In the play A Midsummer Night's Dream by William Shakespeare there are many contrast in the play dealing with Human’s Mentality. Shakespeare through this play shows us man’s conflict with rational or emotionally thinking. The rational and more logical side can be represented by Athens, because of its stable and steady government and society set by norms of the people. The emotional side can be represented by the fairy woods. In the fairy woods things don’t make any sense whatsoever, and this is where magic takes the place of human logic. In this play Egeus Hermia’s father, has promised his daughter to wed a noble lord named Demetrius. Egeus most likely made this decision based on economic and political factors because during this time these …show more content…
Both Hermia and Lysander are young and they do not care for society’s custom’s and rules. In Athens people must suppress feelings and impulses and only make choices or decisions based on logic. While Athens is a placed where u don’t have to power to show or act on raw emotion such as love, the fairy world represents man’s ability to show and act on emotions. Things like adventure, romance, fear, foolishness, and mockery are unwelcomed by Athens but welcomed by the fairy woods. This is why they leave Athens and go into the fairy woods to be in love with one another where rational thinking doesn’t matter. “Lysander and myself will fly this place.” Unlike Hermia and Demetrius, Theseus and Hippolyta are both in love with each other even though being forced to marry each other. Theseus the king of Athens, is the highest symbol of law and order in his kingdom. After Theseus won a war with another kingdom, he chooses to marry their queen, Hippolyta. “Hippolyta, I woo'd thee with my sword, and won thy love, doing thee injuries; But I will wed thee in another key, with pomp, with triumph and with reveling.” His was inspired by love, but the political ramifications of their marriage are what made the
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we
In many books, movies or real life there can be a lot of situations of gaining control either of someone or something. That might not always lead to happiness, but instead unhappiness . In the play A midsummer night’s dream by Shakespeare there is a lot of control that doesn’t always end in happiness. Also in the movie She’s the man by Ewan Leslie it shows how controlling does result in a lot of happiness. So gaining too much control can result in unhappiness, but can also lead to happiness. Like in the play and movie it either end up in unhappiness, happiness or both. Gaining control can lead to happiness, but having too much can result in unhappiness. This can be because if someone has too much power they could get too controlling over people.
Exposition: The story is set in Athens, Greece. Theseus and Hippolyta are both noble and wealthy and they were planning their wedding in 4 days. Hermia and Lysander were in love, but another guy named Demetrius was also in love with Hermia. Helena loves Demetrius but is all alone, because he does not love her. Egeus who is Hermia’s father is not happy about her relationship with Lysander, he wants her to marry Demetrius. Hermia and Lysander plan to run away to another city to be married. Helena tell Demetrius the plan hoping that he will forget Hermia and fall in love with her.
The biggest obstacle in this play occurs when the power of love is challenged by authority. The play starts with Theseus, duke of Athens, being eager to marry Hippolyta, who he wooed with his sword in combat. Although Theseus promises Hippolyta that he will wed her “with pomp, with triumph, with reveling,” true love between them is questionable. By starting the play with Theseus and Hippolyta, Shakespeare hints the audience of the authority involved in their marriage and leaves the audience wonder if they actually love each other. The focus is then shifted to the four lovers: Hermia, Lysander, Demetrius and Helena - by establishing the story of Hermia being forced by her father, Egeus, to marry Demetrius, when the person she actually wants to marry is Lysander. However, Egeus
While the characters partaking in a 1596 classic Shakespeare play may not know that 95% of dreams are forgotten shortly after waking up, other factors can contribute to the determination of whether an experience truly happened. In some senses, it should be rather easy to bring about a strong divide among a stories realistic and fictitious elements. ‘Dreams’ can be associated with unrealistic hopes and magic, while ‘reality’ is of something tangible and genuine. Readers exposed to a state of chaos within A Midsummer Night’s Dream are seeing first hand what indistinction of reality can prompt. Shakespeare constructs a full play from four sub-plots that unite to aid in producing an air of uncertainty. When characters of reality intertwine and become involved with that of ‘dreams’, the perplexity of the story to the individuals sets in. Confusion arises, perceptions are formulated, and controversy is among the ambiguous plot due to the blur of dreams and reality, helping to further the storyline.
Titania is uncertain whether her vision is a dream or reality, because dreams are soon
In William Shakespeare's "Midsummer Night's Dream" many symbols, imagery, allusions and dramatic irony are portrayed throughout the play. The collage helped to showcase the major idea's and connections to the play with the use of the dramatic elements.
This demonstrates how there is money and power involved in the story. Egeus, Hermia’s father, removes all of her power. Egeus has her power and controls his daughter, Hermia. In the story, Egeus arranges her marriage with someone whom she doesn’t love, and he doesn’t let her marry who she loves, Lysander. Not only that, but also shows how money also is being used in the story.
Thesis: In A Midsummer Night’s Dream, William Shakespeare demonstrates two opposite worlds: one is world of law, rules and strict hierarchy and another is world of freedom, magic, lawlessness and disorder - which world is correct one?
Love is a term used daily in one’s life. Many categorize love in many forms. These forms differ from one-another such as the difference between love for food and love for one’s spouse. However, in the play; “A Midsummer Night’s Dream”, love takes different forms than the ones experienced in reality. One can classify the different types of love used in this play into three different categories; true love, love produced by cupid’s flower, and the state of lust.
The supernatural world is rather distinct to that of the human world entrenched in societal standards and boundaries. Shakespeare’s play, ‘A Midsummer Night’s Dream’, explores this concept, particularly through the use of Puck. In agreement to Harold Bloom’s statement, the following essay will analyse how Puck is significant because, by being so disparate, he is able to show the limitations of the human. This will be done through, first, exploring a definition of the human in relation to the supernatural. Subsequently, the essay will use a Freudian lense to analyse the morality of Puck and, lastly, the essay will focus on Puck’s physical characteristics as well as his ability to span across boundaries in the play and the metatheatrical realm.
Throughout literary history, different themes have proven to be consistently popular for audiences. The desire to present an accurate reflection of reality has proven to be a major source of inspiration for both authors and readers alike. Reality as a theme is prevalent in literature, and the numerous ways that reality and illusion intertwine. In William Shakespeare’s play, A Midsummer Night’s Dream, the illusory world which the characters inhabit is enhanced by the supernatural. The relationship between Oberon and Titania contributes to the development of the play’s theme of reality and illusion; they are the catalyst by which the play’s action occurs, and their spontaneous natures are countered with human flaws, further
Shakespeare’s A Midsummer Night’s Dream is a play that utilises comedy to convey complex ideas that are seen throughout the play, concepts like the jealousy Helena has towards Hermia, Egeus’s strong hostility towards Hermia and Lysander’s relationship and unrequited love. He uses comical tools like unconscious irony and hyperbole to turn rather difficult topics into humorous representations of them. Events like how Puck thinks Titania had fallen in love with him, not knowing he was bearing the head of an ass, are portrayed in a humorous way so the viewer understands the meaning, but sees it as a light- hearted narrative. Shakespeare carefully uses comedy that does not overpower the meaning of the play, but puts a completely different perspective on some of the themes.
Some people believe in magic, while others do not. Magic alters something or someone using supernatural forces. In William Shakespeare’s A Midsummer Night’s Dream, magic is a secret, mysterious force. Characters are influenced into love by the power of a magic potion. Titania, the queen of the fairies, falls in love with Nick Bottom, a mechanical actor, who is a non-magical character. Lysander, one of the four lovers, falls in love with Helena after being desperately in love with Hermia. Finally, Demetrius falls in love with Helena, whom he hated before, changing the entire love triangle within the play. Magic influences the characters in the play because it clouds their judgement by making them fall in love with someone who they did not think of loving before.
A dream is a series of thoughts, images, and sensations occurring in a person's mind during slumber. They are at the same time both realistic and unrealistic. Dreams play a huge role in A Midsummer Night's Dream, because after being affected by the love juice, the characters always think they were dreaming. This is an appropriate metaphor for describing what happens to the characters in the play because the love juice puts them in situations which are both real and unreal, like a dream. Shakespeare's A Midsummer Night's Dream applies imagery of characters awakening and thinking they were dreaming to create blurred lines between real and unrealistic situations.