Theme Of Passion In Othello

Human as the main body stream of the society, their spiritual world is extremely complex and rich, these varieties of human nature shape us unique and distinct from each other. Real human nature has both human creativity and limitations, the imperfections in a person’s characteristics sometimes will perform negatively but in some cases, it won’t harm the whole character’s image. The Shakespearean play Othello reflects the profound social contradictions of the Renaissance, and William Shakespeare develops the idea of one’s ruling passion would falsely leading to the tragic path and creating misunderstandings between loved ones which will act as a double-edged sword that not only harms other but later on will harm oneself. This idea is showing through three main characters of the play, Othello, Iago, and Desdemona; Othello’s ruling passion leading to his jealousy which blinds his logic and gentle nature, Iago’s cruelty in order accomplishes his intelligence which gives him a weapon of language to manipulate people with his ruling passion, Desdemona and her sweet kindness motivates her ruling passion for helping Cassio without noticing her husband's transformation which later caused her own death.

In literary works, cruelty often functions as a crucial motivation or a major social or political factor. In the play Othello by Shakespeare cruelty functions as a crucial motivation, creating a theme of being careful with who can be trusted because, you never know if they’re telling the whole truth. Throughout the play, diction, dramatic irony, and characterization were used to further emphasis the theme.

Set in 16th century Venice, Othello, by William Shakespeare, explores the idea of an outsider from the very beginning of the play. Shakespeare uses Othello, a black army general, to explore the relationship of an outsider in high Venetian society using a variety of approaches. The reader sees characters consistently referring to Othello in derogatory and demeaning terms, as well as frequent implications that Othello is scarcely human. Further exploration of an outsider in society comes from Othello himself, as he outlines a few of the major differences that set him and the community apart.

When the play begins, Othello is introduced as a military leader and a Christian, both characteristics of a noble "Venetian." According to Bell: "

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

A man falls into a violent epileptic shock from sheer anger and jealousy. Othello is an aspiring man, who under delusional rage, allows revenge to blind him and so he betrays the trust of friendship and marriage. Actions alone can merit the characterization of evil simply because some deeds are too purely vicious and

Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).

Haply, for I am black/ And have not those soft parts of conversation/ That chamberers have, or for I am declin’d/ Into the vale of years (yet that’s not much) She’s gone. I am abus’d: and my relief/ Must be to loathe her” (III.III. 304-309). As the emanation of social interaction among various races appear within English literature, the vault of new beginnings and change takes hold. William Shakespeare’s Othello, is most notably recognized for the character, Othello. Through various texts of literature, the idea of racial construct and discrimination was never an easy topic to come by. Since the play was written in Europe during the 1600s, the emergence of slave trades in this area further divided races. The play itself follows the tragedy for Othello, and the transition from a military general to a tragic hero. The limitation of power plays a huge role in Othello’s ability to withstand the manipulation of multiple characters. Although he is Moorish general in the Venetian army, he is still indeed a Moor, a socially lower class, muslim man. From this, cultural collision of ethnicity influences how Othello is treated and the disadvantages he faces because of his color. Through the mere jealousy in which Iago, Othello’s standard-bearer, has for Othello’s life, he proposes the idea to manipulate his life by using the one difference between all men, race. When Iago awakes Brabantio, the father of Desdemona, he hopes to initiate his plan to take down Othello. His description

Shakespeare's Othello is remarkably tolerant of racial differences that would soon come to shame the western world. Othello, “the moor” is held in high esteem. His marriage to Desdemona is almost immediately accepted by Venetian society. Othello is a play about a virtuous marriage that meets a tragic end brought about by jealousy and deceit.

“The ruling passion, be it what it will. The ruling passion conquers reason still,” – Alexander Pope. In this quotes Pope explains that passion far exceeds one’s capacity to have good judgment. In the play, Othello, William Shakespeare suggests that our ruling desire control our every action in which we take.

“When you begin a journey of revenge, start by digging two graves: one for your enemy, and one for yourself.” – Jodi Picoult. Othello is a very well-known Shakespearian text and is still relevant to today’s audiences. The themes in “Othello” are still applicable to today’s many audiences; Betrayal is a key theme presented in Othello, and is also still relevant to today’s audiences. Racism is a significant addition presented in the play, and unfortunately still pervades contemporary society. Madness and jealousy drive the action as it thrives in the play; these destructive emotions are still

Love and lust are both universal and are constantly being applied in the lives of people

   The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. In this essay let us examine the various themes and determine which are dominant and which subordinate.

The vast world of literature encompasses within itself the downfalls and destruction of many characters; from political leaders to simple men, many of the greatest heroes in literature have possessed numerous flaws and weaknesses that have ultimately led to their deterioration. William Shakespeare’s Othello, is the tragic dramatization of a courageous Venetian black man, of the same name, and the shameful way in which he greets his downfall - the act of murdering his wife, Desdemona and his subsequent death. Throughout the play, Othello’s submission to Iago’s manipulation, ultimately drives him to his downfall. As he begins to accept altered perceptions - mirages created by Iago - of himself, causing initial suspicion of his wife’s infidelity; his wife, thus being convinced of her infidelity and; of events, leading him to adopt a mindset that his wife must be killed, eventually drive him to suicide.