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Theme Of Hally In Athol Fugard's Master Harold

Decent Essays

“‘It’s not fair, is it’... ‘What, chum’... ‘a nigger’s arse’... and then we both have a good laugh” (55). Hally, a young, white teenager in Apartheid Era South Africa tells this “joke” to Sam, his black friend and father figure, almost irreparably ruining their relationship in Athol Fugard’s 1982 play, “Master Harold”... and the boys. Sam and Willie, another middle aged black man, work for Hally’s mother at her Tea Shop while pursuing amateur dance on the side. Willie isn’t as close to Hally as Sam is, nor is he as wise, and his broken relationship with his dance partner, Hilda, is analogous to Hally’s troubles with his own father, who is an alcoholic cripple. These characters all have grievous flaws that appear nearly irredeemable at first. In his play, Athol Fugard conveys that it is never too late to change for the better using symbolism, metaphor, and dynamic characters. The author uses a park bench to symbolize racism, but Sam uses it to explain the possibility of Hally’s redemption. The bench is where Hally sat after Sam took him kite-flying in the park; Sam does not sit down, instead leaving because he “had work to do” (30). It becomes obvious that the bench represents racism when Sam reveals “it was a ‘Whites Only’ bench,” and that’s why he couldn’t stay with Hally (58). Hally’s ignorance towards the whites only sign serves as a parallel to his naivety about the injustice in the world, as shown on page 20, when he tells Sam, “You’ve never been a slave,”

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