Theme Of Feminism In Mary Shelley's Frankenstein

This idea of the female role is reinforced by the fact that as the novel progresses, the women are slowly being removed- first his Mother, then Justine and then Elizabeth- “I saw Elizabeth…held the corpse of my dead mother”. This presents Frankenstein’s mental degregation and ultimately, the ctalyst for the mosntrous act- so Shelley presents the idea of a dichotomy between man and women- Darwin supported this by suggesting the hierachy of reproducion- man and woman is better than man alone.

One such aspect of Shelley’s life portrayed in the novel was the role of women in society. In general, the predominant contenders in literature in the Romantic era were men. Mary Shelley, who was tutored by her father, had to publish her novel anonymously because it would not have been accepted otherwise. In Romantic literature, women were depicted as passive with a sense for nature and intuition. This can be seen in Frankenstein during Victor’s description of Elizabeth Lavenza: “While I admired...pretension” (Volume I, Chapter I, p 39). This quote can be viewed as an oppression of women due to the patriarchal structure of the language, as well as an emphasis on the nature of women. Mary Shelley also criticizes this oppression, but does not criticize overtly. This may be due to the fact that Shelley read her mother’s works as a child, and was influenced by the pro-feminist ideals that her mother advocated for. In addition, Frankenstein, at its core, is an expression of Shelley’s political viewpoints. The years 1811 to 1817 were ones of severe deprivation and hardship for the new working class created by the Industrial

For centauries, women have been forced to live life in the outskirts of a male dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job in portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters. In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that

The novel Frankenstein by Mary Shelly was published in 1818. Her parent had undoubtedly influenced her ways of writing. Her father, William Godwin is famous with his piece “An Enquiry Concerning Political Justice while her mother, Mary Wollstonecraft wrote “A Vindication of the Rights of Woman” is two prominent radical writers who call for reform during French Revolution. Bringing both feminism and radical views from her parents, Shelley critiques women’s weak, docile and uneducated character. She also shows how women are often degraded and treated unjustly. The reason she brought the issues forward is to make women realize that they should improve their position and women should not conform to the dogma that they are always weak.

The novel “Frankenstein” by Mary Shelley, and the article “Of the Pernicious Effects” by Mary Wollstonecraft, both have relations when regarding the importance of feminism during their time periods. Throughout Shelley’s novel feminism is addressed because she uses female characters to further her plot and display her viewpoints. If Wollstonecraft evaluated the female characters in Shelley’s novel, she would realize that Elizabeth, Justine, and Safie all show an importance to the flow of the novel and the purpose of equality that Shelley is sending about feminism through these characters.

In the 18th century, a woman by the name of Mary Wollstonecraft became one of the first great proponents of feminism, a movement that promoted the rights and abilities of women. During the 1960’s and 1970’s, feminism was still on the rise. The movement spawned a generation of great women, and thus, many interesting sayings. In Frankenstein, a book written by Mary Shelley, who happens to be Wollstonecraft’s daughter, the main character Victor creates a monster that would come to rip his family apart and destroy his life. But if one key thing had changed, his downfall would have never happened. When thinking of this book, one specific saying from this era of feminism comes to mind; “behind every great man is a great women”. The lack of prominent and influential women in Victor Frankenstein 's life is what ultimately leads to his undoing.

Women in the 18th century were often referred to as “ weak, illogical, timid, or even emotionless” ( Radek-Hill, “ Women in Literature”). This idea of women will stick around all the way until the mid 1900s, and has played a big historical issue for decades. In Mary Shelley’s Frankenstein, the idea of women being inferior to men is shown in many ways and covers throughout the book. One way she shows feminism is how she constructed the book to where the women in the book play a significantly lesser role than men. Victor Frankenstein, and his monster are the two big roles in the book, leaving little light for the female characters. When you analyze the male characters, you will notice that their actions throughout the book lead to the death and suffering of a female character. Victor is the most to blame for this because he did not speak up about his monsters creation, who in

     Romantic writer Mary Shelley’s gothic novel Frankenstein does indeed do a lot more than simply tell story, and in this case, horrify and frighten the reader. Through her careful and deliberate construction of characters as representations of certain dominant beliefs, Shelley supports a value system and way of life that challenges those that prevailed in the late eighteenth century during the ‘Age of Reason’. Thus the novel can be said to be challenging prevailant ideologies, of which the dominant society was constructed, and endorsing many of the alternative views and thoughts of the society. Shelley can be said to be influenced by her mothers early feminist views, her father’s

In “Frankenstein” penned by Mary Shelley, the author depicts the roles of Caroline, Elizabeth, and Justine as passive women by taking action only through the men around them. During the 1820s, when Elizabeth Blackwell saw the deaths of many people on ships being thrown overboard, she became inspired to become a doctor. However, during her time period, women were not allowed to get an education. Finally, Mulan, takes the place of her old father to join the Chinese army, despite her passiveness. A closer look at the roles of Caroline, Elizabeth, Justine, Mulan, and Elizabeth Blackwell reveal a time period where women were treated as objects and followers by men.

In addition to her proposition that a patriarchal society will ultimately lead to chaos, Shelley uses the character of Frankenstein to illustrate that men are not the strong leaders of society they claim to be. Frankenstein is brave enough to go as far as creating life without a woman; however, as soon as his brainchild comes to life, Frankenstein essentially

Upon further probing, there is perhaps a deeper terror rooted in Frankenstein, which subtly appears to stem his hesitancy at creating not just another monster, but specifically a female monster. Because Victor Frankenstein fears the existence of a female free of restrictions that he cannot impose, he destroys her, thus eliminating the female’s options of becoming either completely feminine through becoming a mother and mate, or totally unfeminine by opting to leave her partner and face the world alone.

The horror classic novel Frankenstein has gathered a great deal of critical and commercial attention since first being introduced in 1818, and naturally there has been many academics who have analyzed many of the novel’s biggest themes, symbols, and motifs. This also includes in analyzing the author herself, Mary Shelley. Marcia Aldrich, who has her Ph.D. in English from the University of Washington, is one of the academics to underline the role of being a female writer in the 19th century and what importance this plays on the novel Frankenstein. In her article, co-written by Richard Isomaki, “The Woman Writer as Frankenstein” analyzes the significance of Mary Shelley being the daughter of a writer and how this contributed to her writing Frankenstein, which they speculate as her, Mary Shelley, envisioning herself as the Monster. Aldrich and Isomaki’s “The Woman Writer as Frankenstein” makes valid and persuasive points, which effectively argues that the novel is semi-autobiographical in the sense that Mary Shelley pictured her as the Frankenstein Monster, for many of the concerns that the authors bring up in their article highlight the insecurities, doubts, and inexorable frustrations of a young woman writing in the 19th century.

Critics Anne K. Mellor and Jeffrey Berman address various aspects of Frankenstein as they contribute to its potential for feminist interpretation as well as evidence of psychological instability and egotism. Although there is a notable absence of prominent female characters, critics like Anne K. Mellor recognize the importance of female influence and maternal guidance in Frankenstein. Given that the book is written by Mary Shelley, daughter of famous feminist writer Mary Wollstonecraft, I believe there is potential for this interpretation to be accurate. Mellor looks deeper into the novel and finds that the feminist politics exist in Victor’s “failure to mother his ‘child,’” and the aftermath of unnatural, masculine means of reproduction (Mellor).

In the novel Frankenstein, the author Mary Shelley reinforced the role of female nature in a book that is predominantly male-oriented. The female character is an underlying feature throughout the whole novel. For example, when Victor Frankenstein created his Monster from dead body parts, he disregarded the laws of female reproduction. Both Anne K. Mellor and Jonathon Bate argue that Victor defiled the feminine nature when he created his Monster from unnatural means. Mellor argued in her essay, “Possessing Nature: The Female in Frankenstein,” that Victor eliminated the necessity to have females at all (355). There will not be a need for females if new beings are created in a laboratory. The disruption of mother nature is one of the novel’s original sins (479). In Bate’s essay, “Frankenstein and the State of Nature,” he argued that Victor Frankenstein broke the balance between female principles of maternity and mother nature (477). Frankenstein broke nature and undermined the role of females. The argument of Mellor was more persuasive than the discussion of Bate because she was able to provide more evidence that Victor Frankenstein dishonored the role of female nature.

Frankenstein, is a novel by English author, Mary Shelley, published in 1818. Frankenstein revolves around the titular character, Victor Frankenstein. Frankenstein, obsessed with discovering the secrets of nature, creates a grotesque creature. In an excerpt of, Mary Shelley: Her Life, Her Fiction, Her Monsters( New York: Methuen, 1988),“Usurping the Female”, Anne K. Mellor takes a cutting view against Victor Frankenstein's creation. Her essay revolves around the idea that by creating life, Victor Frankenstein was taking away power from women. Mellor argues that through Frankenstein, Shelley shows“the consequences of a social construction of gender which values men over women.”