Theme Of Joys Of Motherhood

Equiano's diction is another literary element used to support the sub-theme. He uses the words married men, married women, young men, and maidens to let the reader know that these people make up the African's society (Equiano 14). Society means

Baby suggs and Sethe are both the Mother figues in beloved and despite their suffering from slavery they both cared for their children greatly. Baby Suggs and Sethe connected through Motherhood to develop a close bond. They shared the love for their children a bond that all mothers can relate with. Sethe has four children that she loves very much but she could not deal with her past of sweet home. Sethe could not bare for that to happen to her children so she had to save them from the schoolteacher and slavery by trying to kill them. She kills one child whom is referred to as beloved for what is written on her tomb stone, but fails to kill howard buglar, and Denver. Sethe motherly natural instincts caused her

As time passed, European domination drastically altered the African landscape – both physically and culturally. Traditional roles, practices, and beliefs were either completely subverted or modified to fall in line with European cultural ideals. Doubtlessly, this process of subjugation worked to the detriment of native populations throughout the continent. Even though all members of indigenous communities have suffered under this system, African women remain especially vulnerable to its harmful effects. As Mary Kolawole points out in her comprehensive work, Womanism and African Consciousness, these women must confront a set of oppressions unique to their position as both black Africans and women. During her discussion of African women’s current struggle for recognition, Kolawole argues that, although colonialism displaced many African traditions, the patriarchal social structure remained. In many ways, she holds, European colonization widened the rift between African men and women even further (Kolawole 34). Although African and European traditions share in the elevation of the male over the female, most African cultures offered women a greater position of respect within society, as well as more “positive avenues of self-liberation” than were available to European women

Novelist Chimamanda Adichie brings into consideration to Keim discussion, by emphasizing the connection between a “single story” and “stereotypes” regarding the subject of Africa. One of the dangers Adichie includes in her discussion are individuals being denied the opportunity to tell their story. Adichie draws similarities to Keim when discussing her own personal journey to find her authentic cultural voice, and she emphasizes the many misunderstanding that society, including herself, have made. Adichie admits to not only facing stereotypes, but addresses her own opinion regarding the topic. Adichie admits that as a child, she had initial biases regarding a servant that was employed by her family. According her explanation, she believed that the capability of someone “the servants family” coming from a certain background, made them incapable of such artistry. The same misconceptions can be seen in present day society, we often are prejudiced on who or what can be cultured.

Mothers around the world have a lot of work on their hands; the task of raising a child is never easy and requires plenty of hardwork as their child is growing up. Authors often describe mothers as a devoted parent and someone who would sacrifice anything for their child, because it’s a stereotype that applies to real life. Readers can relate to the text and understand it, making them want to enjoy the author’s book more. In “Lucinda Matlock” , a poem, and “Everyday Use”, a short story, authors Edgar Lee Masters and Alice Walker create two characters named Lucinda Matlock and Mama. Lucinda Matlock and Mama are two characters from different stories that have similar traits, in that they are dedicated and accepting women. Mama and Lucinda work hard in their lifetimes to provide for themselves in their children, and are dedicated to doing that, and they both accept the way life works and the unfairness that it might throw at a person.

The historical novel Segu by Maryse Condé is set in the African country of Segu during a time of great cultural change. The African Slave Trade, the spread of Islam, and personal identity challenges were all tremendous and far-reaching issues facing Africa from the late 1700s to early 1800s. Condé uses the four brothers of the Traore family, Tiekoro, Malobali, Siga, and Naba, to demonstrate the impact that the issues of Islam, slave trade, and identity had on African people through the development of each character. The oldest of the sons, Tiekoro exemplifies the influence and spread of Islam through out Africa at the time.

In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.

The author starts the book with the story of her aunt. This story was a well-kept family secret being that her aunt’s actions were of great disappointment to the family. The “no name woman” as the story names her, was forgotten by all her family because she had a child that was not from her husband. This story gives a clear

Two vocabulary words that I will be defining from this chapter are mfecane and denatured viragos. The first vocabulary word, mfecane, means the breaking or crushing which refers to a series of wars and migrations in southern Africa. Then the second vocabulary word that I will be defining is denatured viragos which means the domineering women. “A woman should not leave her family to meddle in affairs of government.” Here was a conception of gender that defined masculinity in terms of exercising political power. Women who aspired to do so were, in words of one revolutionary orator, denatured viragos, in short, not really women at all.

In “Heterosexualism and the Colonial/ Modern Gender System,” Maria Lugones offers the idea that gender targets women of color. Lugones brings up the research of Oyeronke Oyewumi, who looked into how gender affected the structure of the Yoruba people, especially since gender was not a concept that was originally part of their culture. Once the idea of “women,” was implemented into the community through colonization, women were identified in contrast to men who were then considered the “norm.” (Lugones). If the women did not have a penis, they were reduced as women, beneath men and they no longer had any power in their communities. The Yoruba men accepted this idea and then collaborated with colonists to further oppress women (Lugones). Paula

In the novel Purple Hibiscus, Chimamanda Ngozi Adichie, the Nigerian author explores a number of issues such as religious absolutism, egalitarianism, feminism, domestic violence, politics and colonialism which in turn all highlight the main ideology of patriarchal power. By referring to the Oxford dictionary, the adjective ‘Patriarchal’ is described as “something relating to or denoting a system of society or government controlled by men.” In this specifically powerful novel, it refers to an organized society where the males are the heads of the families and the men are considered the “Fathers of the human race.” Adichie exposes a society that suffers devastation as an effect of total patriarchal control and intolerance within the family, the Roman Catholic Church, as well as the education and the state. Through the representation of the characters, she promotes the principle of a political system in which unrestricted power is in a dictator, and she identifies contrasting perceptions of religion, race, culture, spirituality, gender roles and the abuse of power. Throughout the novel, the reader is

The author’s effort to display oral literature, including expressing Ghanaian English speaking and non-English speaking society, in her work reflects her own persona as a contemporary writer resembling the African oral traditions and art work. “Shall I go to Cape Coast, or to Elmina I don’t know, I can’t tell. I don’t know, I can’t tell,” (Aidoo) Language, mainly English, is promoted to throughly capture various backgrounds and events of the play. Aidoo tries to distinguish Eulalie’s American-English speech that instantly alienates her from the rest of the characters. The author also quite succeeds in reflecting Ato’s educated language with a hint of lecturing that proves he has been indeed abroad, as oppose to his Ghanaian family. It crucially exposes the impact of colonialism on communication between Africans with distinctive educational and social situations, as for instance, the married couple’s complexed struggle to not only fully accept their cultural differences but also keep and hold onto their own identities. Aidoo also catches the inflections and outcomes of oral literature by using simple songs, traditional proverbs and imagery, such as the interesting ones in the dialogue between the two old Ghanaian women. “1st W.:But you know, my sister, That my name is Lonesome. I

If we analyse the legends of the Amazons told in Chapter 2 and considering the fact that Africans are attached to their glorious past, we can put forward that the inner-power in woman are strongly attached to these values which have been transmitted from generations to generations.

In Of Woman Born (1977), Adrienne Rich unwittingly captures all the nuances of the African traditional social milieu when she describes patriarchy as:

Next, I’d like to discuss the ways in which the conditions of “Living, Loving, and Lying Awake at Night,” and the roles that were plagued amongst the women in South Africa and how forced migrations affected their situations. Due to the Apartheid era, and men's non existence in their families life because of forced migration, women began to feel as though they could only do for themselves causing for their acceptance without man's presence. In an early reference to the chapter, leaving, the author shows the ways that apartheid affected the women. For instance, “As year went from the woman had come to