Theme Of Machismo In Chronicle Of A Death Foretold

Gabriel Garcia Marquez's Chronicles of a Death Foretold shows how Machismo drives all male ambition. Machismo, in Latin American countries was derived from the word macho meaning an intense masculine pride. Machismo was first used in 1948, and was taken as a code of honour for men, rules that would make you considered macho. Respect and reputation are highly regarded as important traits in Machismo, and are the driving force of reason in the novel. (Add another sentence about the broadness of Machismo).

Lopez, R. A. (2009, April 09). The other side of machismo. Retrieved November 18, 2017, from http://www.latinoopinion.com/category/cultural-traits/machismo/

In Latin American culture, machismo is seen as a behavior through which the Latino males exhibit an overbearing attitude to anyone in a position he sees as inferior to theirs, thereby demanding total respect and subservience. Even though Machismo has been defined with an extremely negative connotation, a macho can also be seen as a caring and responsible person within the traditional Latino culture. The negative connotations that have been attributed to Machismo are aggressiveness, womanizing, emotional insensitivity and physical strength.

To understand the word Machismo, one must understand that in Mexico, being born a male is of high prestige and valued more than if one was born female. Women are raised that one day they will marry a man and he will oversee the family, the family must obey him, and get his approval before doing anything.

discusses the image of the ''Macho mans'' as an ideal for the American people. Throughout his

Machismo is a rather popular Spanish word meaning strong or aggressive masculine pride. I know this word so well that we could basically move in together because I have seen it take life before my own eyes for years now by my no one else but my father. This word has brought pain and suffering to my mother and by doing so has also inevitably harmed me. This word has shown me the ugly and the mean. But, this word has also shown me what I am and what I will not be and for that, I am grateful.

There are different countries and cultures in the world. Sometimes when Americans view other cultures’ values the actual truth becomes distorted. In her article “Americanization is tough on the Macho,” Rose Del Castillo Guilbault examines the concept of macho from both the Hispanics and Americans perspective. The Hispanic view of macho embodies a man described by Guilbault as manly, responsible, hardworking, a patriarch and a person who expresses strength through silence. She describes her father as a man who “handled most menial task with pride.” In a patriarchal society such as Mexico, the man is regarded as the nucleus of the family. The man represents

Yunior embodies the Latin American stereotypes of masculinity, el machismo, which Marysol Asencio discusses in her article “Machos and Sluts: Gender, Sexuality, and Violence among a Cohort of Puerto Rican Adolescents.” She summarizes machismo as the view that a man must dominate women, control women's sexuality through physical violence and verbal aggression, sexually attracting women, have the mastery of the home, protect their family and project feelings of unhappiness, anger, honor, respect and dignity. "Macho males may refuse to do anything they perceive to be feminine... They are assumed to have a stronger sexual "drive" than females and

Masculinity is defined as having qualities appropriate to or usually associated with a man, or have qualities traditionally ascribed to men, as strength and boldness (Dictionary). Masculinity can also be defined as simply just “a male person” (Merriam-Webster). From these definitions, it seems that anyone in The Brief Wondrous Life of Oscar Wao who is a male, is considered masculine. Yet, masculinity is depicted completely different throughout the book. This novel introduces us to two very different Dominican male characters who are on opposite ends of the spectrum when it comes to the word masculinity. The Dominican male portrayed in this novel is driven by sex, power, and charm. The Dominican male also portrays masculinity, almost as if the two are interchangeable in this book. On one hand,

The machismo expected of Latino men is exemplified by Santiago Nasar. Machismo men as stereotypically thought of as strong, rich, loud, and as womanizers. They are often associated with violence. Nasar would be a prime example of this because in his closet he has a “Mannlicher Schoenauer, 30-.06 rifle, a .300 Holland & Holland Magnum rifle, a .22 Hornet with a

Normally when machismo comes up in a conversation, people are probably criticizing the behavior of a person or glorifying it. Machismo is generally referred to when men behave in an arrogant and aggressive manner often glorifying virility. Men who usually behave in this manner repute all feminine virtues in order to feel secure with their manhood, often going to extremes to protect their manly image. Even though this form of behavior is common among men everywhere, it is wrongly associated with an entire continent of Latin American men.

"My personal impression is that he died without understanding his death" (Marquez 101). The above statement is stated by the narrator in Marquez's text. The novel, Chronicle of a Death Foretold tells the story of the narrator's return in a small Colombian town in the 1950's to resolve the details of the murder of his close friend, Santiago Nasar, who is a handsome and wealthy man, who is dead due to Anglea’s lies. Angela Viscario is a beautiful girl, who is not a virgin. She lies about Santiago taking her virginity, due to this false statement, her twin brothers Pedro and Pablo Viscario decide to kill him to restore the family's honor. In the book Chronicle of a Death Foretold by Gabriel Garcia Marquez, Santiago Nasar is a victim of murder

Taking the location of the story into consideration we are able to understand that it is set in a small, isolated, confined community that is somewhat abandoned by the outside world. It is understandable that this isolation of the community has allowed it to maintain obsolete traditions which remain implanted in their society. Traditions such as the “honor killing” of Santiago Nasar or the “cult of death,” that the Vicario daughters practiced, as well as the custom of superstition and of course the essential concept of pride and honor.

Can the context of a murder determine the murderer’s innocence? Do their society’s rules determine whether murder is acceptable or not? Or is murder just murder? Gabriel Garcia Marquez explores these factors in his novel Chronicle of a Death Foretold, where Pedro and Pablo Vicario, Angela Vicario’s brothers, kill the man she accuses of taking her virginity because they decide it’s the only thing to do to restore their family’s honor after she is returned by her new husband. They claim they are innocent in the eyes of God because of what Santiago, the man accused, did to their sister. They believe what they did was right because it is what they should do -as men- for their family honor. In Chronicle of a Death

Since “the brothers were brought up to be men,” they needed to take action in order to regain their sister and family’s honor (30). Honor was idolized in the town to the point that the act of killing Santiago can be forgiven, or even rewarded. The town’s ideal of honor closely relates to heroic, masculine theme like going on an epic quest. For instance, Pablo Vicario’s wife Prudencia Cotes “’never would have married [Pablo] if he hadn’t done what a man should do’” (63). In other words, Pablo is the hero who goes on a grand journey to slay the monster Santiago. After slaying Santiago, he proves himself as a man, gains his honor, and is rewarded with a bride, who would not have married him otherwise. Prudencia’s decision to marry Pablo amplify the hidden cultural expectation for a man to uphold the honor of the family, even if upholding the honor means sacrificing someone else’s life.