How Love Conquers the Hatred Brought by the War in The Book Thief War cannot exist without hatred, and hatred cannot be soothed by more hate; it can only be masked by love. World War II was a time for darkness and death, injustice and inequality. People were subjected to acts of inhumanity and hatred, simply for being who they were, having thoughts and showcasing their opinions. Markus Zusak introduces characters such as Liesel and the Hubermanns, who live in Nazi Germany, in the midst of destruction and horror. The war deeply affects their way of living, bringing unwanted conflict in their lives. In The Book Thief, love is a prominent theme which works to hide and soothe the hatred brought along by the war; Max Vandenburg, a Jewish person, finds that the love shown to him by the Hubermanns overpower the hatred he faces because of how he was born, and Liesel and the Hubermanns learn that showing love when the war comes to Molching can help create a sense of comfort and safety. Max Vandenburg is carrying a heavy burden of being born the way he is and is fighting his personal war against hatred, yet loving gestures, shown to him by the Hubermanns when he arrives knocking on the door of thirty-three Himmel Street, starting with a hug, some pea soup and a welcoming begin to overpower the strong hate. Liesel feels the need to bring snow into the house in an attempt to show Max the outside world from the secluded basement, which leads to building a snowman with the rest of the
Death brings up the theme that humans enjoy violence in the beginning of the last quarter of the book when he states, “He made three separate formations that led to the same tower of dominoes in the middle. Together, they would watch everything that was so carefully planned collapse, and that would all smile at the beauty of destruction.” I thought this quote was really powerful because it was Rudy and his little siblings that were playing with the dominoes and Death points out that all humans admire destruction, even little kids. This only confuses Death even further because he cannot understand how humans can both be so cruel and so kind.
Some individuals show their love in odd ways. Liesel lives in a new household; The Hubermann household. Rosa, her knew mother used physical attacks to prove her love. “But she did love Liesel Meminger. Her way of showing it just happened to be strange. It involved bashing her with wooden spoon and words at various intervals” (Zusak 35). This quote can relate to “The Stranger,” by Camus because Salamano mistreated his canine but he still loved him. Both novels relate to each other by showing different views of love, even if they seem negative.
Death is the narrator. He is fascinated by humans and the colors of the world, but he struggles throughout the novel to figure out how humans are capable of so much ugliness and so much beauty. Death has real feelings,you can see him experience both sadness and joy. He even gets depressed.Death often provides humorous, or dark quotes. having death to narrate the book thief, foreshadows the book. Death is this mean character that kills people. He is sometimes nice and helps.He lists the main elements of the story, and reveals that he has seen the main character, the book thief, three times. The first time he saw her was on a train where he had come to collect the soul of a small boy. The book thief watched him take the boy with tears frozen
“The Führer [Hitler] decided that he would rule the world with words. ‘I will never fire a gun,’ he devised. ‘I will not have to.’…” (Zusak 445) this excerpt comes from “The Word Shaker,” a short story written by Max Vandenburg in The Book Thief by Markus Zusak. The quote suggests that a plebian would effortlessly be able to use words rather than guns or other tools to take over the world, as Hitler actually did in the Holocaust. “The Word Shaker,” is just one of many paragons that demonstrate that words are very potent and are shown in The Book Thief through various actions of the characters.
Hope is elusive and one needs courage to ensure it does not fly away. In The Book Thief, Markus Zusak develops the theme of courage and hope throughout the novel, showing people need both to survive. He portrays the theme effectively through the characterization of Liesel as well as the symbolism of Hans Hubermann’s accordion.
Do you like war? Do you despise war? Have you ever attempted to help someone during a war, probably not though? In The Book Thief, there is a girl named Liesel who were adopted by Hans and Rosa Hubermann and they helped harbor a Jew during WWII. In The Things They Carried, is about a soldier named Jimmy Cross who adores an English major named Martha and then one of the soldiers’ gets shot and assassinated which makes Jimmy forget about Martha and become a better leader. In The Book Thief and The Things They Carried have some similarities and differences and some of them I’ll explain with literary devices. The theme for The Book Thief is death/war/brutality and the theme for The Things They Carried is to focus on what’s more important than yourself.
An item is never just an item, an idea is never just an idea. There is always is deeper meaning behind an object's physical form. Throughout The Book Thief, Zusak uses elements of symbolism to create a novel layered with hidden values. Possessions in the book soon become representations of the memories and emotions the characters live with. This is why the theme of The Book Thief is simple objects can have complex meanings.
Brutality and Beauty are both aspects of the human spirit and therefore are evident in society and have been through the ages. History can be examined to bring forth examples of both, often side by side, often in times of great destruction such as in times of war. In the novel, The Book Thief, Marcus Zusak explores and compares the juxtaposition between great brutality and beauty in the human spirit evident in the German town of Molching during WW2. The author demonstrates how the characters in the novel can overcome cruelty and ruthlessness with acts of extraordinary kindness and humaneness. This is shown through the novel with Max and Liesel’s friendship, when Hans gives one of the Jewish camp prisoners a piece of bread and when Rosa and Hans protect Max from the Nazis. Zusak illustrates that a human’s capacity for hope is difficult to destroy regardless of the circumstances.
The Book Thief is set in the time of World War 2 where the Holocaust is present and disaster is everywhere. Throughout the story, Liesel, the main character, learns that words are extremely powerful and hold the ability for people to use them for good or for evil. Among the disaster and altercations, Liesel uses her literature to comfort her and make herself more powerful due to her knowledge, which demonstrates the theme of the story, the comfort and power of literature and words softens the pain of loss.
In history, art has been known as a production of works for emotional power. Art is formed by artists who have a story to share. It is used to express a deep emotion they cannot quite put into words, for example, sorrow or grief. Throughout the novel, Markus Zusak shows people distracting themselves from desperate times of sorrow through art. The use of art in The Book Thief represents creative outlets used as a coping mechanism for each character. The forms of art in the midst of pain are an accordion, a sketchbook, and books. To someone who were to pick up one of these items wouldn’t see much importance but to the main characters, they are what keeps them inspired and hopeful during the catastrophic events caused by Hitler.
What is the first thing you think about when you hear the word death? In most cases, people fear death but as the narrator in Markus Zusak’s novel, The Book Thief, Death is a compassionate and honorable character.
Within every human being, through affirmation and recognition by others, one’s worth and value, a sense of belonging is formed. This concept is the main theme within the text, The Book Thief (2005) written by Markus Zusak. The main character, Liesel Meminger, is abandoned by her mother at the age of ten (10) she then spends the next few years finding where she belongs in the world. Throughout the novel Liesel's sense of belonging to the characters Hans Hubermann, Max Vandenburg and Adolf Hitler; the Fuhrer, result in shaping and influence her to view the world differently. This essay will be examining Liesel’s sense of belonging with each of these characters and their effect on her personality, views and ideas.
Once she arrives at her new home, 33 Himmel Street in Molching, Germany, she meets her foster parents, Hans and Rosa Hubermann. Rosa is violent to some extent, often beating Liesel over the head with a wooden spoon, as well as using excessively foul language, often calling Liesel and Hans 'filthy pigs'. Despite this however, Rosa still loved Liesel, and
The acts of human nature can become a very difficult concept to understand. Markus Zusak uses Death throughout the The Book Thief to express the complexity of human nature. Death illustrates how complicated beings humans are and how they hold the capacity to act in both evil and beautiful ways. Throughout the novel Death helps give readers insight to the ignorance displayed and the pain it may cause a person. In the most troublesome and discriminatory times of the Holocaust, Death will point out the beautiful acts of compassion carried out by characters involved in the novel. Sometimes beauty and pain is mixed within the sacrifice some make for those they love and are loyal to.
The Book Thief is set in Nazi Germany where showing the smallest acts of love and compassion were sometimes considered as crimes. Love is shown in the form of loyalty, camaraderie and love of family. Although, love is often thought to be romantic but love in The Book Thief is not. The novel is mostly controlled by death and cruelty. Showing love will always be stronger than hate because loving something comes more naturally to humans than hating. Markus Zusak suggests that love is ultimately stronger than hate, when Hans Hubermann slaps his foster daughter, Liesel Meminger, across the face, when Rosa Hubermann looks after Frau Holtzapfel or when Hans Hubermann gives a Jew the crust of a stale piece of bread. These incidents might not look as if they’re examples of love, but they are.