Theme Of Judicial Hierarchy In Antigone

As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the

Disobedience always comes with a reason, some do it to go against something that is wrong others do it for attention or because they do not care about the situation. When there is an unjust law that is putting someone down or is oppressing it, people will begin to go against the law and not stand around while everyone including themselves gets hurt. Just Laws are to help and to keep everyone safe and unjust laws are made for minorities to stay away from the high-class group who want nothing with them. Sadly today there are still unjust laws to put people down but they are not standing around to let it happen. Martin Luther King could not watch his brothers and sisters be constantly put down so he went against unjust laws to stand his grounds. Antigone shared similarities when she went against king Creon rules rule to not bury her brother Polyneicês, she knew the consequences but paid no minds and stood her ground and kept doing what she has planned to do.

After appeasing the Chorus and the audience, Creon justifies his right to rule the state, legitimizing this takeover of power. He states that he “now possess(es) the throne and all its powers, as I [he] is closet kin to the dead.” Creon reiterates that his takeover was not due to individual reasons or his greed, but because of his divine rights. By putting his transferal of power due to the gods, the Chorus will be less likely to question his right to rule Thebes. Creon, as the new ruler from the gods, showcases his ability to rule by stating his principles as “a man in command of an entire city.” His political ideals largely consist of placing loyalty to polis over philos and structuring it before the justification of handing out such a proclamation seems to iterate that his proclamation was not due to his love of kin (philos) but due to his strict political approach and loyalty towards the city state (polis). Creon, as a prudent, astute politician, assigns such a structure to his speech and links the different contexts with discourse markers because in doing so, he first gains the trust and confidence of the Elders, a central party of Thebes, then justifies his power and his ability and finally provides an explanation of his proclamation regarding the diverse treatment provided to the

Throughout the play, Creon shows many examples of how he is imperfect. One example would be how he believes that the state is primary to his family and relationships, “If this is your pleasure, Creon, treating our city’s enemy and our friend this way … the power is yours, I suppose, to enforce it with the laws, both for the dead and all of us, the living,” this quotation said by the leader of the chorus describes how the elder people of Thebes respect their family more than the state, but they held back on their opinions, knowing of what Creon, the leader, wanted to hear (235-240). Another example of how Creon shows the audience of how he is imperfect is when, Creon meets with Haemon. Creon argues with Haemon about how people should act towards the country which they reside in, “But whoever steps out of line, violates the laws or presumes to hand out orders to his superiors, he’ll win no praise from me. But that man the city places in authority, his orders must be obeyed, large and small, right and wrong,” Creon believes since he has the highest throne in his country, that he should be obeyed whether the circumstance (745-751). Lastly, Creon demonstrates to the audience that he is imperfect by wanting to protect his country too much. This is visible when Creon sentences Antigone to a slow death, because of burying her brother, who was outcasted as a traitor. Creon put the state over his family which will lead to the complete

For most people family is the most important thing in their life. But what if you had to choose between honoring your family and obeying the law? What would you do? In the play Antigone by Sophocles, a woman named Antigone is faced with a very difficult decision. If she decides to honor her dead brother she may be persecuted and put to death but if she leaves her brother’s body to decay without performing a ritual he will have a terrible afterlife. Antigone decides that family always comes first and perform the forbidden ritual on her brother. She is eventually prosecuted for her actions and later on kills herself. Personally, I agree with Antigone. To a certain extent, family should come first. In my opinion, family is almost always more important than authority. But, according to the play, it depends. Based on the results of everyone's actions I think that the play believes family is more important than authority. Creon punishes Antigone for choosing family over authority and as a result the members of his family all die.

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

“ The nation will find it very hard to look up to the leaders who are keeping their ears to the ground.” This is a quote from Sir Winston. The Greek Drama Antigone is about a girl who lost her parents and most recently her twin brothers. Creon the King of Thebes, and also her uncle, is new in possessing the throne and he established a law in which a burial for Polynices, Antigone’s brother, was forbidden. In the play, Sophocles’ purpose for writing about leadership was to convey that as a valuable leader they must know what their true values are, as well as, when to prioritize them, because they need to do what they think is best for the city, they need to listen to the opinion of others, and should still remain powerful.

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

In this sense he fails, placing the laws of the state above the "the great unwritten, unshakable traditions of the Gods". The values and criteria that Creon declared, he did not live up to. Citizens of a country, state or municipality elect political leaders to look after matters that a populace cannot by themselves. They are chosen because of their wisdom, and experience – which usually comes with age. In city-states such as Thebes, the king would be have the final say – complete power. However leaders in a democracy such as Australia’s are surrounded by advisors, fellow politicians, the cabinet, and also the media who are ready to pounce on the slightest misgiving from any of them.

One perspective of oppression in Antigone is demonstrated through the conflict between Creon and Antigone regarding the burial of Polyneices, Antigone’s brother. Creon is the king of Thebes, and constantly has to assert his power, even if it means suppressing others’ opinions. When Antigone disagrees with his decree of allowing the burial of only one of her brothers, she defiantly performs a burial ritual for the other. Creon is outraged and issues the punishment of death upon Antigone, and condemns her sister Ismene for the same crime “for they are but women, and even brave men run when they see death coming” (Sophocles 460-465). It is clear that the main issue is not about Antigone breaking the law; but that she is an inferior woman who is expressing her opinions against someone of a higher standing. Creon oppresses Antigone for her gender and refuses to acknowledge her perspective because he would rather “lose to a man, at least”

In Antigone and Lysistrata the tension between the polis and oikos is reflected in different ways. Antigone prioritizes oikos over polis, while Creon prioritizes polis over oikos. The men in Lysistrata favor fighting for the state over being at home while the women want their husbands with them instead of being at the war. We find ample evidence of different conflicts and similarities in both plays, but the male's prioritizing polis over oikos and the female's prioritizing oikos over polis causes the central tension in Antigone and Lysistrata.

In Ancient Greece, as the government turns to democracy, an important political debate arises between two crucial topics, authority and family. If a leader, for example, creates a law to restrict his or her people, but a member of the leader’s family breaks the law, he or she must decide where loyalties lie. Sophocles enters this debate in his play Antigone when Antigone, Creon’s son’s fiancée, breaks a heavily enforced but possibly immoral law. Although Sophocles emphasizes the importance of authority, Antigone illustrates that family is held in higher regard, exhibited through Creon’s tragic downfall.

Unlike most Greek tragedies, Antigone is not essentially about the opposing powers of good and evil. Instead, the play demonstrates the conflict between one’s duty towards their family and their country and social expectations. “Antigone presents a conflict between family loyalty and loyalty to the state, between demands of the state and the will of the individual” (MacKay, 166). The king