Theme Of Gothic In Wuthering Heights

Wuthering Heights by Emily Bronte (1847) is a much darker depiction on love, nature, and even revenge than the tales by the other two Bronte sisters. A crucial role in the book is played primarily by the landscape throughout the novel, whether it be through the mystery of the moors or how each home represents a specific dichotomy. Areas categorized as elements of nature, civilization, or even the in-between play an integral role in the development of characters, who are also represented in those aspects, within the novel.

Therefore, when Lockwood does encounter Catherine’s ghost, the reader is inclined to believe in his account of the events more so than if he were seeking a life of excitement and adventure. Also, the Christian beliefs of the characters during this time period led them to believe that the spirit did leave the body at death to go to heaven or hell, or to remain stuck on earth. This is shown by several characters, including Zillah who “wanted to get another proof that [Wuthering Heights] was haunted” and Heathcliff who “[burst...] into an uncontrollable passion of tears” and called for Catherine’s spirit to come back to him (Brontë 27-29). The characters’ belief in the existence of ghosts helps to validate Lockwood’s encounter with one. Also, the fact that the spirit presents itself as Catherine Linton is significant as well, for Lockwood “had read Earnshaw

This summer we had to read the book Wuthering Heights by Emily Brontë. This paper will cover the development in Heathcliff, how Catherine Earnshaw influenced other characters even though we didn’t meet her in the story, the symbolism shown in the novel, how Wuthering Heights fits into the category of gothic fiction, as well as my own expert opinion of the story.

Heathcliff is a normal child when he was born, not a evil. But his youth which is tragic makes him become so. These are terrible tortures and scornful words. Heathcliff didn’t ignore these words or torments, he want to revenge all of them. He did everything to get what he wanted. Everything he did are beyond what others did to him. He bacame an

As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented

Human beings can be truly deranged creatures. Often times they are seen as elevating and putting themselves on a pedestal. They will treat people who are not the same as them as they are garbage and worthless. Although it is not their fault to simply put it, it is human nature. More specifically the ugliness of human nature. The complex characters in Wuthering Heights are guilty of this. Their circumstances drive them to do unthinkable things which unfortunately have drastic outcomes. Emily Bronte’s Wuthering Heights is a beautifully written novel that shows the ugliness of human nature as seen through the depiction of toxic relationships, displaying revenge and vengeance in the differentiation of social class.

Heathcliff is introduced in Nelly's narration as a seven-year-old Liverpool foundling (probably an Irish famine immigrant) brought back to Wuthering Heights by Mr. Earnshaw. His presence in Wuthering Heights overthrows the prevailing habits of the Earnshaw family, members of the family soon become involved in turmoil and fighting and family relationships become spiteful and hateful. Even on his first night, he is the reason Mr. Earnshaw breaks the toys he had bought for his children. "From the very beginning he bred bad feelings in the house". Heathcliff usurps the affections of Mr. Earnshaw to the exclusion of young Hindley-: "The young master had learnt to regard his father as an oppressor rather than a

As a child Heathcliff was as innocent as most children are, and shared the traits of some underlying nobility. Upon his introduction he was shuttered and abandoned by the family of Mr Earnshaw, who had saved the unlearned boy of 11. In the night “[he] crept to Mr Earnshaw’s door, and there he found [him] on quitting his chamber” (Brontë 62) seeking out the only kind face the boy might have seen since his birth, just as any other child unaware of circumstance would do. He soon found solace within the love of his new adopted sister, Catherine, and, experienced great grief with her. Mr Earnshaw died suddenly, leaving both Heathcliff and his sister to “both set up in a heartbreaking cry” and soon thereafter were

Heathcliff enters the scene as a boy who was picked from the street to start a new life at the Wuthering Heights; home of Mr Earnshaw. He was quite selfless and kept to himself as he matured, but was despised by Mr Earnshaw's son Hindley because he felt that Heathcliff was taking his place in his father's heart. Heathcliff was teased whipped and tormented by Hindley as he grew older, countless times he was referred to as the “devil”, “wicked boy”, and imp of satan”. Hindley then was sent to school by his father and Heathcliff was finally left alone and fell in-love with the young mistress Catherine, Mr. Earnshaw's only daughter. They were together every second of every day and Heathcliff began to open up.

    Throughout Wuthering Heights, Heathcliff's personality could be defined as dark, menacing, and brooding. He is a dangerous character, with rapidly changing moods, capable of deep-seeded hatred, and incapable, it seems, of any kind of forgiveness or compromise. In the first 33 chapters, the text clearly establishes Heathcliff as an untamed, volatile, wild man and establishes his great love of Catherine and her usage of him as the source of his ill humor and resentment towards many other characters. However, there are certain tensions, contradictions, and ambiguities present in Chapter 34 that establish the true intensity Heathcliff's feelings towards Catherine; feelings so

Gothic literature includes elements of style that is usually portrayed in tales and deals with horror, despair, the grotesque, and mysteries. In the novel Wuthering Heights by Emily Bronte, there are many elements of gothic literature that is found throughout the book. The term gothic is very broad in literature, and gothic can mean many different things from characteristics of people, feelings and reactions of a specific setting, mood, actions that happen being people, and so much more. All of this thrived in the 19th century. Gothic is categorized by an emphasis on the dark, gloomy, and mysterious. Ideas such as magic, hidden passages, wind, ghosts, and other supernatural elements, love, etc were all elements in the Gothic movement during the 19th century. Specifically, the descriptions of the settings, both outside and inside, in the novel, the actions of the main protagonists in the novel, and the love between Catherine and Heathcliff in Wuthering Heights all add on to this idea of a gothic literature or tradition.

The relationship between Heathcliff and Hindley revealed and developed the abusive nature of Heathcliff. Heathcliff was taken in as a young boy into a wealthy family that had two children. Ever since the day he was brought home the eldest son, Hindley, resented how the father favored him more. For example, Heathcliff threatened to tell their father if Hindley did not let him have his horse. This one childish threat had created the foundation of the resentment between the two men. Heathcliff threatened to tell their father that Hindley was making him feel unwelcome and abused emotionally, Hindley decided to not see if Heathcliff was going to follow through with the threat therefore gave him the horse. Later on through life, once the father dies, Hindley decides to take his absence as an excuse to start really physically abusing Heathcliff. He would beat him and punch him without thought of how this would transfer into the rest of his life. Heathcliff was also verbally assaulted by Hindley which is a twist on the traditional sense of cruelty. Hindley is demeaning towards Heathcliff and calls him a slave and make sure that he know that he is not equal with himself or his sister Catherine. This point planted the seed of doubt and not being good enough for the rest of his life. This continual mental assault forged the mindset of little Heathcliff to how he would exact revenge on Hindley for all of his wrongdoings. This cruelty from Hindley was due to the favoritism that Heathcliff received as a child, the death of his father, the death of his wife, and the constant reminder of his wife through his son. The constant cruelty is the motive for Heathcliff's actions once he returns to the Heights. Through baiting Hindley, in his own personal torment from his wife's passing, all the money and possessions are gambled away with Heathcliff as the new owner. Wuthering Heights itself

The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic

In Emily Brontё’s Wuthering Heights gothic elements such as recurring deaths, and the ruins of Wuthering Heights work together to further the plot and support the theme, nature vs. nurture.