Theme Of Isolation In A Jury Of Her Peers

  “The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison.  Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world.  The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality.  This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.

Charlotte Perkins Gilman’s story, The Yellow Wallpaper, portrays the life and mind of a woman suffering from post-partum depression in the late eighteenth century. Gilman uses setting to strengthen the impact of her story by allowing the distant country mansion symbolize the loneliness of her narrator, Jane. Gilman also uses flat characters to enhance the depth of Jane’s thoughts; however, Gilman’s use of narrative technique impacts her story the most. In The Yellow Wallpaper, Charlotte Perkins Gilman uses interior monologue to add impact to Jane’s progression into insanity, to add insight into the relationships in the story, and to increase the depth of Jane’s connection with the yellow wallpaper it self.

Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,

The short story “A Jury of Her Peers” written by Susan Glaspell showed many different aspects of symbolism. Millie Wright is symbolized a traditional woman that lost her way because she is consumed in her many wifely duties. Throughout the story her living situation, her red rocking chair, and her yellow canary had significant symbolic interest. Minnie Wright’s environment is a lonesome-looking place. “It was in a hollow, and the poplar trees around it were lonesome- looking trees(Glaspell 243). At the Wrights’ home there were no children running around to make noise, no telephone to talk with friends and family, no visitors, and most importantly no husband to show her affection. Mr. Wright had a cold attitude, unsociable, and careless demeanor. Mrs. Wright is consumed in her farmer’s wife duties she loses herself. The broken stove displays the lack of instability. The dirty kitchen with the

In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator must deal with several different conflicts. She is diagnosed with “temporary nervous depression and a slight hysterical tendency” (Gilman 221). Most of her conflicts, such as, differentiating from creativity and reality, her sense of entrapment by her husband, and not fitting in with the stereotypical role of women in her time, are centered around her mental illness and she has to deal with them.

Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.

“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.

In “A Jury of Her Peers” by Susan Glaspell, Minnie Foster Wright is the main character, even though the reader never sees Mrs. Wright. The story begins as Mrs. Hale joins the county attorney, Mr. Henderson; the sheriff, Mr. Peters; Mrs. Peters; and her husband in a “big two-seated buggy” (188). The team men are headed the Wright house to investigate Mr. Wright’s murder. Mrs. Peters is going along to gather some belongings for Mrs. Wright, who is currently being held in jail, and Mrs. Hale has been asked to accompany Mrs. Peters. As the investigation is conducted throughout the story, the reader is given a sense of how women were treated during this time and insight into why the women ultimately keep evidence from the men.

"A Jury of Her Peers" opens with debate encompassing Minnie Foster Wright, who is in prison on suspicion that she killed her spouse by strangling him. Mrs. Wright's story is told by implication through a discussion between Martha Hale, whose spouse uncovered the grouping of John Wright, Mrs. Diminishes, the wife of the neighborhood sheriff. The sheriff asks Mrs. Robust to go with them to the Wright's house so she can stay with his wife while the men explore the homicide scene. Put together by condition, the ladies structure a prompt bond as they start assembling some of Minnie's possessions to accumulate to her prison cell. Presuming that there is nothing in the kitchen aside from "kitchen things," the men start their examination in the upstairs of the house and in an outside animal dwelling place. Left alone in Minnie's kitchen, in any case, the two ladies start uncovering their pieces of information about Minnie's conceivable intention in executing her spouse. Step by step, Mrs. Sound and Mrs. Diminishes start perceiving insights about Minnie's life that escape the notice of their spouses. They perceive Minnie's forsaken, separated presence, her broken furniture, the once-over kitchen where she needed to cook, and the battered clothes she was compelled to

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

In “The Yellow wallpaper”, the wallpaper is a metaphor that expresses women’s protest against the repression of the society and their personal identity at the rise of feminism. During the Victorian era, women were kept down and kept in line by their married men and other men close to them. "The Yellow Wallpaper", written By Charlotte Perkins Gilman, is a tale of a woman, her mental difficulties and her husband’s so called therapeutic treatment ‘rest cure’ of her misery during the late 1800s. The tale starts out in the summer with a young woman and her husband travelling for the healing powers of being out from writing, which only appears to aggravate her condition. His delusion gets Jane (protagonist), trapped in a room, shut up in a bed making her go psychotic. As the tale opens, she begins to imagine a woman inside ‘the yellow wallpaper’.

In the short story "A Jury of Her Peers" a woman named Minnie Wright is accused of the murder of her husband. Minnie Wright is a farmer's wife and is also isolated from the out side world. There is an investigation that takes place in the home of the murder. There are three men that are involved on the case and two women accompany, but are not there to really help solve the murder. These two women will

In the story, “The Yellow Wallpaper” written by Charlotte Perkins Gilman, the narrator talks about several things: She feels she is sick and her brother and husband do not believe her, her husband moved her to a deserted house and keeps her isolated, he controls her every move, and she feels that she has no companionship. All of these things contribute to the theme of alienation and loneliness in this story.

Women’s rights were a significant issue in the nineteenth century, and in “A Jury of Her Peers.” The men overlooked the rights and problems that the women in “A Jury of Her Peers” were enduring. Women, however, through these issues, have been able to come together. In “A Jury of Her Peers,” the journey of women’s rights portrays women’s unity.

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.