Theme Of Red In The Handmaids Tale

In The Handmaid’s Tale, each individual wears a certain colored garb that is symbolic of their role in society. The wives of the Commanders wear blue, which is a royal color, symbolizing the high status of the wives. Blue is also seen as a cold color, which represents the attitudes of the Wives towards the Handmaids. The color blue is often associated with the Virgin Mary, symbolizing the Wives ultimate role as mothers – but ones who have not conceived themselves but rear the children anyway. The Handmaids’ red dresses are long, draping, and covering every inch of their bodies.

She says the man is “as if he’s a half dead rat dragging itself across a kitchen floor”. This portrays the way Handmaids view this man because of the rape he was convicted of. The comparison to something horrible and disgusting reflects the horridness of such a vile act. However, it has a bigger impact on the Handmaids due to their job and the pressure of having a healthy baby. Thus, this man and his supposed crime have released an opportunity for Aunts to manipulate the Handmaids into believing that they have the freedom to release their emotions towards such behavior. Diction is also used to portray the hate and anger the Handmaids express towards rape. Offred claims that “there is a bloodlust” and that she wants to “tear, gouge, rend”. These three words, used to express the anger she feels, are synonyms for each other. The repetition of these words is used to emphasize the passionate anger that all the Handmaids share after being told that he had raped a woman. It also shows how even in the society where such a violent crime like rape is disgraced, such violence still tends to exist within the people. Both the similes and diction illustrate the fact that those in charge allow the manipulated society to act violently towards actions that are intolerable, even when the society itself does not tolerate violence. Thus, giving a sense of freedom to the

The color red symbolics all of the colors and how each can have numerous emotions coming

The Handmaid’s Tale is a story told in the voice of Offred, who is the character of the “handmaid”, which is described best by women who are being forced and used for reproduction because they can make babies. In the Handmaid’s Tale, Margaret Atwood uses symbolism, which is the use of symbols to represent ideas, to show the reader the handmaid’s role in society of Gilead. The handmaids were women who had broken the law of Gilead, and forced into having sex and reproducing for the higher class. They had no rights and were watched constantly so this created a very nervous atmosphere. This horrible way of living is most likely why Offred never fully made the reader aware of the horrible life she was forced to live because

In “The Handmaid 's Tale” by Margaret Atwood, there is the addressing of freedom, abuse of power, feminism, rebellion and sexuality. The audience is transported to a disparate time where things normalized in our current society are almost indistinguishable. Atwood uses each character carefully to display the set of theme of rebellion within the writing, really giving the reader a taste of what the environment is like by explaining detailed interactions, and consequences as well as their role in society.

In Margaret Atwood's The Handmaid's Tale, Offred recounts the story of her life and that of others in Gilead, but she does not do so alone. The symbolic meanings found in the dress code of the women, the names/titles of characters, the absence of the mirror, and the smell and hunger imagery aid her in telling of the repugnant conditions in the Republic of Gilead. The symbols speak with a voice of their own and in decibels louder than Offred can ever dare to use. They convey the social structure of Gileadean society and carry the theme of the individual's loss of identity.

The Handmaid's Tale, a film based on Margaret Atwood’s book depicts a dystopia, where pollution and radiation have rendered innumerable women sterile, and the birthrates of North America have plummeted to dangerously low levels. To make matters worse, the nation’s plummeting birth rates are blamed on its women. The United States, now renamed the Republic of Gilead, retains power the use of piousness, purges, and violence. A Puritan theocracy, the Republic of Gilead, with its religious trappings and rigid class, gender, and racial castes is built around the singular desire to control reproduction. Despite this, the republic is inhabited by characters who would not seem out of place in today's society. They plant flowers in the yard, live in suburban houses, drink whiskey in the den and follow a far off a war on the television. The film leaves the conditions of the war and the society vague, but this is not a political tale, like Fahrenheit 451, but rather a feminist one. As such, the film, isolates, exaggerates and dramatizes the systems in which women are the 'handmaidens' of today's society in general and men in particular.

In literature, red is often associated with blood and violence. Four researchers, Erella Hovers, Shimon Ilani, Ofer Bar-Yosef, and Bernard Vandermeersch, studied colored symbolism and concluded; “Color symbolism is one of the symbolic frameworks used extensively by contemporary societies to convey information and abstract messages through material objects” (Hovers et al.,2003.) Through the use of colors, May vividly expresses the emotions of the speaker towards society, regarding the topics of warfare and education. He specifically selects certain colors, like black and red, to stir up emotions within Jontae. The colors create a symbolic image, ultimately leading up to represent the violent scenes taking place. May writes his fear; “I know how often red is the only color left to reach” (18-19), to show his apprehension for Jontae a young male in society surrounded by warfare. Red in literature often represents blood, sacrifice, and violence. Using colors throughout the poem, creates a more vehement atmosphere, in which Jontae is left to choose between warfare, and discovering his identity in an alternative

One of the many sad aspects of The Handmaid’s Tale is that the women who are subjected to abuse and discrimination soon comply with the roles that have been assigned to them, permitting abuse and exploitation against and amongst themselves. Atwood is not particularly hopeful about women as a means of changing the conditions in which they are living in this society. Even Offred’s eventual escape from the perverted system is more of a luck luck thing than determined will. Paying particular attention to the ending of the novel, this essay will argue that the author wants to call the reader’s attention to the problems that women suffer, but that she offers no solution or hope for change. I will be addressing three different literary devices in this essay; Repetition, Characterization, and Foreshadowing. I hope you enjoy.

Hungry for power. Metaphorically querulous. Weak. The Commander is the representation of male insecurity. This character is derived from Margaret Atwood’s dystopian novel The Handmaid’s Tale. Atwood’s novel reveals that hunger for control can lead to the oppression of women, this is demonstrated through the Commander’s characterization, the Aunts attitudes, and some of the Gileadean rules/laws.

Likewise, in The Handmaid’s Tale, Margaret Atwood made sure to make flowers a recurring symbol to emphasize the real meaning behind certain flowers. Offred's first thought when she sees the hanged man with a bloody mouth is the red tulips that bloom in Serena Joy’s garden“The red of the smile is the same as the red tulips in Serena Joy’s garden...” (Atwood, 38). Red tulips symbolize a perfect love due to the

Desire is a powerful and dangerous emotion which has the ability to overtake and disregards any rational state of mind, creating disorder and life-threatening consequences, thus making it feared as a form of disorder or misdirected imagination. However, desire cannot exist without a lack of satisfaction, allowing the once forbidden to become desirable. These illicit desires which are in conflict with social laws and norms are often repressed into the unconscious. Emerging in forms which are disguised so that they may be unrecognisable to the conscious mind due to the dangerous, forces and consequences they present. Such desires can be identified in George Orwell’s Nineteen Eighty-Four (1949) which mirrors post-war social and political issues, portraying the devastation, destruction and control on the outer limits of humanity in a dystopian world. In a world where thought, history and relationships are manipulated and governed, romantic and autonomies desire become a means of rebellion in order to maintain sanity, truth, and an objective reality as a means of resistance against the governing party. Margaret Atwood’s novel The Handmaid’s Tale (1985) is a speculative fiction which explores the need for a sustained political, feminist consciousness and activity among woman by exploring the political and social consequence of their absence. In The Handmaid’s Tale, we see illicit desire through the use of language and literature in a dystopian world which governs class

Margaret Atwood’s harrowing novel, The Handmaid’s Tale, follows the story of a woman marginalized by the theocratic oligarchy she lives in; in the Republic of Gilead, this woman has been reduced to a reproductive object who has her body used to bear children to the upper class. From the perspective of the modern reader, the act of blatant mistreatment of women is obvious and disturbing; however, current life is not without its own shocking abuses. Just as the Gileadian handmaid was subject to varied kinds of abuse, many modern women too face varied kinds of abuses that include psychological, sexual, and financial abuse.

Offred can see herself in the mirror like a distorted shadow, a parody of something, some fairy-tale figure in a red cloak, descending towards a moment of carelessness that is in the same as danger. A Sister, dipped in blood."(8). In Cliff Notes, Mary Ellen Snodgrass wrote, "The persistent color motif suggesting menstruation and the female cycle in the blatant scarlet color of the Handmaid's uniform"(31). For that reason, it seems appropriate the color used to represent the Handmaids is red. Their job is to deliver a child for Commanders and their wives; therefore, the menstruation cycle has a strong meaning. Giving birth is another representation. Red could be associated with the bleeding and afterbirth that is part of childbirth. The mode of transportation to travel to the birth of a fellow Handmaid is the Birthmobile. The bench seats, curtains, and floor, as well as the Birthmobile itself, is red. The place where all of the of Handmaids are trained as potential breeders is named "Red Center." That is where they are taught how to act and present themselves proudly. The Red Center is also where the Handmaids are told everything they cannot do anymore, such as read, because they are women. In today's society, we associate "Red Light Districts" with prostitution. Several examples in the novel show how little the other women in the Republic think of the function of the Handmaids. Perhaps they look at the Handmaids lives as a form of

Events and ideas circulating in a writer’s environment shift and mold his perspective, and ultimately provide the basis for his works of literature. Writers who experience similar socialization often have similar writing styles and themes they strive to convey. Modernism stretched from the late nineteenth century to the early 1940s. Modernist writers criticized tradition and institutions, attempting to find meaning and individuality in a chaotic world. Postmodernists tend to mock modernist styles, and the very possibility of meaning and absolute truth. Postmodernism began around 1939-1945, at the beginning of World War II. Writers from the period embrace chaos and the constant change and subjectivity of the universe. The Handmaid’s Tale and Brave New World both clearly articulate the common themes and styles of their respective times. Written by Aldous Huxley in 1943, Brave New World uses literary techniques typical to modernism and more often postmodernism to convey Huxley’s conviction that people find happiness in their ability to make their own choices as individuals within society. Human impulses, which drive individuality and choice, are necessary, though when uncontrolled they bring chaos to society. The Handmaid’s Tale was written about forty years later, and although Margaret Atwood borrows some stylistic techniques from modernism (similarly to Brave New World), the four-decade gap is still evident as she has clearly moved into the heart of postmodernism. Through