Theme Of Love Gone Love And A Midsummer Night's Dream

True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.

Hermia and Lysander behave irrationally throughout the whole play because they’re head over heels for each other; however, their love is oppressed by both her father Egeus and the strict Athenian law. In Act 1, Scene 1 when Egeus is at court with Hermia he uses a demanding and dominating tone to state, ‘as she is mine i may dispose of her’ This causes them to act spontaneously and irrationally and as a consequence, they run away from Athens to get married. This entertains the audience by adding more conflict and complication to the story. After they elope to the forest, magic becomes the force that turns love to a dramatic and conflict filled experience that is also entertaining. Lysander acts in irrational ways when he is put under the spell of ‘Love in Idleness’ where he states how madly he loves on Helena, and how much he hates Hermia. ‘Hang off, thou cat, thou burr! Vile thing, let loose, / or I will shake thee from me like a serpent.’ Derogatory language and repetition is used to emphasise his hate toward Hermia and orders her to leave him alone. For example, in Act 3, Scene 2, Lysander has fallen in love with Helena and tells Hermia how he hates her. ‘Out, loathed medicine! O hated potion, hence!’ Conflict between characters create comedy in the play which entertains the audience because of the dramatic irony. Lysander’s insults in the statement are repetition as it is the same meaning but in different words. This language technique emphasises that Lysander wants Hermia to leave him alone.

Lysander and Hermia also portray true love. Refusing to marry her suitor, Demetrius, she willingly gives up everything and runs away from Athens with her lover, Lysander, “There my Lysander and I shall meet, and thence from Athens turn away our eyes.” In the play within the play, Pyramus and Thisbe also present us with true love. Their situation

Theseus only allows Hermia three options: to die, to obey her father’s wishes and wed Demetrius or to become a nun. The law was is an obstacle because it prevents Hermia and Lysander from being together.

At the time, Lysander and Hermia were completely smitten with each other. But her father Egeus disapproved of their relation and wishes for Hermia to marry Demetrius. He comes to Theseus with these concerns and uses his Athenian rights to chose the man his daughter wed. Disrespecting his daughter’s feelings and clearly biased against Lysander, Egeus went so far as to dishonor him before the duke and force Hermia into a position where she must follow his wishes, die or become a nun. Hermia refuses every option, but their love is clearly disrupted with this great obstacle. In contrast to Egeus’ claims of Lysander’s trickery, Hermia and Lysander are clearly devoted to each other. Hermia clings onto their love and Lysander comforts her in a manner that gives him the reputation of a romantic. Before concluding, “So quick bright things come to confusion”, he says that “The course of true love never did run smooth” (Shakespeare, P15). Love brings happiness, it nourishes the soul and completes one’s heart, but it can fall short just as easily and bring about even greater hate. Another example of this involves the Oberon and Titania, the King and Queen of fairies respectively. They start off as a separate layer in this play and though their fondness for each other isn’t described as thoroughly, their conflict stands

Hermia’s love for Lysander can be seen as genuine as she states ‘I would my father looked but with my eyes’ which means she wishes her father could see Lysander the way she does. This suggests that she is not under his spell as she truly sees him with her own eyes, and loves him. The audience also sees that she is very passionate about Lysander, as she chooses to ‘yield my virgin patent up’ and live the life of a nun or die rather than ‘wed Demetrius’. We also see the love between Lysander and Hermia is genuine later in Act 1 Scene 1 when ‘Exeunt all but Lysander and Hermia’, as it appears that Lysander is finishing Hermia’s sentences, indicating they are very familiar with each other, and he is comforting her lovingly. Lysander also states ‘true love never did run smooth’ which suggests they truly believe what they feel is true love. Another technique used by Shakespeare to emphasise their love is vivid imagery. Hermia’s speech declaring that she would meet Lysander in ‘the wood’ is filled with imagery suggesting love and passion, such as ‘by Cupid’s strongest bow’ and her reference to the Greek Goddess Venus: ‘By the simplicity of Venus’ doves’, emphasises her passion for Lysander.

Exposition: The story is set in Athens, Greece. Theseus and Hippolyta are both noble and wealthy and they were planning their wedding in 4 days. Hermia and Lysander were in love, but another guy named Demetrius was also in love with Hermia. Helena loves Demetrius but is all alone, because he does not love her. Egeus who is Hermia’s father is not happy about her relationship with Lysander, he wants her to marry Demetrius. Hermia and Lysander plan to run away to another city to be married. Helena tell Demetrius the plan hoping that he will forget Hermia and fall in love with her.

The first way this can be seen is though her stating “Do not say so, Lysander, say not so. What though he love your Hermia? Lord, what though? Yet Hermia still loves you; then be content.” (Shakespeare 2.2 107-110) to Lysander. Here she starts to believe that she is being lied to, due to Lysander being in love with Hermia. This makes here have to deal with fake love from him being placed on her due to the mix-up by Puck. The second way this can be seen is through “Wherefore was I to this keen mockery born? When at your hands did I deserve this scorn? Is't not enough, is't not enough, young man, That I did never, no, nor never can, Deserve a sweet look from Demetrius' eye, But you must flout my insufficiency?” (Shakespeare 2.2 123-128) Here, she explains how she feels she does not deserve the mockery she believes he is playing on her. And how she feels she is a victim because she cannot get Demetrius to love her, no matter how hard she tries. The final reason she is a victim of love is though her statement “O spite! O hell! I see you all are bent To set against me for your merriment: If you were civil and knew courtesy, You would not do me thus much injury. Can you not hate me, as I know you do, But you must join in souls to mock me too?” (Shakespeare 3.2 145-150) to Demetris. From here she is angry how she feels that everyone is mocking her, due to him having not shown her love before this. And how he is not the only one who is mocking her, but so has Lysander and, in her mind, Hermia though Demetrius loving

The biggest obstacle in this play occurs when the power of love is challenged by authority. The play starts with Theseus, duke of Athens, being eager to marry Hippolyta, who he wooed with his sword in combat. Although Theseus promises Hippolyta that he will wed her “with pomp, with triumph, with reveling,” true love between them is questionable. By starting the play with Theseus and Hippolyta, Shakespeare hints the audience of the authority involved in their marriage and leaves the audience wonder if they actually love each other. The focus is then shifted to the four lovers: Hermia, Lysander, Demetrius and Helena - by establishing the story of Hermia being forced by her father, Egeus, to marry Demetrius, when the person she actually wants to marry is Lysander. However, Egeus

Does Lysander love me anymore? In an attempt to escape Hermia’s duties as a daughter and a woman, Lysander composes the idea of running away into the forest where his aunt lives while being unaware of the effects it may have on his relationship with Hermia as well as their trust for one another. Living so close to the forest allows not only Hermia and Lysander to escape from their problems but as well as the Athenian people looking to commit a crime or freely express themselves. In the Discussion of Egeus marriage arrangement, Lysander gives Hermia immense confidence for a marriage in the forest assuring her “I could marry you there, gentle Hermia, where the strict laws of Athens can’t touch us.”(I.i.ll 160-1) referring to the strict laws of Athens shows the tremendous lack of freedom towards the citizens of Athens especially women forced into marriage. Agreeing with this plan causes a ray of happiness towards Hermia allowing her to share the secret with her lifelong friend Helena soon revealing her plans to Demetrius, her true love, overflowing him with determination to find Hermia before marrying Lysander. As the four lovers scavage through the forest on the hunt for their cravings disaster strikes as a fairy servant is sent to withdraw the love for Hermia from Demetrius into Helena causing a catastrophic change of fate among Lysander and Hermia. As Lysander walks up with the essence of the flower of love on his eyelids to the presence of Helena in front of him, shapes true love into an illusion. The confrontation of disbelief from Hermia assures she feels “Can you hurt me any more than by saying you hate me? Hate me? Why? What’s happened to you, my love? Am I not Hermia? Aren’t you Lysander?...you still loved me when we fell asleep, but when you woke up you left

This time he places it on the right person’s eyes, though both Demetrius and Lysander are in love with Helena, so Lysander and Hermias’ true love is still mixed up. When Puck finally places the love potion on Lysander’s eyes once again, he falls back in love with Hermia. Though their true love took a few turns, it finally ended up being okay. Therefore, Lysander’s quote “the course of true love never did run smooth,”(28) occurs for them.

In the play the reader gets the truth that Hermia’s father wants her to marry Demetrius, and as a woman living in a patriarchal society, she must obey; at least that is what the reader is lead to believe. Hermia takes a stand for herself and becomes powerless in her love for Lysander. With no reasonable explanation, besides her love for Lysander, she defiantly denies her father’s attempt for an arranged marriage. Since their love for each other is so immense, they prepare for the underlying bad circumstances they are going to suffer from for not obeying the wishes of her father. Hermia’s love for Lysander means so much more to her than the property or social placeholder she would gain by marrying Demetrius. Hermia dedicates herself to Lysander, saying he is worthy of the ultimate consummation of her love. She must convince her father that Demetrius is disgraceful and immoral. At the end of the play, Hermia and Lysander are eloped, and unlike Katherine and Petruccio in TOS, they demonstrate their dedication for each other from the beginning, disregarding a few

Is love a remedy to one’s sorrow or the unfortunate reason of their unhappiness? Love is a feeling that overtakes a person when they are around something or someone they admire. It is present everywhere, in every form, in every condition and even when one least expect its. Although love is said to bring happiness to a person’s life; in the play, A Midsummer Night’s Dream, it led the characters into a world of confusion and misunderstanding. Love is chaotic, unpredictable, and leads to sorrow. It is a hard concept to compromise with and if there are any misunderstandings, it could lead to a complicated and difficult life. In the play, Hermia has her heart broken by Lysander; Helena is confused about the sudden love events of her life, and

“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love.

Hermia has been promised to Demetrius by her father; however she is unwilling to marry him as she is in love with Lysander. We are introduced to this theme when they visit Thesus, the figure of authority in the play, who makes it clear that women are not to have their own identity, but instead are