Theme Of I Would Not Paint A Picture By Emily Dickinson

To begin with, personification is a reoccurring tool used throughout the poem. Dickinson portrays death

    Figurative language plays a key role in the poem, as well. The best example is  The Morning after Death,  which sounds a lot like  mourning after death.  In fact,  mourning  could even replace  morning  and the poem would still make sense. Another example occurs in the second stanza, when Dickinson uses the words  sweeping  and  putting.   By using such cold, unfeeling words when describing matters of the heart, the author creates a numb, distant tone. She really means that after someone dies, one almost has to detach oneself from the feelings of love that once existed for the deceased.

Dickinson starts the first stanza of the poem with, “Because I could not stop for Death – He kindly stopped for me” (807). Clearly she was not ready to go, death simply took her by surprise and brought her busy life to a halt. This could be seen as a beautiful way to take on death because death is usually said in such a morbid tone and the fact she associated “kindly” with death makes it beautiful. The second line says, “The Carriage held but just Ourselves – and Immortality” (Dickinson 807). The author emphasizes Carriage, Ourselves, and Immortality. Dickinson seems to be talking about her own death chariot and by immortality, she believes her death is not the end, but rather as a step to eternal life.

The last two lines of the poem are a timid reflection on what might happen “Had I the Art to stun myself/ With Bolts—of Melody!” (23-24). The idea that creation is a power that can get loose and injure even the creator illuminates why in this poem the artist positions herself firmly as a mere spectator. In these first two poems, we meet a Dickinson who is not entirely familiar to us—even though we are accustomed to her strong desire for privacy, these poems can be startling in the way they reveal the intensity of Dickinson’s fears. She is, after all, shrinking from what is dearest to her—nature, one of her favorite subjects, becomes a harsh judge, and poetry, her favored medium of communication, can suddenly render the reader “impotent” and the writer “stun[ned]” (19, 23). The extremity of her positions in shrinking from the small and beautiful things she loves creates the sense that this is just the beginning of a journey by leaving so much room for change.

“The idea of death as a suitor is a powerful one, … In "Death is the supple suitor," Dickinson returns to the ideas of the earlier "Because I could not stop for Death” (Priddy). “The drive in "Because I could not stop for Death" symbolizes the movement through life and into death. In stanza three, the carriage passes from childhood, past the "Gazing Grain," which in its ripeness might be seen as representative of maturity, and finally past the "Setting Sun," symbolic of endings” (Priddy). All these images that the author set up throughout poem is just all leading to the end where Dickinson reveals the fact that all life comes to an end and how each image gives a more saddened feel to the poems. “Despite her seclusion, she was in correspondence with many of the prominent intellectuals of her time, including Bowles, editor of the Springfield Republican, and Higginson, editor of the Atlantic Monthly. Many of her poems were included in letters or were mailed as messages. She wrote, particularly, in times of illness, death, or other hardship” (Priddy). She always had a spot in each of her poems whether it be to family friends or others it had the introduction of the saddening qualities that prevailed during this time of

Firstly, the repetition in the phrase “we passed” in the third stanza shows that the nature of humans is to go through different stages in life before death. Dickinson ends the third stanza with the line “We passed the Setting Sun” which is the last stage of life, death. This reveals that at the start, the first stage of life is to go through school, study and get educated. By the time humans grow up, mature, and grow old it is the setting sun; which means that life is almost over, the way the sunsets there is just a bit of sunlight left before nighttime (either rephrase the entire sentence or remove the highlighted part). Life is the same way; humans should not fear death because it is a normal stage of living. One of the main reasons Dickinson wrote this, is because she strongly believes that there is eternity and that afterlife does exist. She saw it as a glorious and exciting time because everyone would be in heaven. This view was influenced by her upbringing in a Christian home and was a Bible reader. Moreover, Dickinson refers to the grave as her house in the line, “We paused before a House that Seemed.” This exemplifies that Dickinson is very comfortable and pleased with the idea of death, leaving this life, and the afterlife. She experienced many family deaths in her lifetime, like her mother, father, and

One literary element she often used in her poetry is imagery which are words that are visually descriptive or figurative language. By using imagery Dickinson made readers imagine how death is like for her, she also creates tension to describe how intense that moment was. “I could not see to see (line 20)”. would be classified as imagery because it gives readers an idea about her emotions at that exact moment. Another literary element is mood. The mood is something Dickinson focuses on, and tries to make clear. Depressing would count as the mood, because she says certain distressing things about how she feels toward the subject of death. One last example of a literary element Dickinson used in her poem is simile. A simile is when you compare two things using the words “like” or “as”. The line “The Stillness in the Room Was like the Stillness in the Air (lines 2-3)” would count as a simile because she is comparing two alike things, death and air. She’s describing how silent she thinks death really is, maybe even peaceful.

Lyrical poetry is often used for the poet to express their emotions and tend to be written in a first-person perspective as a result. Because Dickinson never wrote in hopes of her poems being seen by the public, her poems are theorized to be a reflection of her thoughts. This is strengthened by poem 788 (709), “Publication – is the Auction”, where she deems it arrogant to publish when poems come from God. She says that “Thought belong to Him who gave it” (Dickson, “Publication – is the Auction”, 1) and it is not the right of the poets to sell that knowledge. Therefore, it’s clear that she is against publishing and this norm to conform to what society wants. As a result, it’s only reasonable to believe that her unpublished poems are a reflection of her thoughts. However, it is unknown as to what those thoughts were, due to the vagueness of her poems. She never outright explains what they mean and any answers that the poem may give, it just raises more questions. In 476 (712), “Because I could not stop for Death”, an explanation is never given as to what Death was a metaphor for and why she found it necessary to refer to what she passed by in the

In opposition to “Because I Could Not Stop for Death”, Dickinson published her work of “I Heard a Fly Buzz – When I Died”. In this particular piece of literature, the author disbeliefs in an afterlife. In this poem, a woman is lying on bed with her family surrounding her, waiting for the woman to pass away. The woman, however, is anxiously waiting for “…the kings”, meaning an omnipotent being. Finally when the woman dies, her eyes or windows, as referred in the poem, “could not see to see “. When the woman passes away, she couldn’t see any angels or gods as she expected would be there, but instead, she is fluttered into nothingness. She isn’t traveling to an afterlife as she had expected to unlike in the poem of “Because I Could Not Stop for Death”. The woman finds out that death is a simple end to everything.

Personification is a type of figurative language one uses to give abstract ideas human-like characteristics. Dickinson uses personification in this poem because it allows the reader to understand death in a more intimate way. Death became so real to her and to her contemporaries because of the time in which she lived. Through her life experiences, the poet became intimate with death. Because of all the disease and epidemics in her lifetime, many of her loved ones passed away. These deaths were very "intense breaks in her life" (Murray). Some critics suggest that the death of her cousin was the inspiration for this poem (Semansky). In any event, death had a large impact on Dickinson's life. This impact explains why she writes so descriptively about it. In this poem, death is personified as a gentleman caller taking the lady out for a carriage ride. This personification gives the reader a better image of the writer's idea of the coming of death.

In Dickinson`s poems, she makes the comparison that sight is life and blindness is death through a variety of vivid images. Emily Dickinson uses vivid images to describe death. For instance, in “Because I Could Not Stop for Death” personifies death. Dickinson describes Death as “kind.” Her ideas of death contradict what someone

In addition to these three stages, the final stage of eternity was symbolized in the last two lines of the poem, the “Horses Heads” (23), leading “towards Eternity” (24). Dickinson fathomed the incomprehensible progression of life by unraveling its complexity with figurative symbols. Emily Dickinson dresses the scene such that mental pictures of sight, feeling, and sound come to life. The imagery begins the moment Dickinson invites Her reader into the “Carriage.” Death “slowly” takes the readers on a sight seeing trip where they see the stages of life. The first site “We” passed was the “School, where Children strove” (9). Because it deals with an important symbol, —the “Ring”—this first scene is perhaps the most important. One author noted that “the children, at recess, do not play (as one would expect them to) but strive” (Monteiro 20).

This is symbolic of her looking at death as a new beginning as opposed to a sad ending. There is a feeling of disappointment as she thinks that she is going towards eternity but she just ends up viewing the “House that Seemed a Swelling of the Ground” and then centuries later, reflects upon her journey towards and eternity she didn’t witness. To Dickinson death was not something to be afraid of but to rather embrace and accept because it was inevitable, yet as in her life ends up disappointed because death leads to nothingness.

(14, 18). During this poem, Dickinson wants us to simply see her version of a person's trip during death. The imagery is supposed to lead us into seeing what the author is describing.

This poem clearly functions as an allegory. On a symbolic level, it was easy to grasp that this poem was a recollection of the speaker’s death. Dickinson describes this death so well it is almost as if she is writing about her own death. The main clue that this was a poem of death was that she got in a carriage with two guys whose names just happened to be Death and Immortality. Death symbolizes the passing away of the body, and Immortality represents the Christian belief that the body dies but the soul is immortal.