Since the beginning of time, the ideas of love and the carnal need of lust has plagued the human race. In William Shakespeare’s works, he too, often makes the distinction between love and lust, but what message is he trying to portray? Is he on team love or team lust? In William Shakespeare’s play A Midsummer Night’s Dream and in his poem “Venus and Adonis”, Shakespeare clearly argues that true love is a temporary, irrational, deceitful facade that cannot be trusted, and lust is the “real love” and the true concept that is driving the world.
In A Midsummer Night’s Dream, readers and spectators can clearly see that Shakespeare has an uncanny fascination for the aspects of love. Since this play is a comedy, its goal is to entertain and have a happy ending, but at the end of the play, audiences can question its idea of love. Due the fact that Shakespeare includes mythology in his writings and uses it as a foundation for his play, this is where the idea of love can become quite confusing and discredited. In order for a person to fall in love, they must be given a love potion in their eye by Cupid and must see their intended love at the exact moment when they receive the potion in order for it to work. When Oberon says, “Take some of it [the love potion], and seek through this grove. / A sweet Athenian lady is in love/ With a disdainful youth. Anoint his eyes…” (Act 2
Boudreaux 2
Scene 1 Lines 259-261), he is ordering Robin to put the potion in Demetrius’ eyes, so he can fall
True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.
When love is in attendance it brings care, faith, affection and intimacy. This is proved true in the spectacular play A Midsummer Night's Dream written by William Shakespeare. This play displays the facts about lust, hatred, jealousy and their roles in something powerfully desirable. It is entitled love. Love is present everywhere, in every form, in every condition and even when one least expects it.
Love is a very common theme that is seen in literature, and love is one of the most powerful things that can be felt for someone or something. Love can drive a person to do incredible or horrible things, and we see many forms of love that take place in A Midsummer Night’s Dream. This is demonstrated in the book by many characters including Hermia and Lysander who demonstrate true love. Titania and Bottom show magical love. In the play, love is also the cause of a few broken hearts. While there is no one common definition of love that suits all of the characters, the romantic relationship in the play all leans to one simple rule laid out by Lysander, “The course of true love never did run smooth.”
Shakespeare uses many different themes to present love; relationships, conflict, magic, dreams and fate. Overall, he presents it as something with the ability to make us act irrationally and foolishly. Within A Midsummer Night's Dream we see many examples of how being 'in love' can cause someone to change their perspective entirely. 'The path of true love never did run smooth' is a comment made from one of the main characters, Lysander, which sums up the play's idea that lovers always face difficult hurdles on the path to happiness and will usually turn them into madmen.
Although love is typically a positive emotion or concept, it is most often truly a more negative notion, due to its consequences. Love is known to bring people together in the beginning, but also tends to customarily pull or even break people apart by causing chaos and rivalry. The loss of love could even cause insecurities to surface. In Shakespeare’s A Midsummer Night’s Dream, one of the lovers, Helena, is scorched by love’s misfortunes when it comes between her and her ex-lover, Demetrius.The misfortunes of love force Helena into becoming an insecure woman who allows her emotions to cloud her judgement.
Love is a term used daily in one’s life. Many categorize love in many forms. These forms differ from one-another such as the difference between love for food and love for one’s spouse. However, in the play; “A Midsummer Night’s Dream”, love takes different forms than the ones experienced in reality. One can classify the different types of love used in this play into three different categories; true love, love produced by cupid’s flower, and the state of lust.
Love. Almost everyone experiences this at least one time in their life. But sometimes people can feel as if they are victims of love rather than partners. One example can be seen in a Midsummer's Night Dream by William Shakespeare. With the characters of Demetrius, Lysander, and Helena.
To provide some context, Shakespeare’s A Midsummer Night’s Dream interferes with love through the deception of fairies. When Hermia’s father insists she marry Demetrius, she runs away with Hermia and Lysander. Contrastingly, Helena chases after an uninterested Demetrius, helplessly in love. The fairies meddle with these two couples by accidentally casting a love
In his play A Midsummer Night’s Dream William Shakespeare utilizes his characters to brilliantly present his argument that imagination serves as the foundation for love’s poetic nature. Love is a dangerous yet liberating adventure only few are brave enough to embark on. It is the most precious form of art that requires a balance in order to achieve harmony in a relationship. Such harmony can become difficult to reach as shown in A Mid Summer Night’s Dream written by William Shakespeare due to parental interference and love’s unwillingness to abide to reason.
Love is constantly changing or being manipulated and an example of this love is when Oberon, the king of the Fairies, gives his wife, Titania, the queen of the Fairies, a potion that makes her fall in love with an ass (77). Oberon does this act out of spite because his wife does not want to give him a changeling boy, an ugly idiot, stupid, fairy baby left in the human world, as a servant. Oberon instructs his personal fairy servant, Puck, to give a potion to Oberon’s wife and make her fall in love with an ass. There are two dreams in A Midsummer Night’s Dream that critics say are the only two that really matter.
Love is such an abstract and intangible thing, yet it is something that everyone longs for. In Shakespeare’s play A Midsummer Night’s Dream, the difficulty of love is explored through the obstacles that characters have to face while pursuing their loved ones. Those characters that are in love in the play were conflicted with troubles; however, the obstacles of love do not seem to stop them from being infatuated with each other. The concept of true love is examined throughout this play. By creating obstacles using authority and a higher power, Shakespeare examines the power of love. Through Hermia and Lysander’s loving words, it is reasonable to conclude that love conquers all if you believe in it.
In the play, A Midsummer Night’s Dream, written by William Shakespeare, a literary technique known as “doubling” is used to convey entertainment, mystery and reality as the story line for Lysander and Demetrius, Helena and Hermia, Oberon and Theseus, and Titania and Hippolyta. ”Doubling” shows indistinguishable personalities of each character but completely contrapositive background stories and actions. Lysander and Demetrius are completely identical except for their personality, actions, and the fact that Egeus and Theseus do not approve of Lysander as Hermia’s spouse. Helena and Hermia are very alike except for the minor differences in their appearances. The third doubling relationship is shown in between the rulers of the different worlds who are Oberon and Theseus as well as Titania and Hippolyta. Throughout the play, three pairs of people who are all tantamount to each other in appearance but completely different in actions continue to have comedic and humorous scenes while hidden clues along the way disclose information to unveil a delightful and realistic story.
“The course of true love never did run smooth,” comments Lysander of love’s complications in an exchange with Hermia (Shakespeare I.i.136). Although the play A Midsummer Night’s Dream certainly deals with the difficulty of romance, it is not considered a true love story like Romeo and Juliet. Shakespeare, as he unfolds the story, intentionally distances the audience from the emotions of the characters so he can caricature the anguish and burdens endured by the lovers. Through his masterful use of figurative language, Shakespeare examines the theme of the capricious and irrational nature of love.
The Theme of Love in A Midsummer Night's Dream by William Shakespeare In A Midsummer Night's Dream, Shakespeare presents us with multiple types of love by using numerous couples in various different situations. For example: Doting loves, the love induced by Oberon's potion and in some aspects, Lysander and Hermia's love for each other; there are true loves: Oberon and Titania, Lysander and Hermia (for the first half at least, as Lysander's love switches to Helena temporarily) and Theseus and Hippolyta. Also, there is Helena's love for Demetrius, which could be described as a true love, even though at first it is unrequited.
The Theme of Love in A Midsummer Night’s Dream by William Shakespeare In the play ‘A Midsummer Night’s Dream’ many aspects of love are explored. In this essay I will be exploring how Shakespeare conveys the theme of love including illusion, confusion, escape, harmony and lust. Historically, it has been suggested that ‘A Midsummer Night’s Dream’ was written for a wedding, signifying the importance of love in this play, however there is no real evidence to prove this myth.