Theme Of Morality In Trifles

Perhaps the most important event in the story occurs when Sykes brings home a huge six-foot living snake. Fear once again overcomes Delia and she pleads, “Syke! Syke, mah Gawd! You take dat rattlesnake ‘way from heah! You gottuh. Oh, Jesus, have mussy” (360). Sykes, on the other hand, stands in amusement almost as if he loves to see Delia psychologically abused. His cockiness unravels as he acts like he is invincible and like anyone and anything should and will comply with him. In regards to the enormous snake, Sykes boasts, “…He wouldn’t bite me cause Ah knows how tuh handel ‘im” (360). He makes sure to instill fear into Delia by telling her to be careful because the snake would have no problem coming after her. Hurston also has Sykes portray his own death. In this same scene, Sykes’ reply to

Knowing Zora Neale Hurston was a religious woman, it is no shock that throughout the “Sweat” there are many hidden Biblical references. One reference the story often makes is the snake. The snake is a reference to many things. It first, is a reference to the snake in the book of Genesis, where the devil tempts Eve. The snake also represents original sin and the darkness that comes in all of humanity. In “Sweat”, Delia is afraid of the snake, thus showing her fear of sin and darkness, portraying her as a strong Christian character. The snake can also be a connection to Christ. When the snake is first brought to the house it appears dead. It remains this way for three days, until it miraculously awakens (Carter 611). This relates to Christ when he is hung on the cross and buried. He

Sykes personality is totally different than Delia’s. Sykes Jones is physically and emotionally cruel to Delia. He is immoral and unfaithful; furthermore he takes the money that is earned from Delia's tough labor and squanders it away on his mistress, Bertha. Whereas Sykes may be strong in body, he does not have any belief in God. Sykes in a sense can be compared to the devil because like the devil he drained Delia of her beauty, joy and happiness that she once possessed. This point is brought up in the story when Joe Clarke and the village men are talking about Delia and Sykes ” …But dey squeeze an’ grind an’ wring every drop uh pleasure dat’s in ‘em out” (443). According to Davis Masson, who wrote, Essays Biographical and Critical “All sadness and melancholy come from the devil” (86). Once their marriage starts to fall apart, Sykes uses Delia’s anxiety of snakes against her. Andre’ Ménez, who wrote The Subtle Beast, states, “Being sometimes poisonous, hidden in the shadows; slowly and mutely guiding, snakes have often been deemed powerful and shifty, evil creatures whose major aim was to frustrate the natural and proper development of life” (9).

The canary helps her remember the joy she had singing. The canary is something she could care for and love. ”If there had been years and years of nothing, then a bird to sing to you, it would be awful-still-after the bird was still” (Glaspell 557). The bird’s cage defines how when she marries Mr. Wright she became trapped in his cage. The broken door symbolizes that she was a broken woman barely hanging on to hope. Mr. Wright cruel and unjust treatment to her and the bird causes retaliation. When he snapped the canary’s neck she is forced to kill him.

I want to focus on the story ‘Sweat’ because it happened to be my favorite from the selected female authors we read this semester. I was very struck by the story because Hurston wasn’t afraid to speak her mind, and represents women even in a male-dominated culture. The story ‘Sweat’ takes place in a rural setting. Hurston tends to focus on relationships and conflicts in her writing. In this story, Delia is a hardworking woman. She is also strong, despite being in an abusive relationship. Her husband is portrayed as rude, and clearly doesn’t appreciate anything she does. The narrator also tells the reader how young and beautiful Delia used to look before her abusive marriage. The husband in the story is upset and mad at white people. However, Delia has to work so she defends herself and her job. The story ends with a snake bite that kills her husband. However, he was the one who brought it in the house to scare and more than likely kill Delia. I believe that Hurston’s intentions were to represent a strong female woman who held no regards for a man who mistreated her. I also believe that her intended audience was for females in general. By making Delia hardworking and strong, she is a woman who represents female empowerment. By doing so, Hurston makes women more aware that they don’t have to be consumed in a male-dominated culture, but that a woman can do as she pleases, and not have to

The story Sweat by Zora Neale Hurston tells the story of Delia who overcame her abusive husband, Sykes through her development of becoming a strong woman. The development of Delia’s character throughout the story relates to Zora Neale Hurston’s life of growing up into a strong, empowered woman. Delia and Zora were both verbally and physically abused which made them afraid and timid. Zora made her characters talk in a dialect that she grew up listening to which was uncommon to do in literature. Delia and Zora both had to provide for themselves by putting in the effort remain stable and happy. They also stood up for what they believed in which started their development into strong women. Delia had to let her husband die in order to gain independence, while Zora had to move away from home in order to be successful in her future which developed them both develop into independent women. They became stronger because of these things which empowered them to take back control of their lives. The snake is a symbol in the story that represents the evil that was overcome by the good. This story can now be better analyzed when looking at the life of Delia which connects to Zora Neale Hurston’s life.

First, Delia had to stand up to her husband by expressing her true feelings to him and to show that she was no longer afraid to stand up for herself, “she seized the iron skillet from the stove and struck a defensive pose, which act surprised him greatly, coming from her. It cowed his and he did not strike her as he usually did.” (Hurston 350). I believe that the snake represented her fear and her feeling of helplessness. But rather than letting it consume her, she let it, literally, consume her husband. Despite a rather gruesome ending, the story ends in a place of empowerment and the character is now in control of her own

In “Sweat”, Hurston’s use of Sykes’s evil qualities illustrates the actions and the personality of the character Sykes. For example, Sykes has kicked the clothes around the ground because Delia refuses to stop cleaning white men’s clothes and kept working. Hurston’s description of how Sykes is threatening Delia as “Next time, Ah’m gointer kick’em outdoor!,” foregrounding his intimidation (Hurston 517). Snakes were known for being demanding to get what they want and Sykes used a ruthless tactic to hope that Delia would do what he wanted. Also, another illustration of his wicked qualities is shown when Merchant talks to the village men about Sykes seducing his wife with a basket of pecans. The description is described as “He's allus been crazy 'bout fat women, put in Merchant. He'd a' been tied up wid one long time ago if he could a' found one tub have him. Did Ah tell yuh 'bout him come sidlin' roun' mah wife-bringin' her a basket uh pee-cans outa his yard fuh a present? Yessir, mah wife! She tol' him tub take 'em right straight back home, cause Delia works so hard ovah dat washtub she reckon everything on de place taste lak sweat an' soapsuds. Ah jus' wisht Ah'd a' caught 'im 'roun' dere! Ah'd a' made his hips ketch on fiah down dat shell road,” emphasizes this fact (Hurston 519). The author makes use of Sykes’s womanizing ways to show that he tries to win the affection of Merchant’s wife instead of taking the pecans to Delia. His relationship is indifferent when it comes to romance toward Delia, which often

One of the women made the comment that Mrs. Wright used to be pretty and happy, when she was Minnie Foster not Minnie Wright. This is just the beginning of realizing that she was just pushed to far into depression and couldn't live up to John Wright's expectations anymore. The Wrights had no children and Mrs. Wright was alone in the house all day long. The women perceive John Wright to be a controlling husband who in fact probably wouldn't have children and this may have upset Mrs. Wright. They eventually find vacant bird cage and ponder upon what happened to the bird, realizing Mrs. Wright was lonely they figured she loved the bird and it kept her company. The women make reference to the fact that Mrs. Wright was kind of like a bird herself, and that she changed so much since she married John Wright. They begin looking for stuff to bring her and they find the bird dead and they realize someone had wrung its neck. This is when they realize Mrs. Wright was in fact pushed to far, John Wright had wrung her bird's neck and in return Minnie Wright wrung his.

The snake in the story symbolizes evil which portrays domestic violence. Sykes tried getting rid of Delia so he could go and be with Bertha, his mistress. He knew how afraid Delia was of snakes so he decided to bring one home. “Then, moved by both horror and terror, she sprang back toward the door. There lay the snake in the basket!” (Hurston 8). He really wanted the snake to bite Delia so he could get rid of her. Leaving the snake in the basket where he knew was the easiest place for it to bite her. Sykes knew that the snake would bite her. He was pure evil. The snake however did not bite Delia but it bit Sykes. “He crept an inch or two toward

The symbolism that is apparent in this story is the snake. Delia is terrified of snakes and her husband Sykes loves to tease her about her fear of snakes (Hurston, 1926). In the beginning of the story, while Delia is sorting clothes Sykes throws his big bull whip on her and she is terrified until she notices what it is (Hurston, 1926). Irony is shown in the story because even though Sykes brings the rattlesnake home to scare Delia off, it ends up killing him in the end (Hurston, 1926). The reader can also see the literary element of figurative language being used when Delia gets fed up with Sykes having the rattlesnake at their house and she begins to let him know how fed up she is of him: “Yo’ ole black hide don’t look lak nothin’ tuh me, but uh passle uh wrinkled up rubber, wid yo’ big ole yeahs flappin’ on each side lak uh paih uh buzzard wings (Hurston, 1926, para.49). Although the above example may be hard to read, it is a great example of similes being used in this short story.

In “Trifles”, a division between the two sexes is quickly established as the men enter the house and huddle by the stove while the women remain still by the door. As the men start their detective work the women wander around the house to gather some of Mrs. Wright’s belongings. While searching for her belongings, the women discover an empty birdcage and find a dead bird in a “pretty box” (Glaspell, 956) inside of Mrs. Wright's sewing basket. Mrs. Hale jumps at the sight of the bird’s neck and Mrs. Peters points out how “somebody-wrung-its-neck” (Glaspell, 957) similar to the way Mr. Wright was found earlier. Mrs. Wright's murder of her husband can be seen as an act of feminine revolt against the male-dominated society. Another example of women defying against patriarchy is of Mrs. Hale and Mrs. Peters hiding the evidence that can prove Mrs. Wright to be guilty of her husband’s murder. Before their departure from the Wright’s house, as the men are returning, the sheriff suggests that the county attorney take a look through the items Mrs. Peters had collected for Mrs. Wright. However, he decides that anything collected by the women cannot have much significance and overlooks it. His assumption that the women would have came forward if they saw any possible evidence costs him. The sheriff’s belief is that women derive their identity solely from their relationships with men; the dominant gender.

The broken birdcage can also be seen as a symbolic item within the story. The birdcage represents how women were oppressed, or “caged in” by men during this time in history. The bird, which symbolizes Mrs. Wright in the story, is not mentioned by the men when they notice the birdcage. This is because Glaspell wanted to emphasize that most men during this time were focused on what women were limited to doing, not who they were as a person. As the men overlook yet another important detail, the women realize that the door to the birdcage is broken. This symbolizes Mrs. Wright breaking away from the chains of oppression put on her by her husband.

Zola Neale Hurston is a product and author during the Harlem Renaissance’s, even though most of her work was produced in the 1930’s. She wrote a short story called, “Sweat”. Zola Neale Hurston was an African-American writer who is well known as an extraordinary writer. She was known as one of the most mysterious figures in this literature. “Sweat” is about two characters who are married and their names are Delia Jones and Sykes Jones. Delia is in an abusive relationship with her husband and, Sykes is tiring to seek freedom from his wife to be with his mistress. His plan is to poison Delia with a snake, by putting the snake in her laundry basket. In her short story, “Sweat” Nora Neale Hurston focuses on many symbols, that play a big role in this short story, some of the symbols that she uses are the title, the Chinaberry tree, the snake, and the whip.

Trifles is a play about the death of a woman’s spirit. She is overpowered by her dominating husband and in the end, kills him for suffocating her spirit. The setting of the play is in a kitchen, the sphere, and everything surrounding shows the women’s lives. It shows the writers being preoccupied with the culture, which is bound by the sex and gender roles. As it has been explained in the title, Trifles mean something of little or no importance. The women in this society are seen as the trifles, which has no importance. Only found only in the kitchen. Glaspell characterizes male characters differently than females. The men of this play act towards their wives like any man would in 1916. The men are dominating and have very little real