider an “unreasonable universe”. The protagonists in each short story and movie we have watched, have similar qualities between each other and quite a few differences. The two pieces of work that will be focused on are, ‘The Wall’ by Jean-Paul Sartre and ‘The Guest’ by Albert Camus.

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.