Theme Of Feminism In Their Eyes Were Watching God

Unlike her previous husbands, Tea Cake does not stifle Janie’s potential, but instead allows Janie to comfortably express herself due to the “possibilities opened up by [their] relationship,” as evidenced by Professor Tejumola Olaniyan’s criticism of the novel. (Olaniyan 34). Not only is Janie free to behave in whichever way she desires, she is also confronted by a man who genuinely loves her. Moreover, Janie feels a “self-crushing love” with Tea Cake, that makes her feel content enough that “her soul [crawls] out from its hiding place” (Hurston 128). By finally allowing her soul out into the open, Janie unlocks her inner strength,

During the 1900’s, women, specifically black women, were considered to be property of men in the United States, especially down south, in states such as Florida and Georgia. Legally, women had no voice. For example, if a woman was abused by her husband, the court system would not acknowledge it even if it did really happen. In the article “Sexism in the Early 1900’s”, Becca Woltemath states that “…a woman’s job is to take care of the house and to bear children. She’s no good for anything else. She’s just a simple thinker.” Women were forced into submission and there was nothing they could do about it. In the novel Their Eyes Were Watching God, Zora Neale Hurston shows the

In the novel "Their Eyes Were Watching God" written by Zora Neale Hurston, Janie the protagonist is seen by critics as having no voice. For all women silence knows no boundaries of race or culture, and Janie is no exception. Hurston characterizes Janie with the same silence that women at that time & period were forced into, (complete submission.) "Women were to be seen and not heard." Janie spends forty years of her life, learning to achieve/find, her voice against the over-ruling and dominate men in her life. But in the end Janie comes out the victor, breaking the silence. In her essay "What do Feminist Critics Want?" Gilbert states, "Like Wagner's master singers....men had the power of speech,[but]....women

He thought the only thing she could do was work at home. Tea Cake has a very different idea about women. He thinks that Janie can do anything she wants to do, that she is just as smart as a man and has the capacity to learn and do many more things than what Joe would allow her to do. Throughout their marriage, Janie seems to have taken Joe’s ideas to heart and believes them herself. Tea Cake rejects these ideas and helps Janie begin to feel confident in herself and forget what Joe made her

In the novel Their Eyes Were Watching God, the author, Zora Neale Hurston, attempts to bring into light problems caused by prejudice. However, as she tries to show examples of inequality through various character relationships, examples of equality are revealed through other relationships. Janie, the novel's main character, encounters both inequality and equality through the treatment she receives during her three marriages.

Their Eyes Were Watching God is sometimes classified as a feminist novel, but that is not so. Feminism is often associated with men and women being equal without a doubt. This passage establishes a fundamental difference between genders. Chapter six is a prime example of these gender differences. Chapter six shows Joe’s need for control. During an argument between Janie and Joe, Joe states, “Somebody got to think for women and chillun and chickens and cows. I god, they sho don’t think none theirselves” (71). Hurston’s statement here suggests that men during that time period needed to feel superior to

There are many critical lenses in the English language such as historical, gender identity, and reader response. The critical lens gender identity is prevalent throughout Zora Neale Hurston's novel Their Eyes Were Watching God. This critical lens covers a broad range of topics such as the role of female characters, what the absence or minimal appearance of these characters applies, and whether the characters are viewed in a positive or negative manner. Many of Janie's actions throughout the novel are dictated by men, and her idea of her pear tree love, and by the ideals about men that her grandmother has instilled in her.

This is not because she did anything wrong, but rather because a neighbor’s brother showed interest in her. Tea Cake was not, truly, free of the misogynistic stereotypes of women, and the event showed deep down the possessiveness he felt for her. “Before the week was over he had whipped Janie. Not because her behavior justified his jealousy, but it relieved that awful fear inside him. Being able to whip her reassured him in possession” (147). Again, Janie is in a marriage where her husband thinks of her as a property. Tea Cake’s character brought much hope for a lifestyle in which Janie could be independent and powerful, participate in conversation and checkers, and be respected on an equal level. Ultimately, Tea Cake was still possessive, and in many ways was not in fact free of the suppressing beliefs of society as a whole. His character is evident of how deep rooted the beliefs were. Tea Cake passed away, but Janie carried on, returned to Eatonville, once again showcasing her

Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.

Although Janie and Tea Cake’s marriage has its share of arguments and alterations, Tea Cake’s influence

“I’m a woman…Phenomenal woman, that’s me.” This quote from Maya Angelou’s poem “Phenomenal Woman” characterizes the common theme between the novel, Their Eyes Were Watching God, by Zora Neale Hurston, the speech, “Ain’t I a Woman”, by Sojourner Truth, and “Phenomenal Woman”. The common theme between these three different pieces is the idea of a strong, independent woman, which ties into feminism and the concept of being equal to men. Even though these three pieces are each diverse genres, they are all conveying the same general theme in their own way. Throughout any of these texts, it is evident that the authors are pushing the idea that a female is not inferior to any man just because they have a different body structure or a different gender.

On December 6, 1894 the short story “The Story of An Hour” was published in the weekly newspaper Vogue. The story features the protagonist, Louise Mallard who discovers her husband is dead. The story was instantly regarded as highly controversial because it went against the standards of the 1890’s and features a female protagonist that feels liberated by the news of her husband's death. Although the idea that women were able to survive without men was a foreign concept at the time, the story resonated with many women. In Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie the female protagonist also experiences liberation through the death of her husband and faces the stereotype of women needing men in order to survive. This stereotype along with many other gender roles/stereotypes are present in Their Eyes Were Watching God and requires Janie and the many other characters to either adhere or break free of the gender roles/stereotypes they come across. Some of these gender roles/sterotypes is that women need to be married in order to be seen as decent and woman should remain quiet and not be outspoken or attract attention. Jaine breaks free of the respective gender roles by her unwillingness to conform to man in her relationships and succeeding in breaking many of the conventional gender roles. Other characters like Jody, Logan, and Janie’s grandmother adhere to the gender roles/ stereotypes and enforce them.

Brutal beatings that resulted in bruises, broken bones, and even death. Rape that haunted women until their last breath. Being caged and unable to go “tuh de horizon and back”. These are all things that Zora Neale Hurston tried to combat when composing Their Eyes Were Watching God. Through her novel, she tries to show the American people that women can choose the roles that they long for. In all, women have the right to pursue their desires.

Their Eyes Were Watching God was a book that presented the world with a new look on writing novels. Zora Neale Hurston’s experience in what she has seen through research was embodies in this novel. She demonstrates what data she has collected and intertwined it into the culture within the novel. While being a folklorist/anthropologist, and inspired by her life experiences, she developed a character who dealt with the issues that were not yet uncovered, female empowerment was one of them. Zora Neale Hurston defined this topic of female empowerment throughout the character Janie in Their Eyes Were Watching God.

This paper is discusses on the novel Zora Neale Hurston in the light of Patriarchy. The protagonist of the novel, Janie is taken for analysis. This paper also involves in delineating characteristics traits of the male characters in the novels. Further, the paper studies the treatment that is meted out to the protagonist at the hands of men in the selected novel. The paper studies the novel in terms of the violence, subjugation and oppression that the male characters pose to the protagonist in the novel. The paper discusses on the various levels of suppression that Janie undergoes at the hands of the people who are highly patriarchal in mind set. Further, this paper details on how the protagonist stands as a model to shun suppression at the