Theme Of Manipulation In Othello

However, along with his word choice, Iago is clever at the timing of what he says. He knows exactly what to say and when to say it to incite jealousy within anyone he wishes. He uses this particularly well with Roderigo and Othello. An example of Iago’s timing of jealousy is when he speaks to Roderigo of the suspicions regarding Desdemona’s love for Othello. “Mark me with what violence she first loved the Moor but for bragging and telling her fantastical lies. To love him still for prating? Let not thy discreet heart think it. Her eye must be fed”. In this excerpt Iago represents

In the play Othello, Iago describes jealousy as a “green-eyed monster. The “Green” representing the color of envy, and “monster” shows how destructive and vicious it can be. Iago has a manipulative mind causing people to believe him and listen what he has to say about a certain situation. When Iago is telling Othello to be aware of jealousy it causes Othello to become weary of his wife Desdemona. Although, Othello believes his wife is loyal to him. He starts to listen to Iago and becomes jealous of Roderigo who he believes is all for Desdemona.

The first of many examples of Iago’s manipulation occurs in Scene 1, Act 1. Rodgerio and Iago have had a bit too much to drink and they go over to Brabantio’s house to inform him about his daughter’s romantic relationship with Othello. When Roderigo starts telling Brabantio about this, he shrugs it off, blaming his nonsense on Roderigo’s unrequited love for his daughter. But Iago begins explaining the situation, saying “...very now, an old black ram is topping your white ewe. Arise, arise, awake the snorting citizens with the bell, or else the devil will make a grandsire of you.” (I,I). Iago’s exact choice of words in this quote is very significant because not only are they racist and distasteful, they are dehumanizing Othello. By comparing Othello to an animal, and “old

Iago is very notorious for his villainous acts throughout the play “Othello”, by William Shakespeare. Iago’s motives drive him to manipulate and deceive other characters so his “monstrous” (I, iii, 395) plot would succeed. Iago manages to con Roderigo to take his money. Iago also tries to ruin Othello and Desdemona’s relationship by using Cassio as a bait. In this passage, Iago explains how he will manipulate Rodrigo, Cassio and, most importantly, Othello to achieve his goals.

Shakespeare’s Othello is a play consistently based on jealously and the way it can destroy lives. One is quick to think this jealously is based on Othello’s lack of belief in Desdemona’s faithfulness to him or his suspensions over Desdemona’s affair with Cassio, Othello’s honorable lieutenant. Upon closer inspection of the jealously that exists throughout the play it becomes clear that his jealously is not the sole start and reason for all of the destruction that occurs. Iago, a good friend of Othello, is not who he appears to be. Iago’s own jealously of those around him pushes him over the edge. He begins to deceive all those who believe he is a true, honorable, and faithful man. Throughout Othello, Iago incites his own jealously in

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

However, different ideas can be inferred by his more personal asides, “I hate the Moor,/And it is thought abroad, that 'twixt my sheets/'Has done my office. I know not if 't be true,/But I, for mere suspicion in that kind,/ Will do as if for surety” (Shakespeare.I.III.429-433). One of the reasons for Iago’s evil doings is that he perceives that Othello has slept with his wife. With no real indication of this, Iago is left to stew in his hatred and jealousy. Saying that Othello has “’twixt [his] sheets/’Has done [his] office,” reveals that Iago believes Othello’s relationship with Emilia, exceeded a physical one (Shakespeare.I.III.430-431). Another plausible reason for Iago’s malicious activities is racism. Described as “the Moor,” Othello is segregated from the rest of the nobility throughout the story due to his race. The first indication of Iago’s racist thoughts is when he beckons Roderigo to call upon Barbantio and tell him about Desdemona and Othello. Interjecting, Iago yells to Barbantio, “Zounds, sir, you’re robbed. For shame, put on your/gown!/Your heart is burst. You have lost half your soul./Even now, now, very now, an old black ram/Is tupping your white ewe. Arise, arise!/Awake the snorting citizens with the bell,/Or else the devil will make a grandsire of you./Arise, I say!” (Shakespeare.I.I.94-101). Declaring that Barbantio has been “robbed…for shame,” indicates that

The theme of jealousy is portrayed through various characters within the play. Iago increases Roderigo’s jealousy of Othello. By reflecting on the jealousy he bears within himself, Iago brings out the jealousy in others. Roderigo sees Othello as an opponent, which he has to compete against in order to win Desdemona’s heart. He expresses his emotions towards Othello when he states, “What a full fortune does the thick-lips owe,/ If he can carry it thus!”(1.1.67-68). Roderigo says that Othello only got Desdemona out of luck and he will not be able to carry it off. It is because of this jealousy that Roderigo continues to seek Iago’s assistance. Iago tends

In Shakespeare's tragedy, Othello, Iago is uncharacteristically honest when he says "I am not what I am". However, he is not the only character whose appearance differs from the reality. Nonetheless, he is possibly the only person who intends this duplicity. Unfortunately everyone is under the impression that Iago is "honest and just". Once alone, Iago reveals "when devils will the blackest sins put on, they do suggest at first with heavenly shows as I do now". Iago is two-faced in his relationships, even in the language he uses. After referring to Othello as a "black ram", he then tells him "my lord, you know I love you". Iago has no shame in appealing to heaven and godly images in

Jealousy is a powerful drug. When someone is jealous, one can only imagine how far someone would go because of it. In the play Othello by William Shakespeare, there were several characters that went through different ways of processing their jealousy. Iago’s jealousy provokes his idea to get back at the people he felt was not deserving enough of the things they had or their happiness. His plans succeeds but by the end, no one wins. Iago’s jealousy forms at the beginning of the play which causes Othello’s jealousy towards the end and because of it, it results in people hurt mentally and physically.

William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their

A key figure, if not the most important in the play, is that of the malcontent Iago, who sows the seeds of jealousy in Othello’s mind, and presents him with ‘proof’ to back up his suspicions. Iago acts as a catalyst to Desdemona’s murder and it is his intricate

In Shakespeare’s tragedy Othello, good is often confronted by evil, in which almost every case is in the form of jealousy. Iago, the plays antagonist, is a very manipulative villain. Iago uses his own agony and distress brought upon him by his envy of others, to provoke the same agony within the characters in the play. Jealousy’s ability are shown to influence people to new ends and make all humanistic judgment disappear leaving that man a monster torn apart by envy. Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello.

355,] By playing on his hopes, Iago is able to conjure money and jewels from Roderigo, making himself a profit, while using Roderigo to further his other plans. He also thinks stealthy on his feet and is able to improvise whenever something unexpected occurs. When Cassio takes hold of Desdemona's hand before the arrival of the Moor Othello, Iago says, "With as little a web as this will I ensnare as great a fly as Cassio." [II, i, 163] This language demonstrates the evil inside Iago’s goals of retrieving absolute power. He actually even says of himself, "I am an honest man...." [II, iii, 245] Iago slowly corrupts the character’s thoughts, creating ideas in their minds without implicating himself. His "medicine works! Thus credulous fools are caught...." [II, i, 44] "And what's he then that says I play the villain, when this advice is free I give, and honest," [II, iii, 299] says Iago. In turn, people rarely stop to consider the fact that old Iago could be deceiving and manipulating them; yet they are convinced that he is "Honest Iago." From these quotes from “Othello” it is proven that the dialogue used between Iago and the others is manipulative causing an evil outcome.

   The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. In this essay let us examine the various themes and determine which are dominant and which subordinate.