Theme Of Objectification In The House Of Mirth

Society looks at daisy as if she is weak and deserves to only serve her husband. They believe she should do what she is told and obey her husband and family’s wishes. Daisy is the ideal woman of wealth through society's eyes in

A Doll’s House and The Importance of Being Earnest were both written in the late nineteenth century at a period in time when gender roles in society were not only significant to the structure of society but were restrictive and oppressive to individuals. This was particularly true in the case of women who were seen as the upholders of morals in polite society and were expected to behave accordingly. A Doll’s House and The Importance of Being Earnest challenge society and its inclination to categorise and expect certain behaviour of individuals based on their gender.

In Pride and Prejudice, Jane Austen introduces the major thematic concept of marriage and financial wealth. Throughout the novel, Austen depicts various relationships that exhibit the two recurring themes. Set during the regency period, the perception of marriage revolves around a universal truth. Austen claims that a single man “must be in want of a wife.” Hence, the social stature and wealth of men were of principal importance for women. Austen, however, hints that the opposite may prove more exact: a single woman, under the social limitations, is in want of a husband. Through this speculation, Austen acknowledges that the economic pressure of social acceptance serves as a foundation for a proper marriage.

According to the dictionary, a society is “a community, nation, or broad grouping of people having common traditions, institutions, and collective activities and interests” (Merriam-Webster). In Snow Flower and the Secret Fan, society plays a big part in Lily’s growth and life. As she is living in China during the 1800’s, her position in her family’s household and in the village is preordained before she is even born. Of the things she hears while growing up, the Three Obediences sum it up the best. “When a girl, obey your father; when a wife, obey your husband; when a widow, obey your son” (See 24). The meaning of this being simply: women are unimportant. They are nothing more than pieces on a chessboard that the men in their lives control. And, as Lily is the second daughter, she is even more worthless, which is something she acknowledges. She strives to be the perfect woman, just so she can have the approval from those around her. As such, she cooperates with her footbinding, learns how to do and excel at her chores, and becomes literate in nu shu, the secret women's’ writing. After she creates her dowry and is married, she does whatever she can to please her mother-in-law and husband, including having as many children as he wants. Among all this, she fights it very little. Only when it comes to her laotong, Snow Flower, does she stray from what she has been told her whole life. For instance, “For now, my in-laws could prevent me from seeing Snow Flower, but they could never stop me from loving her” (See 157). Lily is very stubborn when it comes to her laotong. Her mother-in-law may be telling her

The women of the story are not treated with the respect, which reflects their social standings. The first image of the women that the reader gets is a typical housewife. They are imaged as “wearing faded house dresses and

The life of a lady in the 19th century is painted in a romantic light. Pictured in her parlor, the lady sips tea from delicate china while writing letters with a white feathered quill. Her maid stands silently off in the background, waiting for orders to serve her mistress. What is not typically pictured, is the sadness or boredom echoed on the lady’s face. Perhaps the letter is to a dear friend, not seen in ages, pleading with the friend to visit, in hopes that the friend will fill the void in the lady’s life made from years spent in a loveless marriage; or possiblyk20 the lady isn’t writing a letter at all, but a novel or a poem, never to be read by anyone but her. Edith Warton and Charlotte Perkins Gilman, are 19th Century ladies who dare to share their writing with the world. Through their works, the darker side of a woman’s life in the late 1800’s is exposed. Gender politics in the 19th dictates that a lady is dependent on her husband for her financial security and social standing; that is if she is fortunate enough to marry at all. In Edith Warton’s The House of Mirth, Lily Bart is a beautiful woman in her late 20’s, who fails to marry a wealthy man. The narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper slowly goes insane under her physician husbands misguided attempts to cure her of depression. The downfall of Lily Bart and the narrator of The Yellow Wallpaper is

This time period had specifically defined roles for men and women, and the author of The House of Mirth has reversed these accepted norms while The Invisible Man remains true to the roles of men. In The House of

To marry for money and not love is frowned upon as a social norm, but is also seen as an opportunity for women to rise in the social hierarchy. Though, love is to be the reason why bonds like marriage exist. Being a woman in the nineteenth century limits social advancement and makes it seem impossible without wealth, a background of family fortune, or matrimony to a man labeled high class. Emma Woodhouse, from the novel Emma written by Jane Austen, defines what it means to seek stature through marriage and how couples can aid in contexts such as social groups. Austen clearly covers social groups in her novel, but making the novels focal point circumvent around Emma. We look beyond how class enables opportunity for women and see just how

Instead of relying on another power that is above her, she takes her fate into her own hands and tries to save her own home. This self reliance develops early, and can also be seen much later in her life. When she is twenty-seven, Lily learns that her husband has a secret second family. She leaves him immediately and manages to annul the marriage. Although he had taken all of her money from their joint bank account, she does not go back to her parents in Arizona or try to find another husband to take care of her. Instead, she begins preparing for her future alone. “Since I obviously couldn't count on a man to take care of me, what I needed more than ever was a profession. I needed to get my college education and become a teacher . . . the time flew by, and when both the dispensation and the acceptance letter arrived, I had enough money for a year of college” (p. 90). Instead of wondering what to do and moping about her ex-husband, Lily is practical and knows what she wants to do next. She also mentions that she cannot depend on a husband to take care of her. If she did not have to fend for

Mullen describes Lily’s situation as “Lily Bart has been predominantly framed as a tragic victim caught within the irresistible market forces of capitalism and the fatal contradictions of gender and class politics” (45). The novel, “The House of Mirth” filled with nuances of gender and class politics. Mullen points out a weakness in Lily’s character, her position in the forces of the capitalist circle. The females in the novel face the pressures from the social circle as well. Lily is a product of her culture and upbringing. Success is measured by the capital worth and how one would survive in their social class. Unfortunately, Lily didn’t have to chance to remain in her former social class circle, after trying to pay off her debts. She died the night that she received her

      Near the beginning of The House of Mirth, Wharton establishes that Lily would not indeed have cared to marry a man who was merely rich: "she was secretly ashamed of her mothers crude passion for money" (38). Lily, like the affluent world she loves, has a strange relationship with money. She needs money to buy the type of life she has been raised to live, and her relative poverty makes her situation precarious. Unfortunately, Lily has not been trained to obtain money through a wide variety of methods. Wharton's wealthy socialites do not all procure money in the same way: money can be inherited, earned working in a hat shop, won at cards, traded scandalously between married men and

     Edith Wharton's The House of Mirth is an affront to the false social values of fashionable New York society.  The heroine is Lily Bart, a woman who is destroyed by the very society that produces her.  Lily is well-born but poor.  The story traces the decline of Lily as she moves through a series of living residences, from houses to hotel lodgings.  Lily lives in a New York society where appearances are all.  Women have a decorative function in such an environment, and even her name, Lily, suggests she is a flower of femininity, i.e. an object of decoration as well as of desirability to the male element.  We see this is very true once Lily's bloom fades, as it were, a time when she

This passage demonstrates how deeply rooted wealth and marriage are to Lily’s character. Lily cannot survive without money and she can never find a perfect marriage. At the time of this passage Lily is

In the early 19th century, social class or status was everything to individuals back then. Social status was everything to people, just by saying they were better than others. Also, by saying they were “higher statuses” than one another was such a huge deal back then, which higher statues and ranks were about how had money and who didn’t. As people say history repeats itself, I believe that, for instance, nowadays people are always trying to outdo one another. Edith Wharton expressed a variety of different dimensions throughout House of Mirth, which included social, cultural, political, economic. Edith Wharton elaborates a story about Lily Barton, a young lady in her mid 20’s, who is continuously trying to achieve social statuses while dealing with other life struggles. She struggles trying to find someone rich to marry and ends up not being able to become wealthy either. When she struggles to try and find who she wants to marry she tends to get discourage and ends up putting herself in a serious amount of debt that she is unable to pay back. While in debt, she has trouble sleeping, and starts taking medicine to help with this problem. When she had enough money to pay off this debt she uses it to her advantage and pays off all her debt, however why paying off her debts Lily was still taking her sleeping pills and ends up over dosing, which causes her to die. After, this short summary of House of Mirth, did Lily social status affect her life? Did her social status actually

Lily Briscoe is a character that can be viewed as unique. Unique in the sense that she was living in an era when women were expected to take on the domestic role and fulfill the role as a traditional woman. Lily did not live up to those expectations. She struggled to stay true to herself and found it a difficult task to conform to society’s conventions as it relates to gender roles and expectations. The novel “To The Lighthouse” takes place in the 19th century during that time often referred to as the Victorian era. During the Victorian era, the expectation was that individuals should follow strict gender roles and people who did not follow those roles were frowned upon. Women were expected to take care of their husband and children, take care of the home and make themselves available to fulfill their family’s needs. Men on the other hand were expected to provide for the family, work outside of the home and do “manly” things. They were considered to be the breadwinner for their family. As one reads throughout the novel, you are able clearly identify Lily’s struggles with society’s expectations of her as a woman and the difficult task of staying true to oneself as she visits and shares with the Ramsay family.